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Husserl's Ideas is one of the most important works of twentieth-century philosophy, offering a detailed introduction to the phenomenological method, including the reduction, and outlining the overall scope of phenomenological philosophy. Husserl's explorations of the a priori structures of intentionality, consciousness, perceptual experience, evidence and rationality continue to challenge contemporary philosophy of mind. Dan Dahlstrom's accurate and faithful translation, written in pellucid prose and in a fluid, modern idiom, brings this classic work to life for a new generation.
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One commonplace assumption in Continental philosophy circles today is that there is an unbridgeable gap between, on the one hand, Kantian and post-Kantian critical tradition in German thought and, on the other, Husserlian and post-Husserlian phenomenology.Phenomena-Critique-Logos challenges this assumption and endeavors to work out a systematic concept of critique, using the resources of phenomenology itself. In this innovative work, Michael Marder argues that critique is situated at the very heart of phenomenology, traversing the Husserlian oeuvre and regulating the relation between phenomena and logos, conceived in its multiple senses as reason, logic, a mode of thinking, study and word. Having outlined the features of phenomenology as a kind of critique, Marder goes on to demonstrate how it is applicable to ontology, ethics and politics, through sustained readings of Heidegger, Levinas, Arendt and Derrida, as well as through an original elaboration of phenomenological critique pertinent to each of these fields.
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"The central task of phenomenology is to investigate the nature of consciousness and its relations to objects of various types. The present book introduces students and other readers to several foundational topics of phenomenological inquiry, and illustrates phenomenology's contemporary relevance. The main topics include consciousness, intentionality, perception, meaning, and knowledge. The book also contains critical assessments of Edmund Husserl's phenomenological method. It argues that knowledge is the most fundamental mode of consciousness, and that the central theses constitutive of Husserl's "transcendental idealism" are compatible with metaphysical realism regarding the objects of thought, perception, and knowledge. Helpful tools include introductions that help the reader segue from the previous chapter to the new one, chapter conclusions, and suggested reading lists of primary and some key secondary sources. Key Features: Elucidates and engages with contemporary work in analytic epistemology and philosophy of mind. Provides clear prose explanations of the necessary distinctions and arguments required for understanding the subject. Places knowledge at the center of phenomenological inquiry"--
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The essays collected in this volume explore some of the themes that have been at the centre of recent debates within Wittgensteinian scholarship. In opposition to what we are tentatively inclined to think, the articles of this volume invite us to understand that our need to grasp the essence of ethical and religious thought and language will not be achieved by metaphysical theories expounded from such a point of view, but by focusing on our everyday forms of expression.
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Phenomenological Perspectives on Place, Lifeworlds and Lived Emplacement is a compilation of seventeen previously published articles and chapters by David Seamon, one of the foremost researchers in environmental, architectural, and place phenomenology. These entries discuss such topics as body-subject, the lived body, place ballets, environmental serendipity, homeworlds, and the pedagogy of place and placemaking. The volume's chapters are broken into three parts. Part I includes four entries that consider what phenomenology offers studies of place and placemaking. These chapters illustrate the theoretical and practical value of phenomenological concepts like lifeworld, natural attitude, and bodily actions in place. Part II incorporates five chapters that aim to understand place and lived emplacement phenomenologically. Topics covered include environmental situatedness, architectural phenomenology, environmental serendipity, and the value of phenomenology for a pedagogy of place and placemaking. Part III presents a number of explications of real-world places and place experience, drawing on examples from photography (André Kertész's Meudon), television (Alan Ball's Six Feet Under), film (John Sayles' Limbo and Sunshine State), and imaginative literature (Doris Lessing's The Four-Gated City and Louis Bromfield's The World We Live in).Seamon is a major figure in environment-behavior research, particularly as that work has applied value for design professionals. This volume will be of interest to geographers, environmental psychologists, architects, planners, policymakers, and other researchers and practitioners concerned with place, place experience, place meaning, and place making.
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