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Painting, French --- Neo-impressionism (Art) --- Peinture française --- Néo-impressionnisme (Art) --- Expositions
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Neo-impressionism (Art) --- Painting, French --- Néo-impressionnisme (Art) --- Peinture française --- Exhibitions --- Exhibitions --- Expositions --- Expositions
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While Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist's theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, while Cézanne renounced perspective. Rich in its variety and in the singularity of its artists,
Post-impressionism (Art) --- Postimpressionism (Art) --- Aesthetics --- Art, Modern --- Cubism --- Expressionism (Art) --- Futurism (Art) --- Impressionism (Art) --- Modernism (Art) --- Neo-impressionism (Art) --- Painting
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Impressionism (Art) --- Post-impressionism (Art) --- Postimpressionism (Art) --- Aesthetics --- Art, Modern --- Cubism --- Expressionism (Art) --- Futurism (Art) --- Modernism (Art) --- Neo-impressionism (Art) --- Painting
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Neo-impressionism (Art) --- Symbolism (Literary movement) --- Art and literature --- Art and music --- Néo-impressionnisme (Art) --- Symbolisme (Mouvement littéraire) --- Art et littérature --- Art et musique --- Poetry --- Music --- Painting --- Art styles --- anno 1800-1899
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"This revelatory study of Georges Seurat (1859-1891) explores the artist's profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist's approach. Foa contends that Seurat's body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa's analysis also brings to light Seurat's sustained exploration of long-standing and new forms of illusionism in art"--Publisher's website.
Painters --- Neo-impressionism (Art) --- Divisionism --- Pointillism --- Art, Modern --- Dots (Art) --- Impressionism (Art) --- Painting, Modern --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Visual perception in art. --- Criticism and interpretation. --- Frankrijk.
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Pissarro, Camille Jacob --- Painting [French ] --- Peinture française --- Schilderkunst [Franse ] --- Neo-impressionism (Art) --- Painting, French --- Avant-garde (Aesthetics) --- Painters --- Néo-impressionnisme (Art) --- Avant-garde (Esthétique) --- Peintres --- History --- Social conditions --- Histoire --- Conditions sociales --- Pissarro, Camille, --- Influence. --- Néo-impressionnisme (Art) --- Peinture française --- Avant-garde (Esthétique) --- France --- Painting [Modern ] --- 19th century --- Avant-Garde (Aesthetics) --- Avant-garde (Aesthetics) - France - History - 19th century. --- Painters - France - Social conditions.
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Post-impressionism (Art) --- Painting, Modern --- Postimpressionnisme (Art) --- Peinture --- Exhibitions --- Exhibitions. --- Expositions --- postimpressionisme --- Europa --- divisionisme --- post-impressionisme --- 75.035/036 --- CDL --- Postimpressionism (Art) --- Aesthetics --- Art, Modern --- Cubism --- Expressionism (Art) --- Futurism (Art) --- Impressionism (Art) --- Modernism (Art) --- Neo-impressionism (Art) --- Painting --- European paintings --- Post-impressionism - Catalogues. --- divisionisme. --- Europa.
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Art styles --- anno 1800-1899 --- Indianapolis Museum of Art (Indianapolis) --- verzameling W.J. Holliday --- neo-impressionisme --- Holliday, W.J. --- Neo-impressionism (Art) --- Catalogs --- Painting [Modern ] --- 19th century --- Holliday, William J. --- Art collections --- Painting --- Private collections --- Indianapolis --- Indianapolis. Museum of Art --- Indianapolis Museum of Art (Indianapolis). --- verzameling WJ Holliday. --- neo-impressionisme.
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