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Dance --- Music and dance --- Opera --- Handel, George Frideric,
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Music and dance --- Dance music --- Dance --- History and criticism
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Write Dance in the Early Years provides practitioners with a package of catchy songs, engaging stories and illustrations, as well as guidance on how to implement the Write Dance approach in their early years setting.
Penmanship, English. --- Music and dance. --- Early childhood education --- Activity programs
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"This study surveys music and dance from a global perspective, viewing them as a composite whole found in every culture. The author examines the connection between sound and movement as an element of the human experience. Music and dance from Africa, the Americas, Asia, Europe, the Middle East and the South Pacific are discussed"--
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Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.
Dance music --- Music and dance --- Ballet --- History and criticism. --- History. --- Ballet. --- Dance music. --- Music and dance. --- Dance and music --- Dance
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Folk music --- Music and dance --- Ethnomusicology --- Audio-visual aids --- Garfias, Robert
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"Based on multiple decades of research on and experience with Egyptian dance and music, this book is a unique exploration into the history, expansion, aesthetics, social reality, regulation, and transformation of different forms of dance and dance music in Egypt. The book covers raqs sharqi (Oriental dance, known as belly dance or danse du ventre), raqs sha'biyya (regional or group-specific dances and rituals), sha'bi (lower-class urban music and a dance style), mulid (drawing on Sufi tradition and the festive character of saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). Each chapter touches on a different aspect of Egyptian dance, including genres and sub-genres and evolution, the demeanor of dancers, trends old and new, and social and political criticism using the imagery of dance or a dancer. It also considers the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the adoption of the dance as a hobby, competitive dance form, and focus of international dance festivals"-- "This book is an exploration into the history, aesthetics, social reality, regulation, and transformation of dance and dance music in Egypt. It covers raqs sharqi (Oriental dance, known as belly dance or danse du ventre), raqs sha'biyya (regional or group-specific dances and rituals), sha'bi (lower-class urban music and dance style), mulid (drawing on Sufi tradition and saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). The chapters discuss genres and sub-genres and their evolution, the demeanor of dancers, trends old and new, and social and political criticism that use the imagery of dance or a dancer. Also considered are the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the dance as a hobby, competitive dance form, and focus of international dance festivals"--
Dance --- Music and dance --- Dance music --- History. --- Social aspects --- History and criticism.
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Music and dance --- Music --- Dance --- Hermeneutics (Music) --- Musical aesthetics --- Dance and music --- Philosophy and aesthetics --- Philosophy --- Aesthetics --- Ballett. --- Choreografie. --- Music and dance. --- Musik. --- Tanz. --- Philosophy. --- Philosophy and aesthetics. --- Music theory --- Music - Philosophy and aesthetics --- Dance - Philosophy
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'Foundations of Musical Grammar' makes a unique contribution to music theory by building on recent research in cognitive science and theoretical perspectives adopted from cognitive linguistics to present an account of the foundations of musical grammar. In presenting this account, it engages with music and the emotions, gesture, and social dance.
Music --- Music and language. --- Music and dance. --- Psychological aspects. --- Semiotics. --- Social aspects. --- Music and language --- Music and dance --- Dance and music --- Dance --- Music and society --- Semiotics --- Language and music --- Language and languages --- Music psychology --- Psychological aspects --- Social aspects --- Psychology
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"In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music."--Jacket. "In recent years, there has been an upsurge of interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without" selling out.""
Musique folklorique --- Sound recording industry --- Folk music --- Histoire et critique. --- Social aspects --- History and criticism. --- Rounder Records (Firm) --- North American Folk Music and Dance Alliance. --- North American Folk Music and Dance Alliance --- History. --- USA. --- USA --- United States.
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