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Just what is it that catches the eye, and why? What is the significance of a broken flowerpot, a pair of identical tables side by side, a garden hose wrapped around an old car wheel? In this collection of photo essays, the famous designer Jasper Morrison examines and imagines the life behind a series of seemingly ordinary situations.
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Jasper Morrison's name is not associated with spectacular consumer design products. Instead, he has chosen to align himself from the start with an approach that designers often return to after careers spent otherwise: simple and durable forms that remain functional and true to their materials, and retain an unmistakable and exciting modern formal language. His success in the European design landscape over the past decade is without parallel, perhaps because his first furniture and interior designs appeared at a time when the overwhelming nature of flashy d©cor had become underwhelming. Arguing against "Uselessism" and for "Utilism," Morrison equates the decorative content of a design with a lack of understanding of design's utilitarian purpose. Likewise, he continues to apply himself to doorhandles and doors, bottles of beer and busstops, regarding no aspect of daily life as unworthy of consideration as a design problem. Everything But the Walls provides a much needed survey of Morrison's working methods and their results, as well as an exploration of the sources of his inspirations and ideas.
Industrial design --- Industrial designers --- Furniture designers --- Design --- Designers --- Dessinateurs de meubles --- Morrison, Jasper, --- Mobilier --- Morrison, Jasper
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spoons --- lepels --- eetgerei --- utensils for consuming food --- Applied arts. Arts and crafts --- Industrial design --- Spoons --- Flatware --- Silverware --- Morrison, Jasper --- Spoons. --- Flatware. --- Silverware. --- Morrison, Jasper,
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Morrisson, Jasper --- Engeland? --- minimalisme --- industrial design --- Jasper Morrison --- Industrial designers --- Industrial design --- Morrison, Jasper, --- Industrial designers.
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What feeds the inspiration of the designer? Observation. In Jasper Morrison’s collection of pictures, icons of design history meet up with the unassuming objects of everyday life, and curious findings with the archetypes of modernism. Every picture tells a story and in juxtaposition with its neighbor a new one is also created—without words, in the language of form. Morrison responds to the arbitrariness of form with simplicity and complexity, poetry and humor in a repertoire of compelling designs. The volume "A World Without Words" is a school of seeing that addresses both designers and consumers who wish to explore the universe of goods.
Photography, Artistic --- Design --- Photographie artistique --- Pictorial works --- History --- Ouvrages illustrés --- Histoire --- 749.07 --- Ontwerpers ; 1990-2012 ; J. Morrison ; inspiratiebronnen --- Industrieel design ; 20ste eeuw ; 21ste eeuw --- Morrison, Jasper °1959 (°Londen, Groot-Brittannië) --- architectuur --- design --- fotografie --- fotoboeken --- 745.038 --- productdesign --- meubilair --- meubelkunst --- Morrison Jasper --- twintigste eeuw --- woord en beeld --- 745.071 MORRISON --- 772.81 --- Morrison, Jasper --- Meubelontwerpers ; designers ; interieurarchitecten --- CAD, design en industriële vormgeving in de 20e eeuw --- productdesign, historisch, 1945-, ontwerpers afzonderlijk --- Ouvrages illustrés
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Tourism --- Housekeeping --- Architecture --- architecture [discipline] --- hotels [built public accommodations] --- Hundertwasser, Fritz --- Starck, Philippe --- Conran, Terence --- Morrison, Jasper --- Graves, Michael --- Pelli, Cesar --- Kurokawa, Kisho --- Tange, Kenzo --- Public buildings
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Jasper Morrison and Naoto Fukasawa have compiled 204 everyday objects in search of super normal design: alongside examples of anonymous design, there are design classics like by Jacobsen, Rams, Bill or Noguchi. With products by Newson, Grcic, the Azumis, and the Bouroullecs, it also represents the generation to which Morrison and Fukasawa belong. The phenomenon of the super normal is located, beyond space and time; and point to a future that has long since begun. The super normal is lying exposed before us, it is real and available: Fukasawa and Morrison make it visible for us.
Industrial design --- Design --- Exhibitions. --- History --- Exhibitions --- Expositions --- Histoire --- Fukasawa, Naoto, --- Morrison, Jasper, --- 745.036/039 --- Morrison, Jasper --- Fukasawa, Naoto --- design --- vormgeving --- productdesign --- twintigste eeuw --- eenentwintigste eeuw --- 772.81 --- productdesign, historisch, 1945-, ontwerpers afzonderlijk --- design [discipline] --- industrial design --- utensils --- industriële vormgeving --- gebruiksvoorwerpen
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By what means did so much beauty and ingenuity appear in articles of everyday rural life in Portugal? How did the shape of these objects balance necessity and formal perfection so skillfully? This book explores the effect that generations of trial and error, individual craftsmanship, and an instinct to carve out the essential with the slenderest of means brought to objects that made life both livable and meaningful to a pre-industrial society. The objects photographed and described by designer Jasper Morrison may be appreciated both for their beauty and for the example they set of design at its purest.
gebruiksvoorwerpen --- utensils for consuming food --- werktuigen --- design [discipline] --- History of Southern Europe --- Portugal --- Museu Nacional de Etnologia (Portugal) --- Tools --- Folk art --- Handicraft --- Outils --- Art populaire --- Artisanat --- Catalogs --- Catalogs. --- Catalogues --- Morrison, Jasper, --- huisraad
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As a pioneer of modern design, Willy Guhl created world-famous furniture such as the Eternit garden chair or Europe’s first plastic shell chair. In the tradition of modernism and against the traditional “Heimatstil”, he developed a holistic design approach oriented to human beings and their needs. Functionality and reduction to the essential characterize his everyday objects. For companies such as Dietiker, Eternit and Aebi, Willy Guhl designed seating furniture, planters and mowing machines. Willy Guhl’s designs and his teaching methods bear witness to the innovations of the booming design industry of the post-war period and the changing professional image of the industrial designer. As a teacher, he influenced generations of Swiss designers. This first comprehensive monograph illuminates Willy Guhl’s legacy in the context of this design and teaching practice as well as current theories of the design discipline. As a thematically structured catalog of works, it offers a complete index of all design projects.
Furniture design --- Furniture designers --- Guhl, Willy, --- Interieurarchitectuur ; Zwitserland ; vanaf 1942 --- Morrison, Jasper °1959 (°Londen, Groot-Brittannië) --- Sixties-meubelen --- Architectuur ; internationaal naoorlogse modernisme --- Meubels ; design ; 20ste eeuw --- Guhl, Willy 1915-2004 (°Zwitserland) --- 749.07 --- Meubelontwerpers ; designers ; interieurarchitecten A - Z
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