Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art nouveau --- Art, Modern --- -Modern art --- Art belle époque --- Art nouva --- Arte joven --- Belle époque art --- Jugendstil --- Modern style (Art nouveau) --- Modernisme (Art nouveau) --- Modernismo (Art nouveau) --- Nieuwe kunst --- Stile Liberty --- Style nouille (Art nouveau) --- Aesthetic movement (Art) --- Art --- -Art nouveau

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art nouveau --- Art belle époque --- Art nouva --- Arte joven --- Belle époque art --- Modern style (Art nouveau) --- Modernisme (Art nouveau) --- Modernismo (Art nouveau) --- Nieuwe kunst --- Stile Liberty --- Style nouille (Art nouveau) --- Art Nouveau --- Jugendstil [German, Austrian Art Nouveau] --- Art --- jugendstil --- anno 1900-1999 --- 709.0349 --- Jugendstil --- Aesthetic movement (Art) --- Arts Art nouveau --- Art nouveau.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art nouveau --- Arts, Austrian --- Art belle époque --- Art nouva --- Arte joven --- Belle époque art --- Jugendstil --- Modern style (Art nouveau) --- Modernisme (Art nouveau) --- Modernismo (Art nouveau) --- Nieuwe kunst --- Stile Liberty --- Style nouille (Art nouveau) --- Aesthetic movement (Art) --- Art --- Austrian arts --- History of civilization --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- Vienna

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomón; the elite dress and décor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-scène of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risqué works of Oscar Wilde and Aubrey Beardsley. Moving to the modern era, Fischer focuses on a series of dramatic films, including Michelangelo Antonioni's The Passenger (1975), that make creative use of the architecture of Antoni Gaudí; and several European works of horror-The Abominable Dr. Phibes (1971), Deep Red (1975), and The Strange Color of Your Body's Tears (2013)-in which Art Nouveau architecture and narrative supply unique resonances in scenes of terror. In later chapters, she examines films like Klimt (2006) that portray the style in relation to the art world and ends by discussing the Art Nouveau revival in 1960s cinema. Fischer's analysis brings into focus the partnership between Art Nouveau's fascination with the illogical and the unconventional and filmmakers' desire to upend viewers' perception of the world. Her work explains why an art movement embedded in modernist sensibilities can flourish in contemporary film through its visions of nature, gender, sexuality, and the exotic." -- Publisher's description.

Art and motion pictures. --- Art nouveau. --- Art belle époque --- Art nouva --- Arte joven --- Belle époque art --- Jugendstil --- Modern style (Art nouveau) --- Modernisme (Art nouveau) --- Modernismo (Art nouveau) --- Nieuwe kunst --- Stile Liberty --- Style nouille (Art nouveau) --- Aesthetic movement (Art) --- Art --- Art and moving-pictures --- Motion pictures and art --- Motion pictures --- Art et cinéma.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"At the turn of the nineteenth century, Art Nouveau was both Europe and America's boldest and most fashionable style." "In this comprehensive and lucid book, Stephen Escritt defines Art Nouveau broadly, analysing the work of such diverse designers as Victor Horta in Belgium, Emile Galle in France, Charles Rennie Mackintosh in Glasgow and Antoni Gaudi in Barcelona. He argues that Art Nouveau was evolutionary, drawing on a range of sources including the French Neo-Rococo, the English Arts and Crafts Movement and Symbolism, as well as revolutionary, exploring the inherent possibilities of steel and glass and the functionalism that was to be taken up by the Modern Movement. This is the first book to examine Art Nouveau worldwide in the context of the issues of the age, from fin-de-siecle anxieties about the pressures of modern life to nationalism, spiritualism, the emancipation of women and the heroic cult of youth."--Jacket.

Art styles --- anno 1900-1999 --- anno 1800-1899 --- CDL --- 7.036.1 --- Art nouveau --- Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art --- Art belle époque --- Art nouva --- Arte joven --- Belle époque art --- Jugendstil --- Modern style (Art nouveau) --- Modernisme (Art nouveau) --- Modernismo (Art nouveau) --- Nieuwe kunst --- Stile Liberty --- Style nouille (Art nouveau) --- Aesthetic movement (Art)