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Wigamur is an anonymously-authored, thirteenth-century Middle High German romance about a king's son who is lost to his parents in infancy. The eponymous hero, after being carried off in childhood by a mermaid, rescues an eagle which becomes his constant companion; in subsequent adventures he also rescues a maiden, becomes a Knight of the Round Table, and finally confronts a knight who of course proves to be his father, from whom he inherits a kingdom. The romance is perhaps the most most fully realized example of the Fair Unknown, or Bel Inconnu, motif in both the German and larger European Arthurian traditions.
Owng in part to the lack of an English translation, unlike other contemporary German romances, Wigamur has been comparatively little studied. This volume aimsto fill this need. It presents an edition of the text ( based on the only complete manuscript, Wolffenbüttel, Herzog August Bibliothek, Cod. Guelf. 51.2. Aug. 4 (W), dating from the last half of thefifteenth century), accompanied by facing translation, notes, and introduction.
Joseph M. Sullivan is an Associate Professor of German at the University of Oklahoma.
German poetry --- Romances, German. --- German romances --- German literature --- Wigamur. --- Arthurian romance. --- Bel Inconnu. --- European Arthurian traditions. --- Fair Unknown. --- Knight. --- Medieval German. --- Middle High German. --- Round Table. --- hero. --- mermaid. --- translation.
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Drawing upon the most current methodologies, the essays in this book pursue the multifarious functions of end-times in medieval German texts.
Apocalyptic literature. --- German literature --- Literature, Medieval --- Literature, Apocalyptic --- Literature --- History and criticism. --- African Literature. --- Anthropology. --- Apocalypse. --- Comparative Literature. --- End-Times. --- Environmental Themes. --- Global Crises. --- Human Consequences. --- Literary Criticism. --- Literature and Culture. --- Medieval German Literature. --- Narrative Techniques. --- Religious Affiliations. --- Symbolism.
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Der Band untersucht erstmals die gesamteuropäische Rezeption des für die mittelalterliche Literatur einschlägigen Autors Alanus ab Insulis.Die Beiträge aus unterschiedlichen Disziplinen (u.a. Latinistik, Germanistik, Romanistik, Anglistik, Philosophiegeschichte) untersuchen die intellektuellen Auseinandersetzungen mit Alanus im gelehrten Milieu, das Verhältnis von Alanus’ allegorisch-literarischen Werken und mittelalterlichen ‚Klassikern‘ wie Jean de Meun, Dante und Chaucer sowie die Ausstrahlung von Alanus’ Werken in den deutschsprachigen Raum (Frauenlob; Heinrich von Mügeln).
(Produktform)Hardback --- (Zielgruppe)Fachpublikum/ Wissenschaft --- Alan von Lille --- lateinische Literatur des Mittelalters --- romanische und englische Literatur des Mittelalters --- Allegorie --- Renaissance des 12. Jahrhunderts --- Alan of Lille --- Medieval Latin Literature --- Medieval German, French, Italian and EnglishLiterature --- Allegory --- Renaissance of the Twelfth Century --- (VLB-WN)1523: Hardcover, Softcover / Philosophie/Mittelalter --- Philosophers --- Philosophy --- Mental philosophy --- Humanities --- Scholars --- Latin literature, Medieval and modern. --- Allegory. --- Alanus, --- Medieval German --- French --- Italian and EnglishLiterature
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In perhaps 25 years of creative productivity (ca. 1180-ca. 1205), Hartmann von Aue authored a dispute about love between the body and the heart, Die Klage, numerous songs of courtly love, crusading songs, and most likely took part in a Crusade himself. He composed the first German Arthurian romance, Erec, based on Chrétien's like-named work, and he -- apparently -- ended his literarycareer with a second, Iwein. Further, he is the creator of two provocative rel-igious-didactic works, Gregorius, a tale of double incest, repentance, and redemption, and Der arme Heinrich, the account of a seemingly perfect nobleman who is stricken with leprosy and then ultimately cured by a process set into motion by a very young peasant girl, whom he ultimately marries. Noother medieval German poet treats such an extraordinary breadth of themes at such a high level of artistic expression. The essays in this volume, written by scholars from North America and Europe, offer insight into many aspects of Hartmann's oeuvre, including the medieval and modern visual and literary reception of his works. The volume also offers considerations of Hartmann and Chrétien;Hartmann's putative theological background and the influence of the Bible on his tales; the reflection of his medical knowledge in Der arme Heinrich and Iwein; and a complete survey of his lyric production. Newer avenues of research are also presented, with essays on issues of gender and on the role of pain as a constitutive part of the courtly experience. It is hoped that this volume will prove to be a stimulating companion not only for those familiar with Hartmann but also for those who are just making the acquaintance of one of the greatest of medieval German poets.
Francis G. Gentry is Professor Emeritus of German at the Pennsylvania State University and the University of Wisconsin-Madison.
Hartmann, --- Criticism and interpretation. --- Aue, Hartmann von, --- Hartman, --- Hartmann von Aue, --- Hartman von Owe --- LITERARY CRITICISM / European / General. --- Arthurian romance. --- Der arme Heinrich. --- Die Klage. --- Gregorius. --- Hartmann von Aue. --- body. --- courtly experience. --- courtly love. --- crusading songs. --- double incest. --- gender. --- heart. --- leprosy. --- love. --- medieval German poet. --- nobleman. --- pain. --- redemption. --- repentance.
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Medieval historians and literary scholars have not ignored the topic of sexual violence and rape, but the primary focus has regularly rested on English, French, or Italian documents. Here we have the first book-length study that investigates the treatment of sexual crimes in medieval and early modern German and Latin literature, making great efforts to shed light on often ignored scenes and episodes even in some of the ,classical' works such as Wolfram von Eschenbach's Parzival or the anonymous Nibelungenlied. As this monograph reveals, many times we face situations where we cannot easily determine whether rape has occurred or not. Consequently, we recognize an important discourse in these literary examples concerning the question of how to view and deal with sexual violence, which could also involve men as victims. This critical examination extends toward sixteenth-century jest narratives (Schwänke) where the issue of rape continued to occupy the authors' minds. Moreover, as numerous side glances to contemporary European literature indicate, the theme of sexual violence was of universal concern and critical importance during the entire premodern era.
German literature --- Rape in literature. --- Women in literature. --- Violence in literature. --- Latin literature, Medieval and modern --- Literature, Medieval --- Littérature allemande --- Viol dans la littérature --- Femmes dans la littérature --- Violence dans la littérature --- Littérature latine médiévale et moderne --- Littérature médiévale --- History and criticism. --- Histoire et critique --- Comparative literature --- Thematology --- anno 500-1499 --- anno 1500-1799 --- Littérature allemande --- Viol dans la littérature --- Femmes dans la littérature --- Violence dans la littérature --- Littérature latine médiévale et moderne --- Littérature médiévale --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Medieval Gender Issues. --- Medieval German Literature. --- Rape. --- Sexual Violence. --- Women's Rights.
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