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Poetry --- Spanish-American literature --- Bombal, M. --- Bombal, María Luisa
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Thematology --- Onetti, Juan Carlos --- Bombal, María Luisa --- Carpentier, Alejo
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Catholics --- Christian poetry, Spanish --- Catholics --- Spiritual life --- Catholic Church --- Carvajal y Mendoza, Luisa de, --- Carvajal y Mendoza, Luisa de, --- Carvajal y Mendoza, Luisa de, --- de Carvajal y Mendoza, Luisa
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Catholics --- Catholic women authors --- Catholic women --- Carvajal y Mendoza, Luisa de, --- London (England) --- Religion --- Carvajal, Louise de --- Carvajal y Mendoza, Luisa de, - 1566-1614
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Etruscans --- Art, Etruscan --- Etruscans. --- Etrusques --- Art étrusque --- Civilisation étrusque --- Banti, Luisa,
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María Luisa Ortega es ejemplo de lo que significa la palabra gratitud. Tanto enlos textos que se recogen en este libro, como en el testimonio de María Luisamisma, es evidente que la humanista, colega y amiga nuestra transgrede laalegoría del escritor romántico alemán Von Kleist en su Teatro de marionetas:sí es posible amar sin trauma, educar sin dejar heridas y conocer sin perderla inocencia ni la alegría de todo descubrimiento primerizo. Cada uno de losensayos recogidos aquí hablan no solamente de Juan Rulfo, Virginia Woolf, lapoesía española o el dilema sobre la muerte, sino sobre la conciencia de lo queel lenguaje significa en este entramado literario, ligado a la conciencia ética delmaestro que se enfrenta a un grupo de alumnos para transmitirles el amor porlos libros y la importancia de la experiencia de la lectura en nuestra vida. ¡Y qué vivan las humanidades!.
Women in literature. --- Literature --- Death in literature. --- Women authors --- History and criticism. --- Ortega, María Luisa.
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Francesco Soderini (1671-1736), father of Mauro Soderini (1703-1751), was a Florentine painter who worked for the last members of the Medici dynasty, expecially for the Electress of the Palatinate Anna Maria Luisa, the only daughter of the granduke Cosimo III de’ Medici. Among the artist’s works, only the paintings for Villa La Quiete, the place where Anna Maria Luisa stayed during her last years, are well studied. This paper proposes new attributions to Soderini by recognising his style in some canvases presented on the art market and attributed to anonymous artists. These paintings contribute to a more accurate acknowledgement of the artist and of his style, which was very appreciated by his contemporaries.
Florentine late-baroque painting --- Medici family --- Anna Maria Luisa de' Medici --- Francesco Soderini
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