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Opera through other eyes
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ISBN: 0804722404 9780804722407 0804722390 Year: 1994 Publisher: Stanford, CA : Stanford University Press,

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Abstract

This collection of eight essays introduces literary and cultural theorists into the domain of operatic textual analysis, offering a fresh look at underexamined terrain.

Keywords

Opera. --- Libretto. --- Opéra --- Livret (Musique)

The birth of opera
Authors: --- ---
ISBN: 0198165730 0198161301 9780198165736 9780198161301 Year: 1993

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Book
World agricultural statistics : FAO statistical pocketbook = Statistiques agricoles mondiales : livret statistiques de la FAO = Estadisticas agricolas mundiales : compendio estadistico de la FAO 1987.
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ISBN: 9250027362 Year: 1989 Publisher: Rome : FAO,

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Wagner's operas and desire
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ISBN: 0820436933 Year: 1998 Volume: 22 Publisher: New York : P. Lang,

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Reading Opera
Authors: ---
ISBN: 0691027099 0691602670 0691632138 140085959X 0691091323 1306986583 9781400859597 9780691602677 9780691091327 9780691027098 9780691632131 Year: 2014 Publisher: Princeton, NJ : Princeton University Press,

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"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad spectrum of contemporary reading strategies ranging from the formalistic to the feminist. And as texts for music they raise issues in the relation between the two mediums and their respective traditions. Reading Opera will be of value to anyone with a serious interest in opera and contemporary opera criticism. The essays cover the period from the early nineteenth to the early twentieth centuries, with a particular focus on works of the later nineteenth century. The contributors are Carolyn Abbate, William Ashbrook, Katherine Bergeron, Caryl Emerson, Nelly Furman, Sander L. Gilman, Arthur Groos, James A. Hepokoski, Jurgen Maehder, Roger Parker, Paul Robinson, Christopher Wintle, and Susan Youens.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Book
A language for German opera : the development of forms and formulas for recitative and aria in seventeenth-century German libretti
Authors: ---
ISBN: 3447046538 Year: 2002 Volume: 37 Publisher: Wiesbaden Harrassowitz

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