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How an auteur of animation took modern storytelling to infinity and beyond
Animators --- Motion picture producers and directors --- Lasseter, John. --- Pixar (Firm) --- Pixar Animation Studios --- Disney Pixar (Firm) --- Lasseter, John --- United States --- Biography --- Pixar (Firma)
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Animated films --- Computer animation --- Films d'animation --- Animation par computer --- History and criticism --- Histoire et critique. --- Lasseter, John. --- Lasseter, John --- Criticism and interpretation --- Critique et interprétation. --- Pixar (Firm) --- Disney.Pixar. --- Toy story (Motion picture)
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Toy Story (John Lasseter, 1995), Pixar's first feature-length production and Hollywood's first completely computer-generated animated film, is an international cultural phenomenon. This collection brings together a diverse range of scholars and practitioners who together explore the themes, compositional techniques, cultural significance and industry legacy of this landmark in contemporary cinema. Topics range from industrial concerns, such as the film's groundbreaking use of computer generated imagery and the establishment of Pixar as a major player in the animation world, to examinations of its music, aesthetics, and the role of toys in both the film and its fandom. The Toy Story franchise as a whole is also considered, with chapters looking at its cross-generational appeal and the experience of growing up alongside the series. As the first substantial work on this landmark film, this book will serve as an authoritative introduction for scholars, students and fans alike.
Animated films --- Toy story films. --- History and criticism. --- Lasseter, John --- Criticism and interpretation. --- Pixar (Firm) --- Toy story (Motion picture)
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"Toy Story (John Lasseter, 1995), Pixar's first feature-length production and Hollywood's first completely computer-generated animated film, is an international cultural phenomenon. This collection brings together a diverse range of scholars and practitioners who together explore the themes, compositional techniques, cultural significance and industry legacy of this landmark in contemporary cinema. Topics range from industrial concerns, such as the film's groundbreaking use of computer generated imagery and the establishment of Pixar as a major player in the animation world, to examinations of its music, aesthetics, and the role of toys in both the film and its fandom. The Toy Story franchise as a whole is also considered, with chapters looking at its cross-generational appeal and the experience of growing up alongside the series. As the first substantial work on this landmark film, this book will serve as an authoritative introduction for scholars, students and fans alike."--Bloomsbury Publishing.
Toy story films. --- Animated films --- Computer animation --- History and criticism. --- Lasseter, John Criticism and interpretation. --- Pixar (Firm) --- Toy story (Motion picture) --- Animation, Computer --- Computer-assisted filmmaking --- Computer-generated animation --- Animation (Cinematography) --- Computer graphics --- Motion pictures --- Pixar Animation Studios --- Disney Pixar (Firm) --- Animated films. --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Abstract films --- Animation cels --- Lasseter, John --- Criticism and interpretation.
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Featuring 50 seminal short films by key animators from around the world, this book discusses the work of early pioneers such as Oskar Fischinger and Jan Svankmajer as well as contemporary animators such as Larry Cuba, Tim Hope and Run Wrake. All of the films included are independently produced personal work. Most of the featured directors make a living in commercial animation but, freed from the constraints of a client brief, they use their short films to experiment with new ideas and techniques, many of which subsequently find their way into commercial applications. Labors of love, these films can take years to complete - each second of the film may consist of up to 25 frames of animation. Grouped according to four main themes, all forms of animation are covered, including 2D, 3D, Claymation, stop frame and web/Flash animation. Each project is accompanied by a 500-word review including comments from the director. Details of software and method along with the internet address of the production company are given in the technical credits.(deuxième de couverture)
Animation 3d --- Film d'animation --- film --- filmgeschiedenis --- animatie --- computerkunst --- digitale kunst --- Lye Len --- Alexeieff Alexander --- Parker Claire --- Brakhage Stan --- Stehura John --- Engel Jules --- Emshwiller Ed --- Sims Karl --- Kawaguchi Yoichiro --- Russell Erica --- Paterson James --- Pitaru Amit --- Insertsilence --- Glabicki Paul --- Bute Mary Ellen --- geluid --- Fischinger Oskar --- VanDerBeek Stan --- experimentele film --- McLaren Norman --- Cuba Larry --- Kendle Dylan --- Satoshi Tomioka --- Hope Tim --- Brothers Quay --- Quay Brothers --- Rutterford Alexander --- Pleix --- Gauckler Geneviève --- Deslandes Jean-Pilippe --- Hoogerbrugge Han --- Chansay Jean-Luc --- Svankmajer Jan --- Griffin George --- Leaf Caroline --- Norstein Yuri --- Panushka Christine --- Back Frédéric --- Hilton Stuart --- Hunt Philip --- Driessen Paul --- Bush Paul --- Hodgson Jonathan --- Yilmaz Lev --- Hardstaff Johnny --- Smith Harry --- Khitruk Fedor --- Trnka Jiri --- Khrjanovsky Andrei --- Kinoshita Renzo --- Kinoshita Sayoko --- Shorina Nina --- Lasseter John --- Baker Mark --- Bordo --- Dovnikovic Borivoj --- Kenworthy Richard --- Dudok de Wit Michael --- Templeton Suzie --- Wrake Run --- 791.46 --- 799.91 --- animatiefilm --- kortfilms --- animatiefilm, geschiedenis --- Film --- animatiefilms
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Film --- Auteur (cinéma) --- Dialogue (cinéma) --- Motion picture authorship. --- Dialogue in motion pictures. --- film --- scenario's --- narratologie --- Citizen Kane --- Mankiewicz Herman J. --- Welles Orson --- Sunset boulevard --- Wilder Billy --- Casablanca --- Epstein Julius J. --- Epstein Philip G. --- Koch Howard --- North by northwest --- Lehman Ernest --- Jules et Jim --- Truffaut François --- Gruault Jean --- Lolita --- Nabokov Vladimir --- Kubrick Stanley --- Goldfinger --- Maibaum Richard --- Dehn Paul --- The graduate --- Willingham Calder --- Henry Buck --- Midnight cowboy --- Salt Waldo --- Chinatown --- Towne Robert --- Annie Hall --- Allen Woody --- Brickman Marshall --- Breaking away --- Tesich Steve --- When Harry met Sally --- Ephron Nora --- The fisher king --- LaGravanese Richard --- Thelma & Louise --- Khouri Callie --- Toy story --- Whedon Joss --- Stanton Andrew --- Lasseter John --- Docter Pete --- Ranft Joe --- Sokolow Alec --- Good will hunting --- Damon Matt --- Affleck Ben --- Ordinary people --- Sargent Alvin --- American beauty --- Ball Alan --- Midnight in Paris --- 791.44 --- Dialogue in motion pictures --- Motion picture authorship --- Epstein Julius J --- Epstein Philip G --- Mankiewicz Herman J --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Film dialogue --- Movie dialogue --- Authorship --- Play-writing --- Screenwriters --- Auteur (cinéma) --- Dialogue (cinéma)
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