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Lake poets --- Poetry --- English literature --- Regional documentation --- Lake District --- Lake school --- Lakists --- Poets, English
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The idea that the inspired poet stands apart from the marketplace is considered central to British Romanticism. However, Romantic authors were deeply concerned with how their occupation might be considered a kind of labour comparable to that of the traditional professions. In the process of defining their work as authors, Wordsworth, Southey and Coleridge - the 'Lake school' - aligned themselves with emerging constructions of the 'professional gentleman' that challenged the vocational practices of late eighteenth-century British culture. They modelled their idea of authorship on the learned professions of medicine, church, and law, which allowed them to imagine a productive relationship to the marketplace and to adopt the ways eighteenth-century poets had related their poetry to other kinds of intellectual work. In this work, Goldberg explores the ideas of professional risk, evaluation and competition that the writers developed as a response to a variety of eighteenth-century depictions of the literary career.
Lake poets. --- English poetry --- Lake school --- Lakists --- Poets, English --- History and criticism. --- Great Britain --- Intellectual life --- Arts and Humanities --- Literature
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The long-established association of Romanticism with youth has resulted in the early poems of the Lake Poets being considered the most significant. Tim Fulford challenges the tendency to overlook the later poetry of no longer youthful poets, which has had the result of neglecting the Wordsworth, Coleridge and Southey of the 1820s and leaving unexamined the three poets' rise to popularity in the 1830s and 1840s. He offers a fresh perspective on the Lake Poets as professional writers shaping long careers through new work as well as the republication of their early successes. The theme of lateness, incorporating revision, recollection, age and loss, is examined within contexts including gender, visual art, the commercial book market. Fulford investigates the Lake Poets' later poems for their impact now, while also exploring their historical effects in their own time and counting the costs of their omission from Romanticism.
English poetry --- Lake poets. --- Romanticism --- Lake school --- Lakists --- Poets, English --- History and criticism. --- Arts and Humanities --- Literature
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Thomas De Quincey (1785-1859) described his adolescent discovery of the Lyrical Ballads of Wordsworth and Coleridge as 'an absolute revelation of untrodden worlds, teeming with power and beauty'. The admiring letter he sent to Wordsworth led to friendships with him, Coleridge and Robert Southey. Relations soured over time, though, as De Quincey's opium addiction and debts increased. Following Coleridge's death in 1834, De Quincey began writing his 'Lake Reminiscences', published serially in Tait's Magazine up to 1840. Candid, occasionally bitter, and highlighting flaws such as Coleridge's plagiarism, the recollections offended the surviving poets and their families, yet these vivid portraits attract continued scholarly interest for both the light shed on the subjects and on the author himself. The collected essays, reissued in this 1863 printing of the 1862 first edition, certainly served to confirm the Lake Poets as leading figures of English Romanticism.
Lake poets. --- Authors, English --- Homes and haunts --- Lake District (England) --- Intellectual life --- English authors --- Lake school --- Lakists --- Poets, English --- Lakeland (England) --- Lakes (England) --- Coleridge, Samuel Taylor, --- Southey, Robert, --- Wordsworth, William, --- Wœ̄tsawœ̄t, Winlīam, --- Wurdzwurth, Wilyam, --- Varḍsavartha Viliyama, --- Axiologus, --- Southey, Roberto, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,
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