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Bodo (Indic people) --- Bodo. --- Ethnologie. --- Volkskunde. --- Sydasiatiska etniska grupper. --- History. --- Social life and customs. --- Assam (India) --- Assam. --- India --- Empirische Kulturwissenschaft --- Ethnographie --- Ethnografie --- Europäische Ethnologie --- Folklore --- Gegenwartsvolkskunde --- Kulturanthropologie --- Sozialwissenschaften --- Kulturwissenschaften --- Ethnologie --- Volkskundler --- Völkerkunde --- Volkskunde --- Bodos --- Ethnology --- Prāgjyotiṣa-Kāmarūpa
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Niemand kann sagen, was vor dem Anfang des Lebens war und was nach dessen Ende kommt - oder ob es überhaupt Anfang und Ende gibt, die unabhängig sind von kulturellen Mustern. Das Weltbild der Moderne baut allerdings auf solchen Unterscheidungen auf. Denken wir nur zum Beispiel an Immanuel Kant, der dem Menschen einen freien Willen zugesteht, weil er die Fähigkeit hat, sich an den Anfang von etwas zu setzen. Der vorliegende Band versammelt Texte aus verschiedenen kulturwissenschaftlichen Disziplinen, die unterschiedliche Perspektiven auf Anfang und Ende entwickeln und, an ausgewählten Beispielen, chronologisch und thematisch ein weites Feld abdecken - von der Antike bis zur Postmoderne, von historischen Quellen bis zum Film, von der Philosophie bis zur Medienwissenschaft, von William Shakespeare bis Michael Ende, von ersten Sätzen in der Literatur bis zu Schlüssen in der Musik. Das ist sicher nicht das Ende der Beschäftigung mit dem Thema, aber immerhin ein - hoffentlich vielversprechender - Anfang!
Anfang --- Ende --- Kulturwissenschaft --- Philosophie --- Medienwissenschaft --- Antike --- Postmoderne --- Film --- Shakespeare --- Michael Ende --- Literatur --- Musik --- Kultur --- Anfänge --- Schlüsse --- Culture --- Literature --- Beginnings --- Endings --- Kant, Immanuel, --- Kritik der ästhetischen Urteilskraft (Kant, Immanuel)
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Weyerman was the author and editor of a satirical weekly periodical of which two volumes are analysed here. They are a primary source on the customs and manners of urbanised Western Europe, especially Holland, in the early eighteenth century.
Cultural studies. --- HISTORY / Social History. --- Kulturwissenschaft: Sitten und Gebräuche. --- Modern history to 20th century: c 1700 to c 1900. --- SOCIAL SCIENCE / Customs & Traditions. --- Social & cultural history. --- Sociology: customs & traditions. --- Sozial- und Kulturgeschichte. --- Netherlands. --- Niederlande. --- Western Continental Europe. --- Westeuropa. --- Weyerman, Jacob Campo --- Romanticism. --- Weyerman, Jacob Campo, --- Netherlands --- Pays-Bas --- Social life and customs --- Civilization. --- Mœurs et coutumes --- Civilisation.
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This Open Access book, Crisis and Legitimacy in Atlantic American Narratives of Piracy: 1678-1865, examines literary and visual representations of piracy beginning with A.O. Exquemelin’s 1678 Buccaneers of America and ending at the onset of the US-American Civil War. Examining both canonical and understudied texts—from Puritan sermons, James Fenimore Cooper’s The Red Rover, and Herman Melville’s “Benito Cereno” to the popular cross-dressing female pirate novelette Fanny Campbell, and satirical decorated Union envelopes, this book argues that piracy acted as a trope to negotiate ideas of legitimacy in the contexts of U.S. colonialism, nationalism, and expansionism. The readings demonstrate how pirates were invoked in transatlantic literary production at times when dominant conceptions of legitimacy, built upon categorizations of race, class, and gender, had come into crisis. As popular and mobile maritime outlaw figures, it is suggested, pirates asked questions about might and right at critical moments of Atlantic history.
America—Literatures. --- Comparative literature. --- Literature—History and criticism. --- North American Literature. --- Comparative Literature. --- Literary History. --- Comparative literature --- Literature, Comparative --- Philology --- History and criticism --- Piraten, Atlantik, Literatur, Legitimität --- ÖFOS 2012, Amerikanistik --- ÖFOS 2012, Literaturgeschichte --- ÖFOS 2012, Kulturwissenschaft --- ÖFOS 2012, Vergleichende Literaturwissenschaft --- piracy, Atlantic, literature, legitimacy --- ÖFOS 2012, American studies --- ÖFOS 2012, History of literature --- ÖFOS 2012, Cultural studies --- ÖFOS 2012, Comparative literature studies --- America --- Literature --- Literatures. --- History and criticism. --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Appraisal --- Evaluation
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This open access book considers the stories of adolescents and young adults from different regions of the world who use digital media as instruments and stages for storytelling, or who make themselves the subject of storytelling. These narratives discuss interconnectedness, self-staging, and managing boundaries. From the perspective of media and cultural research, they can be read as responses to the challenges of contemporary society. Providing empirical evidence and thought-provoking explanations, this book will be useful to students and scholars who wish to uncover how ongoing processes of cultural transformation are reflected in the thoughts and feelings of the internet generation.
Communication. --- Social media. --- Digital media. --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- User-generated media --- Communication --- User-generated content --- Communication, Primitive --- Mass communication --- Sociology --- digital media, social media, adolescents and young adults, digital storytelling, narratives --- ÖFOS 2012, Media research --- ÖFOS 2012, Cultural studies --- ÖFOS 2012, Media theory --- Digitale Medien, social media, Jugendliche und junge Erwachsene, digital storytelling, Narrative --- ÖFOS 2012, Medienforschung --- ÖFOS 2012, Kulturwissenschaft --- ÖFOS 2012, Medientheorie
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History of civilization --- Museology --- Ethnology. Cultural anthropology --- Archeology --- Material culture --- Culture matérielle --- Periodicals --- Périodiques --- Material culture. --- #VCV tijdschrift abonnement --- Arts and Humanities --- History --- Society and Culture --- Anthropology --- Social Sciences --- Sachkultur --- Volkskunde --- Ethnologie --- Zeitschrift --- Arts and Humanities. --- Anthropology. --- Social Sciences. --- Culture matérielle --- Périodiques --- EJANTHR EJSOCIA EPUB-ALPHA-J EPUB-PER-FT SAGE-E --- Periodikum --- Zeitschriften --- Völkerkunde --- Ethnographie --- Europäische Ethnologie --- Folklore --- Gegenwartsvolkskunde --- Materielle Kultur --- Materielle Volkskultur --- Presse --- Fortlaufendes Sammelwerk --- Kulturwissenschaften --- Sozialwissenschaften --- Kulturanthropologie --- Volkskundler --- Volkskultur --- Industriekultur --- Alltagsgegenstand --- Culture --- Technology --- Ethnografie --- Völkerkunde --- Europäische Ethnologie --- Empirische Kulturwissenschaft --- Periodicals. --- Archaeology and history --- MATERIAL CULTURE --- Sachkultur. --- Volkskunde. --- Ethnologie. --- Zeitschrift.
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What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.
Religion and culture --- Blasphemy --- Religious pluralism --- Social aspects. --- Freedom of speech --- Libel and slander --- Offenses against religion --- Pluralism (Religion) --- Pluralism --- Religion --- Religions --- Culture and religion --- Culture --- Postsäkularismus --- post-sekular --- visual culture --- religious conflict --- post-secularism --- post-secular --- populäre Ästhetik --- popular aesthetics --- politics of representation --- offensive images --- museums --- Museen --- Medienwissenschaft --- Literaturwissenschaft --- literary studies --- Kunstwissenschaft --- Kulturwissenschaft --- Islam --- imaging gender --- Hinduismus --- Hinduism --- Glaubenskonflikt --- Filmwissenschaft --- cultural studies --- co-existence --- anstößige Bilder --- artistic research --- Artistic Research --- Bildpolitik --- Bildwissenschaft --- Blasphemie --- blasphemy --- Christentum --- Christianity --- the arts --- Blasphemy.
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Mass communications --- Sociology of culture --- Motion pictures --- Broadcasting --- Mass media --- Cinéma --- Radiodiffusion --- Médias --- Periodicals --- Periodicals. --- Périodiques --- Motion picture industry --- Broadcasting. --- Mass media. --- Motion pictures. --- Kunst. --- Massamedia. --- Mediakunst. --- Art. --- Étude culturelle. --- Mass-média. --- Cinéma. --- Australia. --- Arts and Humanities --- General and Others --- Society and Culture --- Literature --- Arts and Humanities. --- Society and Culture. --- Mass communication --- Media, Mass --- Media, The --- Broadcasting industry --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Film industry (Motion pictures) --- Moving-picture industry --- History and criticism --- Ahitereiria --- Aostralia --- Ástralía --- ʻAukekulelia --- Austraalia --- Austraalia Ühendus --- Australian Government --- Australie --- Australien --- Australiese Gemenebes --- Aŭstralii︠a︡ --- Australija --- Austrālijas Savienība --- Australijos Sandrauga --- Aŭstralio --- Australské společenství --- Ausztrál Államszövetség --- Ausztrália --- Avstralii︠a︡ --- Avstraliĭski sŭi︠u︡z --- Avstraliĭskiĭ Soi︠u︡z --- Avstraliĭskii︠a︡t sŭi︠u︡z --- Avstralija --- Awstralia --- Awstralja --- Awstralya --- Aystralia --- Commonwealth of Australia --- Cymanwlad Awstralia --- Državna zaednica Avstralija --- Government of Australia --- Ḳehiliyat Osṭralyah --- Koinopoliteia tēs Aystralias --- Komanwel Australia --- Komonveltot na Avstralija --- Komonwelt sa Awstralya --- Komunaĵo de Aŭstralio --- Komunejo de Aŭstralio --- Kūmunwālth al-Usturālī --- Mancomunidad de Australia --- Mancomunitat d'Austràlia --- Negara Persemakmuran Australia --- New Holland --- Nova Hollandia --- Osṭralyah --- Persemakmuran Australia --- Samveldið Ástralía --- Usṭralyah --- Usturāliyā --- Whakaminenga o Ahitereiria --- Communication --- Communication and traffic --- Cultural industries --- Telecommunication --- Audio-visual materials --- Performing arts --- Aŭstralii͡ --- Australské společenstv --- Avstralii͡ --- Avstraliĭski sŭi͡uz --- Avstraliĭskiĭ Soi͡uz --- Avstraliĭskii͡at sŭi͡uz --- Kūmunwālth al-Usturāl --- Usturāliy --- Ōsutoraria --- Culture and media --- Medienwissenschaft --- Filmwissenschaft --- Kulturwissenschaften --- Kulturwissenschaft --- Cultural studies --- Geisteswissenschaften --- Kulturwissenschaftler --- Filmforschung --- Filmologie --- Film --- Filmwissenschaftler --- Massenmedien --- Mediologie --- Kommunikationswissenschaft --- Forschung --- Medienwissenschaft. --- Filmwissenschaft. --- Kulturwissenschaften. --- Australia
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