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Antonio Negri, one of Italy's most influential and controversial contemporary philosophers, offers in this book a radical new interpretation of the nineteenth-century Italian poet Giacomo Leopardi. For Negri, Leopardi is not the bitter, idealistic individualist of conventional literary history, but rather a profoundly materialist thinker who sees human solidarity as the only possible solution to the catastrophes of history and politics. Negri traces Leopardi's resistance to the transcendental idealism of Kant and Hegel, with its emphasis on reason's power to resolve real antagonisms into abstract syntheses, and his gradual development of a sophisticated poetic materialism focused on the constructive power of the imagination and its "true illusions." Like Nietzsche (who admired him), Leopardi provides an alternative to modernity within modernity, expressing a force of rupture and recomposition—a uniquely Italian one—that is as relevant now as it was in the nineteenth century, and which connects to the theory of Empire as the political constitution of the present that Negri has elaborated in collaboration with Michael Hardt.
Leopardi, Giacomo, --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- Philosophy. --- Leopardi, Giacomo
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Bambara (African people) --- Komo (Secret order) --- Sculpture, Bambara --- Bambara (Peuple d'Afrique) --- Sculpture Bambara --- Rites and ceremonies --- Rites et cérémonies --- Sculpture, Bambara. --- Rites and ceremonies. --- Komo (Secret order). --- Rites et cérémonies
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The major themes and human concerns expressed in Leopardi's writings are related to his life experiences and to the historical period in which he lived. Of central interest are the book's discussions of nobility and love as these two themes evolve and change as Leopardi acquired a more general and universal conception of life. The fascinating admixture in his work of classical and modern perspectives on life and literature is highlighted throughout the book.
Italian poetry --- History and criticism. --- Leopardi, Giacomo, --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- Leopardi, Giacomo
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In this first detailed and comprehensive account of Leopardi's theory of poetry, G. Singh assesses both the literary and critical attainments of a poet whose eminence ranks him with Dante and Petrarch. Singh's analysis, which employs extensive reference to Leopardi's work in order to illustrate the author's own comments, sets forth Leopardi's views on the larger questions of tradition, inspiration, and the imagination in poetry. Later chapters are concerned with the more specific matters of the poetic image, style, and language.
Poetry. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Leopardi, Giacomo, --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- Leopardi, Giacomo
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Selections from Leopardi's prose masterwork, Zibaldone, one of the great intellectual diaries in European literature, expertly translated by Tim ParksRevenge-Revenge is so sweet one often wishes to be insulted so as to be able to take revenge, and I don't mean just by an old enemy, but anyone, or even (especially when in a really bad mood) by a friend.-from Passions The extraordinary quality of Giacomo Leopardi's writing and the innovative nature of his thought were never fully recognized in his lifetime. Zibaldone, his 4,500-page intellectual diary-a vast collection of thoughts on philosophy, civilization, literary criticism, linguistics, humankind and its vanities, and other varied topics-remained unpublished until more than a half-century after his death. But shortly before he died, Leopardi began to organize a small, thematic collection of his writings in an attempt to give structure and system to his philosophical musings. Now freshly translated into English by master translator, novelist, and critic Tim Parks, Leopardi's Passions presents 164 entries reflecting the full breadth of human passion. The volume offers a fascinating introduction to Leopardi's arguments and insights, as well as a glimpse of the concerns of thinkers to come, among them Nietzsche, Dostoyevsky, Wittgenstein, Gadda, and Beckett.
Italian literature --- Italian language --- Romance languages --- History and criticism. --- Leopardi, Giacomo, --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- Leopardi, Giacomo
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La vie, chez les Komo, est conçue comme un écoulement progressif qui, suivant le cours du soleil et celui des rivières de leur territoire, va d'est en ouest et d'amont en aval, et c'est en termes d'ouverture et de fermeture que l'on rend ce qui favorise ou empêche ce mouvement. Tout problème vital est élargi à ces dimensions cosmologiques, mais ne pourra être traité, la vie s'écoulant nécessairement vers la mort, que moyennant une mort sacrificielle qui permettra à la vie de revenir à sa source. Ce renversement dont les ancêtres, origine de la vie, garantissent la possibilité ontologique, est rendu possible, sur le plan logique, grâce à l'emploi successif des couleurs blanche et rouge. Celles-ci assurent la transposition métaphorique entre les diverses oppositions cosmologiques et permettent leur application métonymique aux personnes à traiter. Le rituel initiatique de la circoncision met cette vision du monde en œuvre d'une façon exceptionnellement riche et complexe, intégrant dans le jeu de ses propres significations, et selon des procédés fort divers, toute la symbolique culturelle. Dans cette mise en œuvre les principales différenciations sociales sont également données à voir d'une manière privilégiée, du fait de l'intégration de leurs significations dans celles de l'ensemble rituel. Dès lors, le rituel lui-mème est à voir comme une relecture thématique, totalisante et unifiante de la culture dans ses rapports avec les événements concrets de la vie. Bien que construit à partir d'un système de significations qui le déborde, il crée lui-même son signifié et même l'objet de ses activités. Ce dernier n'est donc pas à chercher dans quelque réalité sociale préexistante. Life amongst the Komo is seen as a graduai outflow which. following the course of the sun and the rivers of their territory, passes from cast to west and from source to flood. and it is in terms of opening and closing thaï one must describe the factors which help or hinder this progress. Every vital…
Komo (Congolese (Democratic Republic) people) --- Circumcision --- Komo (Peuple du Congo) --- Circoncision --- Rites and ceremonies --- Rites et cérémonies --- Rites and ceremonies. --- #SBIB:39A10 --- #SBIB:39A73 --- 299.6 --- 392.1 --- -Komo (Congolese (Democratic Republic) people) --- -Amputation, Foreskin --- Foreskin amputation --- Foreskin removal --- Male circumcision --- Prepucectomy --- Removal of foreskin --- Body marking --- Foreskin --- Initiation rites --- Antropologie: religie, riten, magie, hekserij --- Etnografie: Afrika --- Godsdiensten van Bantoes, Niloten, Soedannegers, Pygmeeën, Kaffers, Hottentotten, Bosjesmannen, Galla's, Bassuto's, Zoeloes --- Doop. Besnijdenis. Initiatie. Meerjarigverklaring --- Surgery --- -Antropologie: religie, riten, magie, hekserij --- 392.1 Doop. Besnijdenis. Initiatie. Meerjarigverklaring --- 299.6 Godsdiensten van Afrikaanse zwarte volkeren --- 299.6 Godsdiensten van Bantoes, Niloten, Soedannegers, Pygmeeën, Kaffers, Hottentotten, Bosjesmannen, Galla's, Bassuto's, Zoeloes --- Godsdiensten van Afrikaanse zwarte volkeren --- -392.1 Doop. Besnijdenis. Initiatie. Meerjarigverklaring --- Amputation, Foreskin --- Rites et cérémonies --- Besnijdenis. --- Komo [Tribu]. Ethnographie. --- Circoncision. --- Komo [Volksstam]. Etnografie. --- C3 --- rituelen --- Congo [historische term land Congo -CG] --- Kunst en cultuur (ODIS-HT) --- Komo (Congolese (Democratic Republic) people) - Rites and ceremonies --- Circumcision - Congo (Democratic Republic) --- Religion --- Anthropology --- Kumu --- circoncision --- rite --- Zaïre --- Komo --- République démocratique du Congo --- Circoncision (ethnologie) --- Rites de puberté --- Komo (peuple de la République démocratique du Congo) --- Congo (République démocratique) --- Rites de puberté --- Komo (peuple de la République démocratique du Congo) --- Congo (République démocratique)
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"This book presents a comprehensive account of features of Latin that emerge from dialogue: commands and requests, command softeners and strengtheners, statement hedges, interruptions, attention-getters, greetings and closings. In analyzing these features, Peter Barrios-Lech employs a quantitative method and draws on all the data from Roman comedy and the fragments of Latin drama. In the first three parts, on commands and requests, particles, attention-getters and interruptions, the driving questions are firstly - what leads the speaker to choose one form over another? And secondly - how do the playwrights use these features to characterize on the linguistic level? Part IV analyzes dialogues among equals and slave speech, and employs data-driven analyses to show how speakers enact roles and construct relationships with each other through conversation. The book will be important to all scholars of Latin, and especially to scholars of Roman drama"
Grammar --- Classical Latin language --- Historical linguistics --- Drama --- Classical Latin literature --- Literary rhetorics --- Latin drama (Comedy) --- Latin language --- Rhetoric, Ancient --- Latein --- Dialog --- Sprachstatistik --- Komödie --- History and criticism --- Grammar, Historical --- Latein. --- Komödie. --- Komödie. --- Dialog. --- Sprachstatistik. --- Latin drama (Comedy) - History and criticism --- Latin language - Grammar, Historical --- Rhetoric, Ancient - History and criticism --- History and criticism. --- Grammar, Historical. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin rhetoric --- Rhetoric
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Ethnology. Cultural anthropology --- Applied arts. Arts and crafts --- life masks --- Lwena --- African by national designation --- Binji --- Nkanu --- Zombo --- Shi [culture or style] --- Kakongo --- Ndaka --- Southern Kete --- Cham-Mwana --- Eastern Pende --- Kwame --- Sundi --- Vili --- Yombe [culture or style] --- Woyo --- Bembe [Kongo] --- Holo --- Kwese --- Pende --- Suku --- Yaka [Kwango-Kwilu region style] --- Chokwe [culture or style] --- Kuba [Democratic Republic of Congo style] --- Biombo [Kuba region style] --- Northern Kete --- Luntu --- Lwalu [culture or style] --- Salampasu --- Lulua --- Luba [culture or style] --- Hemba [culture or style] --- Songye --- Tabwa --- Tetela --- Komo [style] --- Lega --- Lengola [culture or style] --- Mbole --- Yela --- Zande --- Congo
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Eternal return. --- Time in literature. --- Goethe, Johann Wolfgang von, --- Leopardi, Giacomo, --- Nietzsche, Friedrich Wilhelm, --- Influence. --- Eternal return --- Time in literature --- Eternal recurrence --- Cosmology --- Cycles --- Eternity --- Nietzsche, Friedrich --- Nietzsche, Friederich --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- Goethe, Johann Wolfgang von --- ゲーテ --- Goethe, Johann Wolfgang --- Nietzsche, Friedrich Wilhelm --- Goethe --- Von Goethe, Johann Wolfgang --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Goethe, J. W. --- Jītī --- Gete, V. --- Koetʻe --- Goetʻe --- Getė, --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Y. V. --- Qöte, Yohan Volfqanq --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- Leopardi, Giacomo --- ゲエテ
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In these essays Northrop Frye addresses a question which preoccupied him throughout his long and distinguished career - the conception of comedy, particularly Shakespearean comedy, and its relation to human experience.In most forms of comedy, and certainly in the New Comedy with which Shakespeare was concerned, the emphasis is on moving towards a climax in which the end incorporates the beginning. Such a climax is a vision of deliverance or expanded energy and freedom. Frye draws on the Aristotelian notion of reversal, or peripeteia, to analyse the three plays commonly known as the 'problem comedies': Measure for Measure, All's Well That Ends Well, and Troilus and Cressida, showing how they anticipate the romances of Shakespeare's final period.
Comedy. --- Comic literature --- Literature, Comic --- Drama --- Wit and humor --- Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Comedies. --- Comedie de Geneve --- Komödie --- Theater --- Genf --- Kanton Genf
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