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When Mary Kelly's best-known work, Post-Partum Document (1973-1979), was shown at the Institute of Contemporary Art in London in 1976, it caused a sensation-an unexpected response to an intellectually demanding and aesthetically restrained installation of conceptual art. The reception signaled resistance to the work's interrogation of feminine identity and the cultural mythologizing of motherhood. This volume of essays and interviews begins with this foundational work, offering an early statement by the artist, a subsequent interview, and an essay situating the work within a broader broader discourse of art and social purpose in the early 1970s. Throughout, the collection addresses such themes as labor, war, trauma, and the politics of care, while emphasizing the artist's sustained engagement with histories of feminism and generations of feminists. The contributions also consider such specific works as Kelly's Interim (1984-1989), the subject of a special issue of October; Gloria Patri (1992), an installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200-foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, Love Songs (2005-2007), which explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace. Essays and Interviews by Parveen Adams, Emily Apter, Rosalyn Deutsche, Hal Foster, Margaret Iversen, Mary Kelly, Helen Molesworth, Laura Mulvey, Mignon Nixon, Griselda Pollock, Paul Smith. Mary Kelly, née en 1941, est une artiste féministe américaine, liée à l'art conceptuel. L'analyse marxiste féministe de la division sexuelle du travail et la psychanalyse sont au cœur de ses préoccupations et de son œuvre.

Kelly, Mary, --- Feminism and art. --- Criticism and interpretation. --- Critique et interprétation. --- Post-partum document (Kelly, Mary) --- Post-partum document (Kelly, Mary). --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- 7.01 --- Beeldende kunst ; installaties ; 20ste eeuw ; M. Kelly --- Conceptuele kunst --- Kunst en feminisme --- Kelly, Mary °1941 (°Fort Dodge, Iowa, Verenigde Staten) --- Kunsttheorie ; teksten en essays ; October Files --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Vrouwelijke kunstenaars --- Kunst ; theorie, filosofie, esthetica --- Masculinity in art --- Feminism and art --- Art conceptuel --- Féminisme --- Installation-art --- Kelly, Mary, - 1941 --- -Kelly, Mary, 1941 --- -7.07 --- Kelly, Mary, 1941 --- -Kelly, Mary, - 1941 --- -Feminism and art. --- Féminisme et art.

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Art, Modern --- Conceptualism --- Feminism in art --- Psychoanalysis and art --- Kelly, Mary,

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Drawing --- scripts [writing] --- art [fine art] --- relief [sculpture techniques] --- Iconography --- Art --- Kelly, Mary --- anno 1900-1999 --- United States --- prints [visual works] --- art [discipline] --- United States of America

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Dorothea Olkowski's exploration of the philosophy of Gilles Deleuze clarifies the gifted French thinker's writings for specialists and nonspecialists alike. Deleuze, she says, accomplished the "ruin of representation," the complete overthrow of hierarchic, organic thought in philosophy, politics, aesthetics, and ethics, as well as in society at large. In Deleuze's philosophy of difference, she discovers the source of a new ontology of change, which in turn opens up the creation of new modes of life and thought, not only in philosophy and feminism but wherever creation is at stake.The work of contemporary artist Mary Kelly has been central to Olkowski's thinking. In Kelly she finds an artist at work whose creative acts are in themselves the ruin of representation as a whole, and the text is illustrated with Kelly's art. This original and provocative account of Deleuze contributes significantly to a critical feminist politics and philosophy, as well as to an understanding of feminist art.

Deleuze, Gilles --- Kelly, Mary --- Psychoanalysis and art. --- Feminism and art --- Psychoanalysis and art --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Art and psychoanalysis --- Art and feminism --- Art --- Deleuze, Gilles, --- Kelly, Mary, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Criticism and interpretation. --- Feminism and art. --- Delezi, Jier, --- art. --- artist. --- artistic. --- change. --- creation. --- creative. --- feminism. --- feminist art. --- feminist politics. --- feminist studies. --- feminist. --- french philosopher. --- french thinker. --- government. --- great thinkers. --- hierarchic. --- hierarchy. --- illustrated. --- law and order. --- philosopher. --- philosophy of difference. --- philosophy. --- political. --- politics. --- representation. --- social change. --- social history. --- social studies. --- KELLY (MARY), 1941 --- -FEMINISME ET ART --- PSYCHANALYSE ET ART --- DELEUZE (GILLES), PHILOSOPHE FRANCAIS, 1925 --- -CONTRIBUTION A LA LOGIQUE

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Sculpture --- sculpture [visual works] --- installations [visual works] --- investigation --- experimentation --- Broodthaers, Marcel --- Cragg, Tony --- Lijn, Liliane --- Duchamp, Marcel --- Pistoletto, Michelangelo --- McElheny, Josiah --- White, Neal --- Young, Carey --- Paterson, Katie --- Klein, Yves --- Kelly, Mary --- Flanagan, Barry --- Parker, Cornelia --- Latham, John --- Aubertin, Bernard