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Tarkovsky, Andrej --- Bergman, Ingmar --- Sokurov, Alexander --- Kubrick, Stanley --- Kar-Wai, Wong --- film --- filmtheorie --- twintigste eeuw --- eenentwintigste eeuw --- dromen --- droomanalyse --- Tarkovski Andrej --- Kar-Wai Wong --- Bergman Ingmar --- Sokurov Alexander --- Kubrick Stanley --- 791.41

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This book shows two Chinese gay men in Buenos Aires and reflects on Hong Kong's past and future by probing masculinity, aggression, identity, and homosexuality. It also gives a reading of Latin America, perhaps as an allegory of Hong Kong as another post-colonial society.

Motion pictures --- Wong, Kar-wai, --- Criticism and interpretation. --- Chun gwong cha sit (Motion picture) --- Kar-Wai, Wong --- Happy together (Motion picture)

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Kar-Wai, Wong --- Wong, Kar-Wai, --- Stephen Teo --- Hong Kong Cinema --- Wong Kar-Wai --- Kar-Wai Wong --- 791.471 WONG --- Wong, Kar-wai, --- #SBIB:309H1323 --- film --- filmregisseurs --- Hong Kong --- twintigste eeuw --- eenentwintigste eeuw --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Criticism and interpretation. --- Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Cinéma

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The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and "disturbance" achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular.

Wong, Kar-Wai, --- Critique et interprétation --- Kar-Wai, Wong --- Wong, Kar-wai --- Critique et interprétation. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Aesthetics. --- History and criticism --- Wong, Kar-wai, --- Criticism and interpretation. --- History and criticism. --- Kar-Wai, Wong. --- China. --- 1949 --- -BNKhAU --- Bu̇gd Naĭramdakh Dundad Ard Uls --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Catay --- Cathay --- Central Government of the People's Republic of China --- Central People's Government of Communist China --- China --- Chine --- Chinese National Government --- Chinese People's Republic --- Chūka Jinmin Kyōwakoku --- Chung-hua chung yang jen min kung ho kuo --- Chung-hua jen min kung ho kuo --- Chung-hua min kuo --- Chung-kuo --- Chung-kuo kuo min cheng fu --- Chung yang jen min cheng fu --- Cina --- Činská lidová republika --- Dumdad Uls --- Dumdadu Ulus --- Erets Sin --- Jhonggu --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- Khi͡atad --- Kínai Népköztársaság --- Kin --- Kitad --- Kita --- Kitaĭskai͡a Narodnai͡a Respublika --- Kitajska --- KNR --- Kytaĭsʹka Narodna Respublika --- National Government --- P.R.C. --- P.R. China --- People's Republic of China --- PR China --- PRC --- Republic --- Republic of China --- República Popular China --- Republik Rakjat Tiongkok --- République Populaire de Chine --- RRC --- RRT --- Sāthāranarat Prachāchon Čhīn --- VR China --- VRChina --- Zhong guo --- Zhong hua ren min gong he guo --- Zhongguo --- Zhonghua Renmin Gongheguo --- Zhonghuaminguo