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GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- IPHIGENIE AUF TAURIS --- FAUST --- BIOGRAPHIE
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Goethe, von, Johann Wolfgang --- GOETHE (JOHANN WOLFGANG VON), 1749-1832 --- GÖTZ VON BERLICHINGEN --- CLAVIGO --- STELLA --- EGMONT --- TORQUATO TASSO --- IPHIGENIE AUF TAURIS --- FAUST
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Iphigenia --- Euripides. --- Ifigeneia --- Ifigenia --- Ifigenija --- Ifigjenia --- Ifixenia --- Iphigeneia --- Iphigenie --- 伊菲革涅亚 --- イーピゲネイア --- איפיגניה --- 이피게네이아 --- Іфігенія --- Ифигенија --- Ифигения --- إيفيجينيا --- Ἰφιγένεια --- Iphigenia - (Mythological character) - Drama --- Iphigenia - (Mythological character)
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The modern reader may have difficulty conceiving of Iphigeneia in Tauris as tragedy, for the term in our sense is associated with downfall, death, and disaster. But to the ancient Greeks, the use of heroic legend, the tragic diction and meters, and the tragic actors would have defined it as pure tragedy, the happy ending notwithstanding. While not one of his "deep" dramatic works, the play is Euripidean in many respects, above all in its recurrent theme of escape, symbolized in the rescue of Iphigeneia by Artemis, to whom she was about to be sacrificed. Richmond Lattimore--who has been called the dean of American translators--has translated Iphigeneia in Tauris with skill and subtlety, revealing it as one of the most delicately written and beautifully contrived of the Euripidean "romances.".
Drama --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Stage --- Literature --- Dialogue --- Philosophy --- Iphigenia --- Ifigeneia --- Ifigenia --- Ifigenija --- Ifigjenia --- Ifixenia --- Iphigeneia --- Iphigenie --- 伊菲革涅亚 --- イーピゲネイア --- איפיגניה --- 이피게네이아 --- Іфігенія --- Ифигенија --- Ифигения --- إيفيجينيا --- Ἰφιγένεια --- Iphigenia (Greek mythology)
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For the Enlightenment mind, from Moses Mendelssohn's focus on the moment of surprise at the heart of the work of art to Herder's imagining of the seismic moment at which language was discovered, it is the flash of recognition that nails the essence of the work, the blink of an eye in which one's world changes. In Cherubino's Leap, Richard Kramer unmasks such prismatic moments in iconic music from the Enlightenment, from the "chromatic" moment-the single tone that disturbs the thrust of a diatonic musical discourse-and its deployment in seminal instrumental works by Emanuel Bach, Haydn, and Mozart; on to the poetic moment, taking the odes of Klopstock, in their finely wrought prosody, as a challenge to the problem of strophic song; and finally to the grand stage of opera, to the intense moment of recognition in Gluck's Iphigénie en Tauride and the exquisitely introverted phrase that complicates Cherubino's daring moment of escape in Mozart's Figaro. Finally, the tears of the disconsolate Konstanze in Mozart's Die Entführung aus dem Serail provoke a reflection on the tragic aspect of Mozart's operatic women. Throughout, other players from literature and the arts-Diderot, Goethe, Lessing among them-enrich the landscape of this bold journey through the Enlightenment imagination.
Music --- Enlightenment. --- Music and literature --- History and criticism. --- Philosophy and aesthetics. --- History --- Klopstock, Friedrich Gottlieb, --- Musical settings --- enlightenment, epiphany, realization, recognition, discovery, art, music, nonfiction, chromatic moment, mozart, haydn, bach, klopstock, prosody, poetry, strophic song, opera, gluck, iphigenie en tauride, cherubino, escape, figaro, konstanze, women, gender, die entfuhrung aus dem serail, lessing, goethe, diderot, beethoven, sonata, silence, audience, affect, performance.
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"This is a study of three late plays of Euripides: Helen, Andromeda and Iphigenia among the Taurians. This book examines central themes such as myth, geography, cultural identity, philosophy, religion, and genre. Matthew Wright presents a new interpretation of the plays, arguing that they are a thematically connected trilogy"--Provided by publisher.
Helen of Troy (Greek mythology) in literature. --- Andromeda (Greek mythology) in literature. --- Iphigenia (Greek mythology) in literature. --- Escape in literature. --- Tragedy. --- Euripides --- Euripides. --- Criticism and interpretation. --- Euripide (0480-0406 av. J.-C.). Hélène --- Euripide (0480-0406 av. J.-C.). Andromaque --- Euripide (0480-0406 av. J.-C.). Iphigénie en Tauride --- Critique et interprétation --- Euripide (0480-0406 av. J.-C.). Hélène --- Euripide (0480-0406 av. J.-C.). Iphigénie en Tauride --- Critique et interprétation
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For the Enlightenment mind, from Moses Mendelssohn's focus on the moment of surprise at the heart of the work of art to Herder's imagining of the seismic moment at which language was discovered, it is the flash of recognition that nails the essence of the work, the blink of an eye in which one's world changes. In Cherubino's Leap, Richard Kramer unmasks such prismatic moments in iconic music from the Enlightenment, from the "chromatic" moment-the single tone that disturbs the thrust of a diatonic musical discourse-and its deployment in seminal instrumental works by Emanuel Bach, Haydn, and Mozart; on to the poetic moment, taking the odes of Klopstock, in their finely wrought prosody, as a challenge to the problem of strophic song; and finally to the grand stage of opera, to the intense moment of recognition in Gluck's Iphigénie en Tauride and the exquisitely introverted phrase that complicates Cherubino's daring moment of escape in Mozart's Figaro. Finally, the tears of the disconsolate Konstanze in Mozart's Die Entführung aus dem Serail provoke a reflection on the tragic aspect of Mozart's operatic women. Throughout, other players from literature and the arts-Diderot, Goethe, Lessing among them-enrich the landscape of this bold journey through the Enlightenment imagination.
Aufklärung. --- Enlightenment. --- Klassische Musik. --- Lyrik. --- Music and literature --- Music and literature. --- Music --- Music. --- Musical settings. --- Musik. --- Oper. --- Vertonung. --- Überraschung --- History --- History and criticism. --- Philosophy and aesthetics. --- Klopstock, Friedrich Gottlieb, --- Musical settings --- 1700-1799. --- Austria. --- Deutschland. --- Germany. --- Österreich. --- muziekgeschiedenis --- anno 1700-1799 --- enlightenment, epiphany, realization, recognition, discovery, art, music, nonfiction, chromatic moment, mozart, haydn, bach, klopstock, prosody, poetry, strophic song, opera, gluck, iphigenie en tauride, cherubino, escape, figaro, konstanze, women, gender, die entfuhrung aus dem serail, lessing, goethe, diderot, beethoven, sonata, silence, audience, affect, performance.
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Euripides (c. 485-406 BCE) has been prized in every age for his emotional and intellectual drama. Eighteen of his ninety or so plays survive complete, including Medea, Hippolytus, and Bacchae, one of the great masterpieces of the tragic genre. Fragments of his lost plays also survive.
Rhesus (Legendary character) --- Iphigenia (Greek mythology) --- Pentheus (Greek mythology) --- Dionysus (Greek deity) --- Trojan War --- Bacchantes --- Euripides --- Rhesus, --- Dionysus --- Mythology, Greek --- Maenads --- Cults --- Dionysia --- Greek drama (Satyr play) --- Greek drama (Tragedy) --- Greek drama --- Mythology, Greek, in literature --- Tragedy --- Iphigenia --- Pentheus, --- Greek mythology --- Satyric drama, Greek --- Resas, --- Reso, --- Resos, --- Rhēsos, --- Ῥῆσος, --- Рес, --- Рез, --- Резос, --- Рэс, --- 레소스, --- レーソス, --- Penthée, --- Πενθεύς, --- Τενθεύς, --- Tentheus, --- Ifigeneia --- Ifigenia --- Ifigenija --- Ifigjenia --- Ifixenia --- Iphigeneia --- Iphigenie --- 伊菲革涅亚 --- イーピゲネイア --- איפיגניה --- 이피게네이아 --- Іфігенія --- Ифигенија --- Ифигения --- إيفيجينيا --- Ἰφιγένεια --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс --- Drama --- Greek literature --- Drama. --- Rhesus (Legendary character) - Drama. --- Iphigenia (Greek mythology) - Drama --- Pentheus (Greek mythology) - Drama. --- Dionysus (Greek deity) - Drama. --- Trojan War - Drama. --- Bacchantes - Drama. --- Bacchantes - Drama --- Euripides - Translations into English --- Rhesus, - King of Thrace (Legendary character) - Drama --- Dionysus - (Greek deity) - Drama --- Rhesus, - King of Thrace (Legendary character) --- Dionysus - (Greek deity)
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Euripides (c. 485-406 BCE) has been prized in every age for his emotional and intellectual drama. Eighteen of his ninety or so plays survive complete, including Medea, Hippolytus, and Bacchae, one of the great masterpieces of the tragic genre. Fragments of his lost plays also survive.
Greek drama (Tragedy) --- Trojan War --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Translations into English --- -Hecuba (Legendary character) --- -Ion (Greek mythology) --- -Iphigenia (Greek mythology) --- -Trojan War --- -Translations into English --- Drama --- Euripides --- -Mythology, Greek --- -Euripides --- Euripide --- Hecuba (Legendary character) --- Ion (Greek mythology) --- Iphigenia (Greek mythology) --- Translations into English. --- Drama. --- Bacchantes --- Cassandra (Legendary character) --- Helen of Troy (Greek mythology) --- Queens --- Royalty --- Rulers --- Sovereigns --- Maenads --- Hecuba, --- Ion --- Iphigenia --- Ifigeneia --- Ifigenia --- Ifigenija --- Ifigjenia --- Ifixenia --- Iphigeneia --- Iphigenie --- 伊菲革涅亚 --- イーピゲネイア --- איפיגניה --- 이피게네이아 --- Іфігенія --- Ифигенија --- Ифигения --- إيفيجينيا --- Ἰφιγένεια --- Ió --- Iōnas --- Ione --- Jonas --- 伊昂 --- 이온 --- Јон --- Іон --- Йон --- إيون --- Ἴων --- Ἰωνας --- Ecuba, --- Hecabe, --- Hécube, --- Hekaba, --- Hekabē, --- Hekabo, --- Hekuba, --- 赫库芭, --- ヘカベー, --- הקובה, --- 헤카베, --- Гекаба, --- Гекуба, --- Хекаба, --- Хекуба, --- هکابه, --- هيكوبا, --- Ἑκάβη, --- Ėvripid --- Yūrībīdīs --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Turkey --- Ilion (Extinct city) --- Ilium (Extinct city) --- Middle East --- Troia (Extinct city) --- Troja (Extinct city) --- Trovaharabesi (Extinct city) --- Troy --- Monarchy --- Women --- Courts and courtiers --- Empresses --- Kings and rulers --- Mythology, Greek --- Cults --- Dionysia --- Greek drama (Tragedy) - Translations into English. --- Hecuba (Legendary character) - Drama --- Iphigenia (Greek mythology) - Drama. --- Ion (Greek mythology) - Drama. --- Trojan War - Drama --- Hecuba, Queen of Troy
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'Goethe Yearbook' 16 presents innovative interpretations by young scholars of Goethe's most prominent works. A special section on 20th-century theory, co-edited by Angus Nicholls, demonstrates the poet's importance within areas of contemporary debate such as postcolonial criticism and Heideggerian phenomenology. The volume includes Judith Ryan's 2007 Presidential Address to the Goethe Society on the aphorisms in 'Die Wahlverwandtschaften' and the 'Wanderjahre,' as well as essays on aspects of 'Hermann und Dorothea', 'Iphigenie', 'Wilhelm Meisters Lehrjahre', and 'Prometheus.' Readers will also find a surprising interpretation of Schiller on subjectivity and military strategy, and a feminist archival history of the Hamburg actress Charlotte Ackermann. Contributors: Volker C. Dörr, Mary Helen Dupree, Ellis Dye, Bernd Hamacher, Katrin Kohl, Michael Mandelartz, Jan Mieszkowski, Angus Nicholls, Charlton Payne, Mattias Pirholt, Myriam Richter, Judith Ryan, and Christian Weber. Daniel Purdy is associate professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is associate professor of German at the University of Pennsylvania.
Philosophers --- Goethe, Johann Wolfgang von, --- Goethe, Johann Wolfgang --- Goethe --- Goethe, Johann Wolfgang von --- Von Goethe, Johann Wolfgang --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- ゲーテ --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Goethe, J. W. --- Jītī --- Gete, V. --- Koetʻe --- Goetʻe --- Getė, --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Y. V. --- Qöte, Yohan Volfqanq --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- ゲエテ --- LITERARY CRITICISM / European / German. --- 20th-Century Theory. --- Aphorisms. --- Charlotte Ackermann. --- Die Wahlverwandtschaften. --- Goethe Scholarship. --- Heideggerian Phenomenology. --- Hermann und Dorothea. --- Iphigenie. --- Postcolonial Criticism. --- Prometheus. --- Schiller on Subjectivity. --- Wanderjahre. --- Wilhelm Meisters Lehrjahre.
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