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Book
ISBN: 9780826444707 9780826439017 Year: 2011 Publisher: New York, N.Y. Continuum
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Film --- anno 1970-1979 --- anno 1960-1969 --- Japan --- film --- filmtheorie --- filmgeschiedenis --- twintigste eeuw --- cultuurgeschiedenis --- kunst --- filmregisseurs --- Oshima Nagisa --- Imamura Shohei --- Yoshida Yoshishige --- Hani Susumu --- Wakamatsu Koji --- Okamoto Kihachi --- 791.43 --- Experimental films --- Motion pictures --- History --- Political aspects --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art --- History and criticism --- J6839 --- Japan: Media arts and entertainment -- cinema
Book
Year: 2021 Publisher: Basel, Switzerland MDPI - Multidisciplinary Digital Publishing Institute
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Writing on Japanese cinema has prioritized aesthetic and cultural difference, and obscured Japan's contribution to the representation of real life in cinema and related forms. Donald Richie, who was instrumental in introducing Japanese cinema to the West, even claimed that Japan did not have a true documentary tradition due to the apparent preference of Japanese audiences for stylisation over realism, a preference that originated from its theatrical tradition. However, a closer look at the history of Japanese documentary and feature film production reveals an emphasis on actuality and everyday life as a major part of Japanese film culture. That 'documentary mode' – crossing genre and medium like Peter Brooks' 'melodramatic mode' rather than limited to styles of documentary filmmaking alone – identifies rhetoric of authenticity in cinema and related media, even as that rhetoric was sometimes put in service to political and economic ends. The articles in this Special Issue, ‘Developments in the Japanese Documentary Mode’, trace important changes in documentary film schools and movements from the 1930s onwards, sometimes in relation to other media, and the efforts of some post-war filmmakers to adapt the styles and ethical commitments that underpin documentary's "impression of authenticity" to their representation of fictional worlds
ethnofiction --- Japan --- documentary --- non-fiction --- dramatization --- Minamata disease --- Tsuchimoto Noriaki --- W. Eugene Smith --- Ishimure Michiko --- ethics of representation --- The Children of Minamata are Living --- Minamata: The Victims and Their World --- authorship --- documentary film --- hibakusha --- Japanese cinema --- Mizoguchi Kenji --- semi-documentary --- Shindō Kaneto --- film theory --- documentary film theory --- postwar Japan --- post-1945 Japan --- Hani Susumu --- cinéma verité --- direct cinema --- observational documentary --- cinematography --- the culture film --- Imamura Shōhei --- History of Post-War Japan as Told by a Bar Hostess --- fiction and documentary --- history --- memory --- experience --- magic lantern --- popular history movement --- avant-garde documentary --- new Left --- Teshigahara Hiroshi --- Adachi Masao --- subjectivity --- landscapes --- folklore studies --- documentary photography --- n/a --- Shindō Kaneto --- cinéma verité --- Imamura Shōhei
Book
ISBN: 0870113046 Year: 1980 Publisher: Tokyo New York San Francisco Khodansha International
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J6839 --- J6800.80 --- J2284.80 --- Motion picture producers and directors --- -film --- filmgeschiedenis --- Japan --- twintigste eeuw --- filmregisseurs --- Mizoguchi Kenji --- Ozu Yasujiro --- Naruse Mikio --- Kurosawa Akira --- Kinoshita Keisuke --- Ichikawa Kon --- Kobayashi Masaki --- Imamura Shohei --- Oshima Nagisa --- 791.43 --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Japan: Media arts and entertainment -- cinema --- Japan: Performing and media arts -- history -- Gendai (1926- ), Shōwa period, 20th century --- Japan: Genealogy and biography -- biographies -- Gendai, modern (1926- ), Shōwa, 20th century --- Biography --- film --- Film (Japanse). Geschiedenis. --- Cinéma japonais. Histoire. --- Cinéastes japonais. --- Filmregisseurs (Japanse). --- J6806 --- J6839.60 --- J6840.60 --- Japan: Performing and media arts -- reference works --- Japan: Media arts and entertainment -- cinema -- Reference works --- Japan: Media arts and entertainment -- television -- Reference works --- Mizoguchi, Kenji --- Ozu, Yasujirō --- Naruse, Mikio --- Kurosawa, Akira --- Kinoshita, Keisuke --- Ichikawa, Kon --- Kobayashi, Masaki --- Imamura, Shōhei --- Ōshima, Nagisa --- Shinoda, Masahiro
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