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Art styles --- Painting --- Hunt, William Holman --- Burne-Jones, Edward Coley --- Millais, John Everett --- Hughes, Arthur --- Brown, Ford Madox --- Rossetti, Dante Gabriel --- Morris, William --- anno 1800-1899 --- England
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Painting --- anno 1800-1899 --- Great Britain --- Pre-Raphaelitism --- Preraphaelitism --- Art --- Pré-raphaélites --- --Histoire de l'art --- --Grande-Bretagne --- --XIXe s., --- Pre-Raphaelitism. --- Préraphaélisme --- painting [image-making] --- Pre-Raphaelite --- kunst --- schilderkunst --- Prerafaelieten --- prerafaëlitische schilderkunst --- Groot-Brittannië --- negentiende eeuw --- genreschilderkunst --- neoclassicisme --- exotisme --- Boyce Gorge Price --- Brett John --- Brown Ford Madox --- Burne-Jones Edward --- Collins Charles Allston --- Collinson James --- Deverell Walter Howell --- Dyce William --- Hughes Arthur --- Hunt William Holman --- Inchbold John William --- Martineau Robert-Braithwaite --- Millais John Everett --- Morris William --- Rossetti Dante Gabriel --- Scott William Bell --- Seddon Thomas --- Stephens Frederick George --- Wallis Henry --- Windus William Lindsay --- 75.035 --- Histoire de l'art --- XIXe s., 1801-1900 --- Grande-Bretagne
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Begun by young rebels committed to revolutionizing the creative arts, Pre-Raphaelitism has moved from the margins of nineteenth-century art and literature to the vanguard of interdisciplinary studies. The term is now used to denote the Pre-Raphaelite, Aesthetic, and Decadent movements in art, culture, and literature, but it has remained as difficult to define as ever. Haunted Texts attempts to meet the challenge of defining and illustrating the full spectrum of Pre-Raphaelitism. Working with a diverse range of Pre-Raphaelite poetry, painting, decorative arts, book illustration, and political prose, the ten contributors to Haunted Texts pursue the critical strategies of such leading figures as Christina Rossetti and Dante Rossetti, William Morris and Oscar Wilde, Walter Pater, and Aubrey Beardsley. The essays consider the bibliocritical issues of archival research concerning the personal letters and diaries of the Rossetti family; the technological issues that challenge conventional methods of scholarship; the gender issues concerning constructions of identity derived from the changing conceptions of love, desire, anxiety, and brotherhood; and the interdisciplinary cultural issues that transgress the borders of high art and popular culture. Haunted Texts pays tribute to the scholarship of Professor William Fredeman who devoted much of his career since the 1950s to establishing a critical foundation that would enable future scholars to define their understanding of the complexity of Pre-Raphaelitism.
Pre-Raphaelitism --- Arts, British --- British arts --- Caribbean Artists Movement (Group of artists) --- Pre-raphaelitism --- Great Britain --- Arts [British ] --- 19th century --- Fredeman, William E. --- Whistler, James McNeill, --- Rossetti, William Michael, --- Rossetti, Dante Gabriel, --- Rossetti, Christina Georgina, --- Morris, William, --- Hughes, Arthur, --- Beardsley, Aubrey, --- Rossetti, Dante Gabriel --- Rosetti, D. G. --- Rosetti, Dante Gabriel, --- Rosetti, Dante Gabriele, --- Rossetti, D. G. --- Rossetti, Gabriel Charles Dante, --- Rossetti (Family : --- Rosetti, William Michael, --- Rossetti, W. M. --- Rosetti, Christina, --- Rosetti, Christina G., --- Rossetti, Chr., --- Rossetti, Christina, --- Rossetti, Cristina, --- Alleyn, Ellen, --- A. H. --- H., A. --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В., --- Whistler, James Abbott McNeill --- Uistler, Dzhems Mak Neĭlʹ --- Whistler, --- Whistler, J. McNeill --- Whistler, James A. McNeill --- Whistler, J. A. McN. --- Whistler, J. A. MacNeill --- Whistler, James McNeil --- Beardsley, Aubrey Vincent, --- Berdesli, Ovri, --- Berdsleĭ, Obri, --- Biyazilai, --- Pi-ya-tzu-lai, --- Morris, Uilʹi͡am, --- Whistler, James Abbott McNeill, --- Uistler, Dzhems Mak Neĭlʹ, --- Whistler, James McNeil, --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales
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The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science - and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media, from photography to oil painting. This volume reminds us that science and art are not tightly compartmentalized, separate influences, but rather fields that shared forms - manifest as waves, layers, lines, or geometries - and invest in the idea of the evolution of form.
Art victorien. --- Art et sciences --- Illustration scientifique --- Art, Victorian. --- Art and science --- Scientific illustration --- Art, Victorian --- Natural history in art --- Arts --- Medical illustration --- Culture --- Science --- Art objects --- Objectivity in literature --- Architecture --- Communication visuelle en sciences --- Illustrateurs scientifiques --- Illustration en sciences naturelles --- Objectivité. --- Sciences --- Sciences naturelles --- Art --- Objets d'art. --- Illustration médicale --- History --- Philosophy. --- Aesthetics. --- Esthétique. --- Dans la littérature --- Histoire. --- Burne-Jones, Edward Coley, --- Hughes, Arthur, --- MacDonald, George, --- Burne-Jones, Edward Coley --- MacDonald, George --- Great Britain --- Grande-Bretagne --- Scientific illustration. --- Science. --- Objectivity in literature. --- Natural history in art. --- Medical illustration. --- Culture. --- Arts. --- Art and science. --- England. --- Victorian art --- Art, Modern --- Science and art --- Illustration, Scientific --- Science illustration --- Scientific literature --- Illustration of books --- Drawing --- Technical illustration --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- Illustration, Medical --- Medicine and art --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Bric-a-brac --- Objects, Art --- Objets d'art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- Natural science --- Natural sciences --- Science of science --- Illustration --- Scientific applications --- Social aspects --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- 1800-1899 --- Objectivité. --- Illustration médicale --- Esthétique. --- Dans la littérature
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