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For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. Omaha Sketchbook is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power--Publisher's website.

Documentary photography --- Photography, Artistic --- fotografie --- portretfotografie --- documentaire fotografie --- eenentwintigste eeuw --- Halpern Gregory --- Verenigde Staten --- 77.071 HALPERN --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography, Documentary --- Aesthetics --- Omaha (Neb.) --- Omaha City (Neb.) --- City of Omaha (Neb.) --- Photographie --- Halpern, Greg --- Halpern, Gregory --- Documentary photography - Nebraska - Omaha. --- Halpern, Gregory 1977 --- -Documentary photography --- -Halpern, Greg

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Halpern, Hugh Nathanial. --- United States. --- Officials and employees --- Selection and appointment.

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Courtney, Beth, --- Gallagher, Michael D., --- Halpern, Cheryl Feldman, --- Rosen, Jeffrey A., --- Van Tine, Kirk K., --- United States. --- Corporation for Public Broadcasting --- Officials and employees --- Selection and appointment.

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Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern's Californian waking dream ZZYZX; Vanessa Winship's peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg's Lost Coast; Stanley Wolukau-Wanambwa's rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi's What Remains; RaMell Ross' visionary documentary work South County; the collaborative project Index G by Emanuele Bruti & Piergiorgio Casotti; and Kristine Potter's disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form.

Photography, Artistic --- fotografie --- documentaire fotografie --- landschapsfotografie --- portretfotografie --- eenentwintigste eeuw --- 77.039 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Exhibitions --- documentary photography --- Video art --- History --- Photographie --- Brutti, Emanuele --- Casotti, Piergiorgio --- Choi, Richard --- Halpern, Gregory --- Hatleberg, Curran --- Potter, Kristine --- Ross, RaMell --- Winship, Vanessa --- Wolukau-Wanambwa, Stanley --- Photography, Artistic - 21st century - Exhibitions --- Video art - History - 21st century - Exhibitions --- Halpern, Gregory 1977 --- -Hatleberg, Curran

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Courtney, Beth, --- Gallagher, Michael D., --- Halpern, Cheryl Feldman, --- Rosen, Jeffrey A., --- Van Tine, Kirk K., --- United States. --- Corporation for Public Broadcasting --- United States. --- Officials and employees --- Selection and appointment. --- Officials and employees --- Selection and appointment. --- Officials and employees --- Selection and appointment.