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Charles Dickens - Bleak House. --- Franz Kafka - The Metamorphosis. --- Gustave Flaubert - Madame Bovary. --- James Joyce - Ulysses. --- Letterkunde --- Marcel Proust - The Walk by Swann's Place. --- Robert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. Hyde. --- Geschiedenis en kritiek
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The French Revolution brings to mind violent mobs, the guillotine, and Madame Defarge, but it was also a publishing revolution: more than 1,200 novels were published between 1789 and 1804, when Napoleon declared the Revolution at an end. In this book, Julia V. Douthwaite explores how the works within this enormous corpus announced the new shapes of literature to come and reveals that vestiges of these stories can be found in novels by the likes of Mary Shelley, E. T. A. Hoffmann, Honoré de Balzac, Charles Dickens, Gustave Flaubert, and L. Frank Baum. Deploying political history, archival research, and textual analysis with eye-opening results, Douthwaite focuses on five major events between 1789 and 1794-first in newspapers, then in fiction-and shows how the symbolic stories generated by Louis XVI, Robespierre, the market women who stormed Versailles, and others were transformed into new tales with ongoing appeal. She uncovers a 1790 story of an automaton-builder named Frankénsteïn, links Baum to the suffrage campaign going back to 1789, and discovers a royalist anthem's power to undo Balzac's Père Goriot. Bringing to light the missing links between the ancien régime and modernity, The Frankenstein of 1790 and Other Lost Chapters from Revolutionary France is an ambitious account of a remarkable politico-literary moment and its aftermath.
Literature and revolutions --- France --- History --- french revolution, louis xvi, robespierre, versailles, rebellion, riots, modernity, suffrage, mary shelley, eta hoffmann, honore de balzac, dickens, gustave flaubert, l frank baum, politics, history, literature, nonfiction, frankenstein, automaton, royalist, anthem, ancien regime, womens march, labor, class, monarchy, republic, bastille, coronation, napoleon, inventor, science fiction, publishing, sensation, popular culture, 18th century.
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A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.
Photography, Artistic --- Documentary photography --- fotografie --- Verenigde Staten --- documentaire fotografie --- twintigste eeuw --- Evans Walker --- landschapsfotografie --- portretfotografie --- 77.071 EVANS --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Evans, Walker, --- Evans, Walker --- Criticism and interpretation. --- Photography, Artistic. --- Photography / Individual Photographers / Artists' Books. --- African 1935 sculpture exhibition. --- Alabama tenant farmers. --- American photographs. --- Belinda Rathbone. --- Berenice Abbott. --- Bob Dylan. --- Century Association. --- Charles Baudelaire. --- Civil War. --- Clement Cheroux. --- Clement Greenberg. --- Cuba. --- David Campany. --- Edmund Wilson. --- Elizabeth Bishop. --- Eugene Atget. --- Fortune. --- France. --- Fred Astaire. --- Gustave Flaubert. --- Henri Cartier-Bresson. --- James Agee. --- James Mellow. --- John Szarkowski. --- John T. Hill. --- Lawrence Gowing. --- Let Us Now Praise Famous Men. --- Lincoln Kirstein. --- Luc Sante. --- Lyric Documentary. --- MOMA. --- Man Ray. --- Museum of Modern Art. --- Nicéphore Niépce. --- Paul Cezanne. --- Swing Time. --- Time Inc. --- Vicksburg National Military Park. --- W. S. Hartshorn. --- William Carlos Williams. --- William Faulkner. --- Yale. --- abstraction. --- daguerreotype. --- documentary photography. --- minstrelsy. --- passenger portraits. --- polaroid SX 70. --- subway portraits. --- surrealism. --- transcendence. --- white tenant farmers.
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