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Poetry --- American literature --- Thematology --- Cold War in literature --- Guerre froide dans la littérature --- Koude oorlog in de literatuur --- American poetry --- 20th century --- History and criticism
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SALINGER (JEROME DAVID), 1919 --- -CARACTERISTIQUES NATIONALES --- CENSURE --- GUERRE MONDIALE (2E, 1939-1945) DANS LA LITTERATURE --- GUERRE FROIDE DANS LA LITTERATURE --- ADOLESCENTS DANS LA LITTERATURE --- ADOLESCENTS FUGUEURS DANS LA LITTERATURE --- AMERICAINS --- ETATS-UNIS --- SALINGER (JEROME DAVID), 1919 --- -CARACTERISTIQUES NATIONALES --- CENSURE --- GUERRE MONDIALE (2E, 1939-1945) DANS LA LITTERATURE --- GUERRE FROIDE DANS LA LITTERATURE --- ADOLESCENTS DANS LA LITTERATURE --- ADOLESCENTS FUGUEURS DANS LA LITTERATURE --- AMERICAINS --- ETATS-UNIS --- 20E SIECLE
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Atomic bomb in literature --- Atoombom in de literatuur --- Bombe atomique dans la littérature --- Cold War in literature --- Cold War in motion pictures --- Guerre froide dans la littérature --- Guerre froide dans le cinéma --- Koude oorlog in de film --- Koude oorlog in de literatuur --- American fiction --- Motion pictures --- History and criticism --- 20th century --- Wolfe, Bernard --- Soddy, Frederick --- Wylie, Philip
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What does narrative look like when the possibility of an expansive future has been called into question? This query is the driving force behind Daniel Grausam's On Endings, which seeks to show how the core texts of American postmodernism are a response to the geopolitical dynamics of the Cold War and especially to the new potential for total nuclear conflict. Postwar American fiction needs to be rethought, he argues, by highlighting postmodern experimentation as a mode of profound historical consciousness. On Endings significantly extends the project of historicizing postmodernism while returning the nuclear to a central place in the study of the Cold War.
Barth, John --- Pynchon, Thomas --- Powers, Richard --- Cold War in literature --- Guerre froide dans la littérature --- Koude oorlog in de literatuur --- American fiction --- Cold War --- Postmodernism (Literature) --- American literature --- History and criticism&delete& --- Theory, etc --- Influence --- Barth, John, --- Powers, Richard, --- Bart, Dz︠h︡on, --- Pinchon, Tomas --- Criticism and interpretation. --- History and criticism --- Theory, etc. --- United States --- Criticism and interpretation --- Paouers, Ritsarnt, --- Παουερς, Ριτσαρντ, --- Cold War in literature. --- Influence.
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Sociology of literature --- Fiction --- American literature --- anno 1900-1999 --- Cold War in literature --- Dys-utopies dans la littérature --- Dystopias in literature --- Dysutopieën in de literatuur --- Guerre froide dans la littérature --- Koude oorlog in de literatuur --- Littérature réaliste --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- American fiction --- 20th century --- History and criticism --- Politics and literature --- United States --- History --- Literature and society --- Popular culture --- Political fiction [American ] --- Motion pictures --- Thompson, Jim --- Criticism and interpretation
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Fiction --- Thematology --- Film --- American literature --- Cold War --- Cold War in literature --- Dr. Folamour (Film) --- Dr. Strangelove (Film) --- Dr. Strangelove (motion picture) --- Guerre froide --- Guerre froide dans la littérature --- Koude oorlog --- Koude oorlog in de literatuur --- Oorlog [Koude ] --- Science fiction, American --- American fiction --- Science fiction films --- English --- Languages & Literatures --- American Literature --- History and criticism --- Science fiction [American ] --- 20th century --- Heinlein, Robert Anson --- Criticism and interpretation --- Anderson, Poul --- Pohl, Frederick --- Miller, Walter M. --- Hoban, Russell --- Wolfe, Bernard --- Kornbluth, C.M. --- Wylie, Philip --- Szilard, Leo --- SCIENCE-FICTION AMERICAINE --- FILMS DE SCIENCE-FICTION --- GUERRE DANS LA LITTERATURE --- GUERRE ET LITTERATURE --- HISTOIRE ET CRITIQUE
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Literature, Modern --- Cold War in literature. --- Politics and literature. --- Littérature --- Guerre froide dans la littérature --- Politique et littérature --- History and criticism. --- Histoire et critique --- K9700.80 --- K9700.90 --- J5500.90 --- J5990 --- Korea: Literature -- history -- modern period, postwar period (1945- ) --- Korea: Literature -- history -- North Korea --- Japan: Literature -- history and criticism -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- World: Literature in world and transregional --- Littérature --- Guerre froide dans la littérature --- Politique et littérature --- Cold War in literature --- Politics and literature --- Literature --- Literature and politics --- History and criticism --- Political aspects
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"In Queering Cold War Poetry, Eric Keenaghan offers queer theory, queer studies, and literary theory a new political and conceptual language for reevaluating past and present high valuations of individualism and security. He examines four Cold War poets from Cuba and the United States - Wallace Stevens, Jose Lezama Lima, Robert Duncan, and Severo Sarduy. These writers, who lived in an era when homosexuals were regarded as outsiders or even security threats, offer critiques of nationalism and liberalism. Through studies of Cuban and U.S. lyric and poetics, Queering Cold War Poetry clears the way for imagining what it means to belong to a passionate and compassionate citizenry which celebrates vulnerability, searches for difference in itself and each of its constituent individuals, and identifies less with a nation than with a global community."--Jacket.
Poetry --- Thematology --- Lezama Lima, José --- Sarduy, Severo --- Stevens, Wallace --- Duncan, Robert --- Cold War in literature --- Guerre froide dans la littérature --- Koude oorlog in de literatuur --- Liberalism in de literatuur --- Liberalism in literature --- Libéralisme dans la littérature --- Nationalism in literature --- Nationalisme dans la littérature --- Nationalisme in de literatuur --- Cold War in literature. --- Nationalism in literature. --- Liberalism in literature. --- Gays' writings --- Homosexuality and literature --- Literatur. --- Homosexualität. --- Identität. --- Das Andere. --- Gays' writings. --- Homosexuality and literature. --- History and criticism. --- History --- Stevens, Wallace, --- Duncan, Robert, --- Lezama Lima, José. --- Sarduy, Severo. --- Criticism and interpretation. --- 1900-1999. --- USA. --- Kuba. --- Cuba. --- United States. --- Lezama Lima, Jose --- Criticism and interpretation --- Duncan, Robert Edward --- History and criticism --- United States --- 20th century --- Cuba --- Literature and homosexuality --- Literature --- Duncan, Robert Edward, --- Symmes, Robert, --- Duncan, Edward Howard, --- R. D. --- D., R. --- Duncan, Edward Howe, --- Symmes, Robert Edward, --- Sarduy Aguilar, Severo Felipe --- Aguilar, Severo Felipe Sarduy --- Gay people's writings
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In The Errant Art of Moby-Dick, one of America’s most distinguished critics reexamines Melville’s monumental novel and turns the occasion into a meditation on the history and implications of canon formation. In Moby-Dick—a work virtually ignored and discredited at the time of its publication—William V. Spanos uncovers a text remarkably suited as a foundation for a "New Americanist" critique of the ideology based on Puritan origins that was codified in the canon established by "Old Americanist" critics from F. O. Matthiessen to Lionel Trilling. But Spanos also shows, with the novel still as his focus, the limitations of this "New Americanist" discourse and its failure to escape the totalizing imperial perspective it finds in its predecessor.Combining Heideggerian ontology with a sociopolitical perspective derived primarily from Foucault, the reading of Moby-Dick that forms the center of this book demonstrates that the traditional identification of Melville’s novel as a "romance" renders it complicitous in the discourse of the Cold War. At the same time, Spanos shows how New Americanist criticism overlooks the degree to which Moby-Dick anticipates not only America’s self-representation as the savior of the world against communism, but also the emergent postmodern and anti-imperial discourse deployed against such an image. Spanos’s critique reveals the extraordinary relevance of Melville’s novel as a post-Cold War text, foreshadowing not only the self-destructive end of the historical formation of the American cultural identity in the genocidal assault on Vietnam, but also the reactionary labeling of the current era as "the end of history."This provocative and challenging study presents not only a new view of the development of literary history in the United States, but a devastating critique of the genealogy of ideology in the American cultural establishment.
Sociology of literature --- Melville, Herman --- Canon (Literature) --- Canon (Literatuur) --- Canons littéraires --- Cold War --- Cold War in literature --- Guerre froide --- Guerre froide dans la littérature --- Koude oorlog --- Koude oorlog in de literatuur --- Literaire canon --- Oorlog [Koude ] --- Literature and society --- United States --- History --- 20th century --- American literature --- History and criticism --- Theory, etc. --- Criticism --- Politics and literature --- Sea stories [American ] --- Influence --- Sea stories, American --- Cold War. --- Melville, Herman, --- Influence. --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Literature --- World politics --- English literature --- Agrarians (Group of writers) --- American sea stories --- American fiction --- History and criticism&delete& --- Theory, etc --- Melvill, German --- Melville, Hermann --- Meville, Herman --- Melvil, Cherman --- Mai-erh-wei-erh, Ho-erh-man --- Melṿil, Herman --- Tarnmoor, Salvator R. --- מלוויל, הרמן, --- מלויל, הרמן, --- ميلڤيل، هرمن، --- 麥爾維爾, --- Virginian spending July in Vermont, --- Melvill, Herman,
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Cold War in literature --- Gay men in literature --- Guerre froide dans la littérature --- Hommes dans la littérature --- Hommes homosexuels dans la littérature --- Homoseksuele mannen in de literatuur --- Koude oorlog in de literatuur --- Mannelijkheid in de literatuur --- Mannen in de literatuur --- Masculinity in literature --- Masculinité dans la littérature --- Men in literature --- American poetry --- Cold War in literature. --- Gay men in literature. --- Homosexuality and literature --- Male homosexuality, in literature. --- Masculinity in literature. --- Men in literature. --- Political poetry, American --- Politics and literature --- Male authors --- History and criticism. --- History --- 20th century --- History and criticism --- United States --- Political poetry [American ] --- Homosexuality in literature --- Spicer, Jack --- Bishop, Elizabeth --- Criticism and interpretation --- Plath, Sylvia --- Baraka, Imamu Amiri --- Cha, Theresa Hak Kyung --- Lorde, Audre --- O'Hara, Frank --- Rexroth, Kenneth --- Rich, Adrienne
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