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This book draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to argue for new relationships between Chaucer's poetry and works by others. Chaucer's playfulness with textual history and chronology anticipates how his own work is figured in later (and earlier) texts. Conventional models of source and analogue study are re-energised to reveal unexpected, and sometimes unsettling, literary cohabitations and re-placements. The author presents innovative readings of relationships between medieval texts and early modern drama, and between literary

Chaucer, Geoffrey, --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Criticism and interpretation. --- Rezeption. --- Fortwirken --- Nachwirkung --- Nachleben --- Wirkungsgeschichte --- Aneignung --- Auswirkung --- Fortleben --- Geoffrey --- Geoffroy --- Chaucer, J. --- Chaucer, Gottfried --- Chaucerus, Galfredus --- Čoser, Žeoffrej --- Čosŭr, Džefri --- Chaucer, Geoffroy --- Chaucer, Geffrey --- Chaucer, Jeffrey --- Chaucer, Gotfred --- Choser, Dzheffri --- Čoser, Džefri --- Tsʹoser, Gʹefri --- 초오서, 제프리 --- צ׳וסר, ג׳פרי --- Schriftsteller --- 1343-1400 --- Chaucer. --- Early Modern Drama. --- Literary history. --- Sources and analogues. --- The body. --- codicology. --- medieval architecture. --- names. --- pilgrimage. --- time.