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Space (Art) --- Space perception. --- Espace (Art) --- Perception spatiale.

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The publication 'Conditional Design. An Introduction to Elemental Architecture' is the sequel to the booklet 'Operative Design. A Catalogue of Spatial Verbs'. This book will further explore the operative in design in a more detailed, intentional, and functional manner.Spatially, the conditional is the result of the operative. Both terms work together to satisfy a formal manipulation through a set of opportunities for elements such as connections and apertures. The conditional starts with investigating not only ideas of circulation and light but also how volumes relate to the ground. These manipulations might react to an already existing condition or create a new set of conditions based on the operation and the ground plane.

Space (Architecture) --- Architecture --- Espace (Architecture) --- Composition, proportion, etc. --- Composition, proportion, etc --- Drawing --- Space (Art) --- Dessin --- Espace (Art) --- Technique --- Espace --- Espace architectural --- Proportion --- Dessin d'architecture --- Module --- Dessin, technique --- Composition architecturale --- Construction modulaire

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The core idea for this project is to use operative verbs as tools for designing space. These operative verbs abstract the idea of spatial formation to its most basic terms, allowing for an objective approach to create the foundation for subjective spatial design.

Drawing --- Space (Art) --- Space (Architecture) --- Architecture --- Dessin --- Espace (Art) --- Espace (Architecture) --- Technique. --- Composition, proportion, etc. --- Technique --- Composition, proportion, etc --- Dessin d'architecture --- Dessin, technique --- Espace --- Espace architectural --- Composition architecturale --- Proportion --- Module --- Construction modulaire

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Nature (Aesthetics) --- Design. --- Mathematics in nature. --- Space (Art) --- Nature (Esthétique) --- Design --- Mathématiques dans la nature --- Espace (Art) --- Balmond, Cecil --- Nature (Esthétique) --- Mathématiques dans la nature --- Mathematics in nature --- Art --- Art and nature --- Nature and art --- Aesthetics --- Nature --- Creation (Literary, artistic, etc.) --- Negative space (Art)

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Already in 1929, Walter Benjamin described “a one hundred per cent image-space.” Such an image space saturates our world now more than ever, constituting the visibility in which we live. The Supermarket of the Visible analyzes this space and the icons that populate it as the culmination of a history of the circulation and general commodification of images and gazes. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of the image and economics. The Supermarket of the Visible elaborates an economy proper to images, icons, in other words, an iconomy. Deleuze caught a glimpse of this when he wrote that “money is the back side of all the images that cinema shows and edits on the front.” Since “cinema,” for Deleuze, is synonymous with “universe,” Szendy argues that this sentence must be understood in its broadest dimension and that a reading of key works in the history of cinema allows us a unique vantage point upon the reverse of images, their monetary implications. Paying close attention to sequences in Hitchcock, Bresson, Antonioni, De Palma, and The Sopranos, Szendy shows how cinema is not a uniquely commercial art form among other, purer arts, but, more fundamentally, helps to elaborate what might be called, with Bataille, a general iconomy. Moving deftly and lightly between political economy, aesthetic theory, and popular movies and television, The Supermarket of the Visible will be a necessary book for anyone concerned with media, philosophy, politics, or visual culture.

Philosophy and psychology of culture --- Political philosophy. Social philosophy --- Economics --- Film --- Motion pictures --- Visual perception --- Semiotics. --- Visual Perception --- Perception visuelle. --- visual perception. --- Semiotics --- Philosophy --- Economic aspects. --- Economic aspects --- Picture perception --- Space (Art) --- Cinéma --- Sémiotique --- Perception des images --- Espace (art) --- Philosophie --- Aspect économique