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Bonies, Bob --- Dekkers, Ad --- Dibbets, Jan --- van den Ende, Jaap --- von Graevenitz, Gerhard --- Gribling, Franck --- Hilgemann, Ewerdt --- Struycken, Peter --- de Vries, Herman --- Wilmink, Truus
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Nature (Aesthetics) --- Plants in art --- 7.071 DE VRIES --- de Vries Herman --- herbaria --- installaties --- kunst --- kunst en botanica --- kunst en natuur --- land art --- Nederland --- schilderkunst --- tekenkunst --- textes Herman de Vries, Cornelis de Boer ; préface Anne Moeglin-Delcroix --- twintigste eeuw --- Art and nature --- Nature and art --- Aesthetics --- Vries, Herman de, --- De Vries, Herman, --- Vries, Herman de
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kunst --- 7.071 DE VRIES --- kunst en ecologie --- installaties --- ecologie --- kunst en natuur --- de vries herman --- Nederland --- twintigste eeuw --- eenentwintigste eeuw --- Exhibitions --- Art --- found objects --- installations [visual works] --- art [fine art] --- ecology --- poetry --- Nature --- odors --- Vries, de, Herman --- Art, Dutch --- Nature in art --- Vries, Herman de, --- art [discipline]
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"... presents the first large-scale survey in a United States museum dedicated to the history of the experimental German artists' group Zero (1957-66) and ZERO, an international network of artists that shared the group's aspiration to redefine and transform art in the aftermath of World War II. The exhibition featured work by the three core members of Group Zero--Heinz Mack, Otto Piene, and Günther Uecker--and by more than 40 artists from 10 countries who comprised the larger ZERO network, including Lucio Fontana, Yayoi Kusama, Yves Klein, Piero Manzoni, Jesús Rafael Soto, Jean Tinguely, and herman de vries. These artists found common cause in the desire to use novel materials drawn from everyday life, nature, and technology and to develop innovative techniques and formats such as room-scaled installations, kinetic artworks, and live art actions. Focusing on the points of intersection, exchange, and collaboration that define the ZERO artists' shared history, the exhibition is at once a snapshot of a specific group and a portrait of a generation. ZERO: Countdown to Tomorrow, 1950s-60s celebrates the pioneering nature of ZERO art and the transnational vision advanced by this network of artists during a pivotal decade." -- Publisher's description.
Art styles --- anno 1960-1969 --- anno 1950-1959 --- Zero (Group of artists) --- Art, German --- Art, Modern --- de Vries Herman --- Verheyen Jef --- geometrische abstractie --- 7.038 --- abstractie --- abstracte schilderkunst --- Tinguely Jean --- Spoerri Daniel --- Schoonhoven Jan --- Pohl Uli --- Peeters Henk --- Megert Christian --- Manzoni Piero --- Uecker Günther --- Piene Otto --- Mack Heinz --- Lo Savio Francesco --- Leblanc Walter --- Soto Jesús Rafael --- Mavignier Almir --- Kusama Yayoi --- Klein Yves --- Henderikse Jan --- Goepfert Hermann --- Fontana Lucio --- Castellani Enrico --- Bury Pol --- Aubertin Bernard --- Armando --- Arman --- Zero --- Duitsland --- twintigste eeuw --- kunst --- 0 (Group of artists) --- Group 0 (Group of artists) --- Group Zero (Group of artists) --- Exhibitions --- Zero (Group of artists). --- Avant-garde (Aesthetics) --- Zero (kunststroming)
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Der Katalog widmet sich dem künstlerischen Phänomen von Blanko-Büchern im internationalen Kontext seit 1960. Das dem herkömmlichen Verständnis von Funktion und Inhalt eines Buches zuwiderlaufende Konzept - die Leere, das Unlesbare und Nicht-Abbildhafte zum Inhalt von Büchern zu machen - hat eine reichhaltige künstlerische Praxis ausgebildet. Sie legt offen, dass Kommunikation und Sprache aus Verhandlung, Vereinbarung, Verweigerung und Differenz bestehen, mit Humor, Ironie und auch Sprachlosigkeit arbeiten und von Anfang und Ende, Imagination und Verweis, Meinungsfreiheit und Zensur handeln. The catalogue book "Blank. Raw. Illegible... Artists' Books as Statements (1960-2022)" is published on the occasion of the likewise titled exhibition at the Leopold-Hoesch-Museum, Düren. It is dedicated to the artistic phenomenon of blank books in an international context since 1960. The concept of making the empty, the illegible, and the non-imageable the content of books, which runs counter to the conventional understanding of the function and content of a book, has developed a rich artistic practice with diverse aspects. It reveals that communication and language consist of negotiation, agreement, refusal, and difference, work with humor, irony, and also speechlessness, and deal with beginnings and endings, imagination and reference, freedom of expression and censorship.
82:7 --- 76 <064> --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Art --- artists' books [books] --- book history --- artists' publications --- kunst --- boeken --- kunstenaarsboeken --- kunst en literatuur --- conceptuele kunst --- concept art --- twintigste eeuw --- eenentwintigste eeuw --- Asher Michael --- Broodthaers Marcel --- Carrión Ulises --- De Vries Herman --- Manzoni Piero --- Starling Simon --- Valoch Jiri --- Wilson Ian --- Heimo Zobernig --- Banner Fiona --- Blank Irma --- Deball Marian Castillo --- Darboven Hanne --- García Dora --- Jotta Ana --- MacKillop Sara --- Sander Karin --- Zoller Rahel --- grafiek --- 7.038/039 --- 766.023 --- Artists' books --- Book history --- anno 1900-1999 --- anno 2000-2099
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Science and the arts. --- Martin Kemp --- kunst --- kunst en wetenschap --- wetenschap --- natuurkunde --- fysica --- land art --- abstractie --- abstracte kunst --- perspectief --- Piero Della Francesca --- Vasalius --- anatomie --- Brunelleschi Filippo --- Saenredam Pieter --- Dürer Albrecht --- Kepler Johannes --- da Vinci Leonardo --- Palissy Bernard --- Vermeer Johannes --- Descartes René --- Hooke Robert --- Merian Maria Sibylla --- Stubbs George --- Audubon John James --- Wright Joseph --- Turner Joseph Mallord William --- Hummel Johann Erdmann --- Monge Gaspard --- lenzen --- waarneming --- Goldsworthy Andy --- Hesse-Honegger Cornelia --- de Vries Herman --- Onwin Glen --- fotografie --- Derges Susan --- Parker Cornelia --- natuur --- kunst en natuur --- Metzger Gustav --- Turrell James --- Lederman Joan --- Feynman Richard --- ruimte --- Akeley Carl --- Butler Albert --- Frémiet Emmanuel --- camera's --- botanica --- plantkunde --- astronomie --- 7.01 --- 55 --- 58 --- Science and the arts --- Arts and science --- Arts
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Edited by Florian Matzner --- kunst --- twintigste eeuw --- kunst en maatschappij --- openbare ruimte --- kunst en openbare ruimte --- environmental art --- site-specific art --- Acconci Vito --- Ammann Jean-Christophe --- Armajani Siah --- Artschwager Richard --- Asher Michael --- Buren Daniel --- Chillida Eduardo --- Craig Stephen --- Deacon Richard --- Dion Mark --- Ecker Bogomir --- Eichhorn Maria --- Eliasson Olafur --- Erkmen Ayse --- Fischli & Weiss --- Gette Paul-Armand --- Golz Dorothee --- Graham Dan --- Grasskamp Walter --- Groos Ulrike --- Haacke Hans --- Hegewisch Katharina --- Hirschhorn Thomas --- Ingold Res --- Kabakov Ilya --- Kirkeby Per --- König Kasper --- Kosuth Joseph --- KUball Mischa --- Atelier Van Lieshout --- Manske Hans-Joachim --- Matzner Florian --- Meschede Friedrich --- Metzel Olaf --- Nicolai Olaf --- Nordman Maria --- Orozco Gabriel --- Paolini Giulio --- Pitz Hermann --- Potrc Marjetica --- Rehberger Tobias --- Rückriem Ulrich --- Ruppersberg Allen --- Schlieker Andrea --- Schmidt Eva --- Schmidt Sabine Maria --- Schmidt-Wulffen Stephan --- Schwanke Hans-Peter --- Signer Roman --- Sonna Birgit --- Steidle Otto --- Theis Bert --- Ullrich Wolfgang --- Vettese Angela --- de Vries Herman --- Weiner Lawrence --- Whiteread Rachel --- Zaugg Rémy --- Zobernig Heimo --- 7.038 --- Iconography --- Art --- Sculpture --- art [fine art] --- public spaces --- sculpting --- Buren, Daniel --- Kuball, Mischa --- Haacke, Hans --- Weiner, Lawrence --- Kabakov, Ilija Iosefovich --- Kirkeby, Per --- Acconci, Vito --- Graham, Dan --- Eliasson, Olafur --- Artschwager, Richard --- Dion, Mark --- Eichhorn, Maria --- Fischli, Peter --- Hirschhorn, Thomas --- Signer, Roman --- Weiss, David --- Rehberger, Tobias --- Rückriem, Ulrich --- Metzel, Olaf --- Deacon, Richard --- Kosuth, Joseph --- Atelier Van Lieshout [Rotterdam] --- art [discipline] --- kunst in de openbare ruimte
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Herausgegeben von = Edited by Florian Matzner, Hans-Joachim Manske, Rose Pfister --- kunst --- twintigste eeuw --- Adams Kim --- Bourgeois Louise --- Craig Stephen --- Ecker Bogomir --- Eliasson Olafur --- Erkmen Ayse --- Genzken Isa --- Golz Dorothee --- Grösch Wiebke --- Metzger Frank --- Haacke Hans --- Herz Rudolf --- Huber Stephan --- Julius Rolf --- Kabakov Ilya & Emilia --- Korpys Andree --- Löffler Markus --- Atelier Van Lieshout --- Kuball Mischa --- M+M --- Manz Joachim --- Nicolai Olaf --- Opie Julian --- Panamarenko --- Pitz Hermann --- Potrc Marjetica --- Rehberger Tobias --- Ruff Thomas --- Baudrexel Florian --- Ullrich Jens --- Signer Roman --- Theis Bert --- de Vries Herman --- Winter Wolfgang --- Hörbelt Berthold --- kunst en stedenbouw --- kunst en samenleving --- nieuwe media --- fotografie --- video --- videokunst --- digitale kunst --- installaties --- design --- stedenbouw --- urbanisme --- kunst en architectuur --- architectuur --- globalisering --- openbare ruimte --- utopie --- utopische architectuur --- 7.038 --- Art --- art [fine art] --- public art --- cities --- public spaces --- globalization --- Kuball, Mischa --- Julius, Rolf --- Haacke, Hans --- Craig, Stephen --- Bourgeois, Louise --- Golz, Dorothee --- Herz, Rudolf --- Manz, Joachim --- Theis, Bert --- Kabakov, Ilija Iosefovich --- Opie, Julian --- Eliasson, Olafur --- Signer, Roman --- Adams, Kim --- Ecker, Bogomir --- Genzken, Isa --- Nicolai, Olaf --- Rehberger, Tobias --- Ruff, Thomas --- Huber, Stephan --- Kabakov, Emilia --- Atelier Van Lieshout [Rotterdam] --- art [discipline]
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