Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Composers --- Biography --- Grainger, Percy, --- Grainger, Percy, 1882-1961. --- Composers - Biography. --- Composers - Biography

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music --- Women composers --- Encyclopaedias --- Biography --- Encyclopedias --- Bio-bibliography --- Encyclopedias. --- Bio-bibliography. --- Women composers - Biography - Encyclopedias. --- Music - Bio-bibliography. --- Women composers - Biography - Encyclopedias --- Music - Bio-bibliography

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Stravinsky and his world" brings together an international roster of scholars to explore fresh perspectives on the life and music of Igor Stravinsky. Situating Stravinsky in new intellectual and musical contexts, the essays in this volume shed valuable light on one of the most important composers of the twentieth century.Contributors examine Stravinsky's interaction with Spanish and Latin American modernism, rethink the stylistic label "neoclassicism" with a section on the ideological conflict over his lesser-known opera buffa "Mavra", and reassess his connections to his homeland, paying special attention to Stravinsky's visit to the Soviet Union in 1962. The essays also explore Stravinsky's musical and religious differences with Arthur Lourié, delve into Stravinsky's collaboration with Pyotr Suvchinsky and Roland-Manuel in the genesis of his groundbreaking "Poetics of Music", and look at how the movement within stasis evident in the scores of Stravinsky's "Orpheus" and "Oedipus Rex" reflected the composer's fierce belief in fate. Rare documents supplement "Stravinsky and his world" - spanish and mexican interviews, russian letters, articles by Arthur Lourié, and rarely seen french and russian articles - bringing to life Stravinsky's rich intellectual milieu and intense personal relationships.The contributors are Tatiana Baranova, Leon Botstein, Jonathan Cross, Valérie Dufour, Gretchen Horlacher, Tamara Levitz, Klára Móricz, Leonora Saavedra, and Svetlana Savenko.

Musicians --- Composers --- Musiciens --- Compositeurs --- Stravinsky, Igor, --- Criticism and interpretation --- Composers -- Biography -- Juvenile literature. --- Music industry. --- Stravinsky, Igor, -- 1882-1971. --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- History and criticism. --- Stravinskij, Igor' Fëdorovič. --- Stravinskij, Igor' Fëdorovič --- Criticism and interpretation. --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. The recent discovery of a large number of private account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done more, however, than write a biography: their investigation exposes the value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and opens a new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. They also allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.

Composers --- Finance, Personal --- -Finance, Personal --- -Biography --- Economic conditions --- History --- Sources --- Florence (Italy) --- Peri, Jacopo, --- Finance, Personal. --- Financial management, Personal --- Financial planning, Personal --- Personal finance --- Personal financial management --- Personal financial planning --- Songwriters --- Planning --- Zazzerino, --- Peri, Iacopo, --- Florent︠s︡ii︠a︡ (Italy) --- Firenze (Italy) --- Florencia (Italy) --- Florença (Italy) --- Florenz (Italy) --- Florentia (Italy) --- Finance --- Financial literacy --- Musicians --- Forence (Tuscany) --- E-books --- Florence (Tuscany) --- Composers - Biography - Italy --- Composers - Economic conditions - 16th century - Italy - Florence --- Composers - Economic conditions - 17th century - Italy - Florence --- Finance, Personal - - History - Sources - 16th century - Italy - Florence --- Finance, Personal - - History - Sources - 17th century - Italy - Florence --- Florence (Italy) - Economic conditions - 17th century --- Florence (Italy) - Economic conditions - 16th century --- -Florence (Italy)