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Iconography --- History of civilization --- centaurs --- Ancient Greek [culture or style] --- Renaissance --- anno 1500-1599 --- Florence
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Iconography --- Sculpture --- ships --- sculpting --- hands [animal components] --- centaurs --- Koenig, Fritz --- Germany
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This book studies the social and ethical formation of youthful figures in Homer, Sophocles, and Euripides. Every fictional character comes with a past attached, a presumed personal history that is both implicit and explicit; for the youthful heroes and heroines of epic and tragedy, early education figures significantly in that past. Cheiron's Way takes as its point of departure the words of Homer's Phoenix to Achilles, who claims, "I made you the man you are" as he pleads with his former pupil to let go of his anger.The book begins by exploring topics relevant to heroic and tragic education: age classes, rites of passage, verbal modes of instruction, social conditioning, mentoring, peer role models, and the controversial balance between nature and nurture. It introduces the first teacher in the Greek tradition, Cheiron the centaur, who founded a school for young heroes in his Thessalian cave and instructed Achilles, Jason, and others with mixed success. Next it turns to the Iliadic Achilles, who achieves maturity by way of successive crises-a crisis of disillusionment with the assumptions that shaped his heroic education, followed by a crisis of empathy for his adversary-and who becomes an influential prototype for tragedy. Examination of the Odyssey suggests that while Odysseus received a normative heroic upbringing and Nausicaa internalizes social expectations for young women, Telemachus is more of an outlier. In tragic representations of education Sophocles' Ajax and Neoptolemus replicate the Achillean pattern only partially and unsuccessfully, as does Euripides' Hippolytus; only Achilles and Iphigenia in Euripides' Iphigenia in Aulis achieve an emotional maturity commensurate with the Iliadic Achilles'. Yet all these texts confirm, as elegantly argued in this book, the perennial lure, despite uncertain results, of the educational enterprise for communities, students, and teachers.
Education in literature --- Centaurs in literature --- Greek literature --- Greek drama (Tragedy) --- History and criticism --- Homer --- Characters.
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This book treads new paths through the labyrinths of our human thought. It meanders through the darkness to encounter the monsters at the heart of the maze: Minotaurs, Centaurs, Automata, Makers, Humans. One part of our human thought emerges from classical Ionia and Greek civilisation more generally. We obsessively return to that thought, tread again its pathways, re-enact its stories, repeat its motifs and gestures. We return time and time again to construct and re-construct the beings which were part of its cosmology and mythology – stories enacted from a classical world which is itself at once imaginary and material. The “Never Never Lands” of the ancient world contain fabulous beasts and humans and landscapes of desire and violence. We encounter the rioting Centaurs there and never again cease to conjure them up time and time again through our history. The Centaur mythologies display a fascination with animals and what binds and divides human beings from them. The Centaur hints ultimately at the idea of the genesis of civilisation itself. The Labyrinth, constructed by Daedalus, is itself a prison and a way of thinking about making, designing, and human aspiration. Designed by humans it offers mysteries that would be repeated time and time again – a motif which is replicated through human history. Daedalus himself is an archetype for creation and mastery, the designer of artefacts and machines which would be the beginning of forays into the total domination of nature. Centaurs, Labyrinths, Automata offer clues to the origins and ultimately the futures of humanity and what might come after it.
E-books --- Mythology, Classical. --- Centaurs. --- Memory. --- Ancient Greek religion & mythology --- Retention (Psychology) --- Intellect --- Psychology --- Thought and thinking --- Comprehension --- Executive functions (Neuropsychology) --- Mnemonics --- Perseveration (Psychology) --- Reproduction (Psychology) --- Mythology, Classical --- Classical mythology --- classical literature --- ancient history --- monsters --- mythology --- centaurs
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Iconography --- Art --- Sculpture --- relief [sculpture techniques] --- sculpting --- bathing [hygienic activity] --- centaurs --- musicians --- Bourdelle, Antoine --- Sappho of Lesbos --- Duncan, Isadora --- France
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Sculpture --- Drawing --- sculpture [visual works] --- warriors --- heads [representations] --- centaurs --- musicians --- prisoners --- De Verloren zoon --- Gogh, van, Vincent --- Zadkine, Ossip
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Traces the development of the Greek hierarchical view of life that continues to permeate Western society
Chain of being (Philosophy) --- Centaurs. --- Amazons. --- Women --- Great chain of being (Philosophy) --- Continuity --- Cosmology --- Creation --- Ontology --- Philosophy --- Mythology, Classical --- Women soldiers --- History. --- Greece --- Civilization --- Civilization.
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Iconography --- Sculpture --- religions [belief systems, cultures] --- monuments --- sculpting --- bathing [hygienic activity] --- centaurs --- dances [performance events] --- mothers --- Maenaden --- Apollo [Mythological character] --- Beethoven, von, Ludwig --- Alvear, de, Carlos Maria --- Bourdelle, Antoine --- Sappho of Lesbos --- Hercules [Mythological character] --- Duncan, Isadora --- Montauban --- France
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Iconography --- Sculpture --- self-portraits --- Equus caballus [species] --- sculpting --- bathing [hygienic activity] --- centaurs --- Adam en Eva --- Madonna --- Penelope [Mythological character] --- Bourdelle, Antoine --- Sappho of Lesbos --- Mary [s.] --- Hercules [Mythological character] --- Adam --- France
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