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All over Europe, universities are moving over to English as the language of instruction. This development has been accelerated by global forces, and its pedagogical consequences have yet to be fully explored. This book examines this situation from the point of view of students and teachers, focusing particularly on the acquisition of English language writing skills in European university contexts. It takes an academic approach, and is firmly grounded in the bibliography on teaching academic writing to second language users in English-speaking countries, as well as in the bibliography on teaching English in Europe in higher education. In addition to providing sound pedagogical guidelines, it also brings together the most recent critiques of current practice and an overview of the innovative approaches devised in the last ten years. This is a book for all those who are involved in the changing European university scenario: English teachers and writing instructors, lecturers faced with the challenge of teaching their courses in English, university administrators and decision-makers.
Academic writing --- Englisch. --- Hochschule. --- Wissenschaftlicher Text. --- Hochschulwesen --- Bildungwesen: Europa --- Sprachenkonzept: Bildungspolitik --- Fremdsprachen: Fachdidaktik --- Textsorten: Schriftlicher Ausdruck --- Study and teaching (Higher) --- Europa. --- Academic writing. --- Education, Higher -- Europe. --- Higher education and state -- Europe. --- Education, Higher --- Education --- Social Sciences --- History of Education --- Hochschulwesen. --- Bildungwesen: Europa. --- Sprachenkonzept: Bildungspolitik. --- Fremdsprachen: Fachdidaktik. --- Textsorten: Schriftlicher Ausdruck. --- Study and teaching (Higher). --- Study and teaching --- Learned writing --- Scholarly writing --- Authorship --- Education, Higher. --- Europe. --- College students --- Higher education --- Postsecondary education --- Universities and colleges --- Council of Europe countries --- Eastern Hemisphere --- Eurasia
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What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.
Music and philosophy. --- Music --- Philosophy and aesthetics. --- History and criticism. --- Musiktheorie --- Tiefe --- Ausdruck --- Musikästhetik. --- Tiefe. --- Motiv (Musik) --- Musique --- Musique et philosophie --- Philosophie et esthétique --- Histoire et critique --- Marx, Adolf Bernhard, --- Schumann, Robert, --- Wagner, Richard, --- Schenker, Heinrich, --- Schönberg, Arnold, --- Geschichte 1800-1950 --- 1800-1999 --- Germany. --- Deutschland --- Österreich --- Deutschland. --- Philosophie et esthétique --- Philosophy and music --- Philosophy --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory
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