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"The title for the installation comes from the row house's common nickname "shotgun," a term coined to describe its corridor-like layout that allows a clear path or "shot" from front to back door. This deceptively simple form of architecture, comprised of understated geometry (an elongated box with a pitched roof) and basic construction, was often passed down without formal plans or drawings and made from scrap wood or inexpensive lumber. Principals Yoshiharu Tsukamoto and Momoyo Kaijima of Tokyo-based architecture studio Atelier Bow-Wow collaborated with Jesús Vassallo, Spanish architect and professor at Rice University, and with the students of the Rice School of Architecture to dig far beneath the surface of this assumed simplicity and to celebrate the row house's ingenuity. Over the fall semester of 2014, Atelier Bow-Wow and Jesús Vassallo taught the course "Learning from Houston" to intensively study the row house's history and contemporary condition and to simultaneously use this research to design and build a new site-specific installation for Rice Gallery. In its interdisciplinary focus, the project is a continuation of Rice Gallery's approach to installation art which embraces experimentation across disciplines from interior design (White Webb) to product design (Karim Rashid) to architecture (Shigeru Ban, Ball-Nogues Studio)." -- Rice University Art Gallery website
Shotgun houses --- Vassallo, Jesús --- Atorie Wan
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Each year the Wouter Mikmak Foundation invites a designer to lecture for the series "Designers of the Future". This publication presents projects realized by the Tokyo-based office Atelier Bow-Wow, founded in 1992 by Yoshiharu Tsukamoto and Momoyo Kaijima. Their vision calls for a shift in architectural design from individuality to commonality, through the notion of architectural "behaviorology". Behaviour in this sense is an inclusive term that not only denotes human practice, but also a building's behaviour as material typology, as well as phenomena produced by natural elements like light, air, heat, and water. An architecture based on commonalities is key to their architectural philosophy and design.
Atelier Bow-Wow --- Tsukamoto, Yoshiharu --- Kaijima, Momoyo --- Architecture --- History --- Histoire --- Atorie Wan.
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Architecture, Domestic --- Architect-designed houses --- Architecture domestique --- Maisons conçues par des architectes --- Tsukamoto, Yoshiharu, --- Kaijima, Momoyo, --- Atorie Wan. --- Atelier Bow-Wow --- Tsukamoto, Yoshiharu --- Kaijima, Momoyo --- 72.07 --- 72.039(520) --- Architectuur ; Japan ; 1997-2009 ; Atelier Bow-Wow --- Tsukamoto, Yoshiharu °1965 (°Tokyo) --- Kaijima, Momoyo °1969 (°Tokyo) --- 72 --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 ; Japan --- Architectuur. Bouwkunst --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Architecture --- Maisons conçues par des architectes --- Custom-designed houses --- Houses, Architect-designed --- Dwellings --- Zhongben, Youqing, --- 塚本由晴, --- 貝島桃代, --- アトリエ・ワン --- Architecture, Domestic - Japan. --- Architect-designed houses - Japan. --- Tsukamoto, Yoshiharu, - 1965 --- -Kaijima, Momoyo, - 1969 --- -Architecture, Domestic --- -Architect-designed houses --- -Kaijima, Momoyo, - 1969-
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When Yoshi Tsukamoto and Momoyo Kaijima of the Tokyo-based firm Atelier Bow-Wow arrived at the Harvard University Graduate School of Design as guest professors, in the winter of 2016, they challenged students to deeply consider their surroundings and record their reactions as a large pencil drawing. In this “public drawing” time is suspended and expanded; futures, presents, and pasts converge; and the act of drawing becomes an instrument of dialogue and engagement.Tsukamoto and Kaijima later spoke about the project with K. Michael Hays, Eliot Noyes Professor of Architectural Theory at Harvard’s Graduate School of Design, and reflected on representation, occupation, and the democracy of architecture. They unfolded their concept of an “ecology of livelihood,” wherein shadowless figures, objects, and spaces coexist with construction details. Explaining their belief in the “behavioral capacities” of humans, architecture, and nature, Tsukamoto and Kaijima revealed the generosity of spirit in their work, and the importance of pushing such capacities to their most yielding limits.
Architecture --- 72.07 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Philosophy --- Architecten. Stedenbouwkundigen A - Z --- Design and construction --- Tsukamoto, Yoshiharu, --- Kaijima, Momoyo, --- 貝島桃代, --- Zhongben, Youqing, --- 塚本由晴, --- Atorie Wan --- Atelier Bow-Wow --- アトリエ・ワン --- Exhibitions --- 741:72 --- Atelier Bow-Wow : opgericht in 1992 door Y. Tsukamoto en M. Kaijima in Tokyo --- Kaijima, Momoyo °1969 (°Tokyo) --- Tsukamoto, Yoshiharu °1965 (°Tokyo) --- Studentenwerk ; architectuur ; Harvard University --- Architectonische etnografie --- Tekenkunst ; architectuurtekeningen --- BOW-WOW --- architectural education --- pencils [drawing and writing equipment] --- architectural theory --- Atelier Bow-Wow [Tokyo] --- Art --- Building --- Architecture, Primitive --- 72.037 --- Tsakamoto, Yoshi --- Kaijima, Momoyo --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur)
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