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Art --- Economic relations. Trade --- 620 Kunst --- Cultural property --- Economic aspects --- Marketing --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Art - Economic aspects --- Art - Marketing
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This book offers a compelling perspective on the striking similarity of art and commerce in contemporary culture. Combining the history and theory of art with theories of contemporary culture and marketing, Maria A. Slowinska chooses three angles (space, object/experience, persona) to bridge present and past, aesthetic appearance and theoretical discourse, and traditional divisions between art and commerce. Beyond both pessimistic and celebratory rhetorics, »Art/Commerce« illuminates contemporary phenomena in which the aestheticization of commerce and the commercialization of aesthetics converge. Besprochen in: http://www.arteconomy24.ilsole24ore.com, 01.08.2015, Marilena Pirelli
Art --- Marketing. --- Marketing --- Commercialisation --- Kunst. --- Ästhetik. --- Art; Marketing; Consumer; Culture; Branding; Arts; Economy; Consumption; Theory of Art; Popular Culture; Cultural Studies --- Arts. --- Branding. --- Consumer. --- Consumption. --- Cultural Studies. --- Culture. --- Economy. --- Popular Culture. --- Theory of Art.
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The book examines the contemporary art system with a broad and systematic approach, through the application of models of microeconomics and industrial organizations. By breaking down the traditional barriers between different academic disciplines such as art and economics, this book offers a unique opportunity to grasp the complexities of the contemporary art world and provides the tools to conduct a structural analysis of that market. The result is an in-depth analysis of the contemporary art market from an interdisciplinary perspective. While it is not a textbook in the strictest sense, the book offers a concise and effective overview of all actors in the art system, and provides supporting data and valuable information, both conceptual and practical. It is therefore a text that can be used by students wishing to better understand the complex dynamics that govern the contemporary art market, but also by cultural managers, collectors, potential art investors or simply art lovers who need a quick reference.
Art -- Marketing -- History -- 20th century. --- Art -- Marketing -- History -- 21st century. --- Art, Modern -- 20th century -- Economic aspects. --- Art, Modern -- 21st century -- Economic aspects. --- Arts. --- Economics. --- Industrial organization (Economi. --- Microeconomics. --- Management --- Business & Economics --- Management Theory --- Industrial Management --- Art, Modern --- Prices. --- Modern art --- Industrial organization. --- Culture - Economic aspects. --- Management. --- Industrial Organization. --- Cultural Economics. --- Cultural Management. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Industries --- Organization --- Industrial concentration --- Industrial management --- Industrial sociology --- Price theory --- Economics --- Culture—Economic aspects. --- Administration --- Industrial relations --- Arts, Primitive --- Culture --- Economic aspects.
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Art is a prerequisite for the progress of society. Corporate Art Initiatives contribute to this progression. Based on extensive research, Viviane Mörmann presents 21 promising corporate art initiatives (CAIs). She introduces different types of art initiatives and provides a standardized scheme to evaluate them. This volume features CAIs from the classic corporate art space to the public art challenge, and the virtual museum. It draws attention to the subject of CAIs to broaden the reader's knowledge and to mediate access to current CAIs. The Corporate Art Index thus addresses art lovers, artists, curators, business and marketing professionals, architects and designers, art historians, art fair organizers and journalists.
Corporate Art; Corporate Art Index; Corporate Art Collection; Corporate Social Responsibility; Sustainability; Art Competition; Art Marketing; Art Space; Art Project; Digital Art; Corporate Communication; Corporate Identity; Corporate Image; Art Sponsoring; Art; Museum; Cultural Management; Art Management; Museum Management; Cultural Marketing --- Art Competition. --- Art Management. --- Art Marketing. --- Art Project. --- Art Space. --- Art Sponsoring. --- Art. --- Corporate Art Collection. --- Corporate Art Index. --- Corporate Communication. --- Corporate Identity. --- Corporate Image. --- Corporate Social Responsibility. --- Cultural Management. --- Cultural Marketing. --- Digital Art. --- Museum Management. --- Museum. --- Sustainability.
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This book gives a comprehensive account of the history and underlying economics of the modern art market in eighteenth-and nineteenth-century Britain. Bayer and Page argue that economics shaped and developed visual culture to the extent that we should no longer restrict market issues to narrative discussions of dealers' involvements in the careers of specific artists. Economic, econometric and statistical analyses of two specifically created, and particularly rich, data sets that record over 42,000 auction and dealer-based sales of paintings in London between 1720 and 1910 reveal hitherto unknown transaction patterns and trade modus operandi that offer unprecedented insight into the operations of the art market.
History of the United Kingdom and Ireland --- Art --- anno 1700-1799 --- anno 1800-1899 --- Art dealers --- Marchands d'oeuvres d'art --- Economic aspects --- History --- Marketing --- Aspect économique --- Histoire --- Commercialisation --- Art -- Exhibitions. --- Art -- Marketing. --- Art publishing. --- Kunstmarkt. --- Art dealers. --- Economic aspects. --- Geschichte 1730-1900. --- 1700-1899. --- England. --- Great Britain. --- Aspect économique
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Carl Andre; Michael Asher; Fia Backström ; Joseph Beuys ; Ian Burn ; Maurizio Cattelan ; Elmgreen & Dragset ; Andrea Fraser ; Melanie Gilligan ; Dan Graham ; Guerrillia Girls ; Andreas Gursky ; Hans Haacke ; Damien Hirst ; Christian Jankowski ; Yves Klein ; Jeff koons ; Barbara kruger ; Louise lawler ; Les Levine ; Liu Ding ; Lee Lozano ; Takashi Murakami ; Ahmet Ögüt ; Tino Sehgal ; Richard Serra ; Nedko Solakov ; Andy Warhol ; Fred Wilson ; Zhou Tiehai
Art --- Art patronage --- Economic aspects --- History --- Marketing --- 7.071 --- Kunst ; kunstenaars en beroep --- 7.01 --- Kunstenaars en kunstmarkt ; 20ste en 21ste eeuw --- Kunst en economie --- Arteconomy --- Kunst ; theorie, filosofie, esthetica --- prices --- economics --- financiële markten --- Contemporary [style of art] --- value [economic concept] --- patronage --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Marché de l'art --- Galerie d'art --- Mécénat --- kunst --- 130.2 --- kunstmarkt --- 7.039 --- kunst en economie --- economie --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive --- Art - Economic aspects - History - 20th century --- Art - Economic aspects - History - 21st century --- Art - Marketing - History - 20th century --- Art - Marketing - History - 21st century --- Art patronage - History - 20th century --- Art patronage - History - 21st century
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The question whether or not seventeenth century painters such as Rembrandt and Rubens created the paintings which were later sold under their names, has caused many a heated debate. Much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed. For example, did contemporary connoisseurs expect masters such as Rembrandt to paint their works entirely by their own hand? Who was credited with the ability to assess paintings? How did a painting's price relate to its quality? And how did connoisseurship change as the art market became increasingly complex? The contributors to this essential volume trace the evolution of connoisseurship in the booming art market of the seventeenth- and eighteenth centuries. Among them are the renowned Golden Age scholars Eric Jan Sluijter, Hans Van Miegroet and Neil De Marchi. It is not to be missed by anyone with an interest in the Old Masters and the early modern art market.
Art -- Collectors and collecting. --- Art -- Marketing. --- Art as an investment. --- Art --- Art as an investment --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Collectors and collecting --- Marketing --- Collectors and collecting. --- Marketing. --- Art collectors --- Investments --- malerkunst. --- kunstner --- kunst og okonomi. --- kunsthandel. --- profession. --- Holland. --- Holland (Kingdom) --- Batavian Republic --- United Provinces of the Netherlands --- The Netherlands --- Pays-Bas --- Países Baixos --- Holland --- Spanish Netherlands --- Pays-Bas espagnols --- Austrian Netherlands --- Pays-Bas autrichiens --- Oostenrijkse Nederlanden --- Southern Netherlands --- Pays-Bas méridionaux --- Zuidelijke Nederlanden --- Niderlandy --- Belanda --- Nederland --- Koninkrijk der Nederlanden --- Reino dos Países Baixos --- Royaume des Pays-Bas --- Kingdom of the Netherlands --- Países Bajos --- Holanda --- Nederlân --- Hulanda --- Beulanda --- Niderland --- Niderlande --- هولندا --- مملكة هولندا --- Mamlakat Hūlandā --- Olanda --- Payis-Bâs --- Países Baxos --- Aynacha Jach'a Markanaka --- Nirlan --- Niderland Krallığı --- Kē-tē-kok --- Landa --- Kerajaan Landa --- Нидерландтар --- Niderlandtar --- Нидерландтар Короллеге --- Niderlandtar Korollege --- Нідэрланды --- Каралеўства Нідэрланды --- Karaleŭstva Nidėrlandy --- Nederlands --- Niadaland --- Holandija --- Kraljevina Holandija --- Izelvroioù --- Нидерландия --- Niderlandii︠a︡ --- Кралство Нидерландия --- Kralstvo Niderlandii︠a︡ --- Països Baixos --- Нидерландсем --- Niderlandsem --- Нидерландсен Патшалăхĕ --- Niderlandsen Patshalăkhĕ --- Nizozemsko --- Paesi Bassi --- Regnu di i Paesi Bassi --- Iseldiroedd --- Nederlandene --- Niederlande --- Kéyah Wóyahgo Siʼánígíí --- Nižozemska --- Kralojstwo Nederlandow --- Madalmaad --- Ολλανδία --- Ollandia --- Hollandia --- Κάτω Χώρες --- Katō Chōres --- Βασίλειο των Κάτω Χωρών --- Vasileio tōn Katō Chōrōn --- Nederlando --- Reĝlando Nederlando --- Paisis Bajus --- Herbehereak --- Herbehereetako Erresumaren --- هلند --- Huland --- Niðurlond --- Háland --- Paîs Bas --- Neerlande --- Ísiltír --- Ríocht na hÍsiltíre --- Çheer Injil --- Çheer y Vagheragh --- Reeriaght ny Çheer Injil --- Tìrean Ìsle --- Hò-làn --- Недерлендин Нутг --- Nederlendin Nutg --- 네덜란드 --- Nedŏllandŭ --- Hōlani --- Nederlandia --- Pais Basse --- Regno del Paises Basse --- Нидерландтæ --- Niderlandtæ --- Нидерландты Къаролад --- Niderlandty Kʺarolad --- Konungsríkið Holland --- הולנד --- Holand --- ממלכת ארצות השפלה --- Mamlekhet Artsot ha-Shefelah --- Walanda --- Hollandi --- Нидерландла --- Niderlandla --- Нидерландланы Королевствосу --- Niderlandlany Korolevstvosu --- Néderlandzkô --- Нидерланд --- Iseldiryow --- Ubuholandi --- Ubuhorandi --- Nederilande --- Нидерланддар --- Niderlanddar --- Uholanzi --- Ufalme wa Nchi za Chini --- Нидерландъяс --- Niderlandʺi︠a︡s --- Нидерландъяс Корольув --- Niderlandʺi︠a︡s Korolʹuv --- Peyiba --- Holenda --- Keyatiya Nederlandan --- Payises Bashos --- פאייסיס באשוס --- Nīderlandeja --- Batavia --- Regni Nederlandiarum --- Nīderlandes Karaliste --- Nyderlandai --- Nyderlandų Karalystė --- Paixi Basci --- Paes Bass --- Ulanda --- Holland Királyság --- Keninkryk fan 'e Nederlannen --- Reino di Hulanda --- Холандија --- Кралство Холандија --- Kralstvo Holandija --- Pajjiżi l-Baxxi --- Hōrana --- Недерлатт --- Nederlatt --- Оцязорксши Недерлатт --- Ot︠s︡i︠a︡zorksshi Nederlatt --- Нидерландын Вант Улс --- Niderlandyn Vant Uls --- Tlanitlālpan --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Eben Eyong --- Nederlaand --- オランダ --- Oranda --- オランダ王国 --- Oranda Ōkoku --- Ulanna --- Nethiland --- Nederlande --- Holandska --- Niederlande.
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