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Art, Swiss --- Art suisse
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Art, Swiss --- Fischer, Urs, --- Netzhammer, Yves, --- Rondinone, Ugo, --- Streuli, Christine,
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Art, Swiss --- Installations (Art) --- Photography, Artistic. --- Not Vital
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Beautifully illustrated and elegantly bound, this volume is the first overview of New York based artist Urs Fischer (born 1973) since 2009's Shovel in a Hole. The book includes selected works thoughtfully arranged according to common threads, spanning from the beginning of Fischer's career and concluding with his capstone NFT series, CHAOS. A spotlight on earlier works and notations provide context for Fischer's oeuvre. The book offers a holistic view of his career to date, showing how ideas have been nurtured over time. His sense of playfulness, humor and wry self-awareness permeates the book, with more than 700 full-color images.
Fischer, Urs, --- Art, Swiss --- Mixed media (Art) --- Installations (Art) --- Sculpture, Modern
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Art, Swiss --- Art, German --- Installations (Art) --- Art suisse --- Art allemand --- Exhibitions --- Expositions --- Rondinone, Ugo, --- Rondinone, Ugo --- Exhibitions.
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Catalogue d'une exposition collective autour de la question de l'identité et de la mondialisation dans l'art contemporain. L'exposition Shifting Identities - (Swiss) Art Now s'intéresse au thème du bouleversement des valeurs et des identités dans le cadre de la mondialisation, central pour toute une génération de jeunes artistes. Elle présente les œuvres de 68 artistes, suisses et internationaux (la distinction entre artistes d'origine suisse mais expatriés et suisses d'adoption devenant floue également), qui abordent ce thème de manières très différentes. Cette exposition prend acte de la nouvelle flexibilité des conditions de vie et de travail dans le monde (artistique) contemporain, aux niveaux culturel, politique, économique et personnel. Elle étend délibérement son objet au-delà des frontières institutionneles, ainsi l'aéroport et le centre des affaires de Zurich, lieux symboles d'un monde globalisé. http://www.lespressesdureel.com/ouvrage.php?id=1237
Art contemporain --- Art et politique --- Art militant --- Installation-art --- Art, Swiss --- Art, Modern --- Identity (Psychology) in art --- National characteristics in art --- Art and globalization
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Klee, Paul --- Art, Swiss --- 75.07 --- 741.07 --- Schilderkunst ; 1ste helft 20ste eeuw ; Paul Klee --- 75.037 --- Schilderkunst ; Duits Expressionisme ; Der Blaue Reiter --- Schilderkunst ; Bauhaus --- Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- Catalogues raisonnés --- Swiss art --- Schilderkunst ; schilders --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; 1900 - 1950 --- Klee, Paul, --- קליי, פאול, --- Klee, Paul.
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Motti, Gianni --- Nashat, Shahryar --- Poloni, Marco --- Wildi, Ingrid --- Zwitserland --- Iconography --- Art --- Film --- art [fine art] --- video art --- motion pictures [visual works] --- Homo sapiens [species] --- portraits --- Potoni, Marco --- Wildi Merino, Ingrid --- Venice --- Switzerland --- human figures [visual works] --- Art, Swiss --- 7.07 --- Banz, Stefan --- Biënnale van Venetië (51ste ; 2005) ; Zwitsers paviljoen --- Swiss art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- 7.039 --- Kunstgeschiedenis ; 2000 - 2050 --- art [discipline]
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Over the course of her protean career, Meret Oppenheim produced witty, unconventional bodies of work that defy neat categorizations of medium, style and subject matter. "Nobody will give you freedom," she stated in 1975, "you have to take it." Her freewheeling, subversively humorous approach modeled a dynamic artistic practice in constant flux, yet held together by the singularity and force of her creative vision. Published in conjunction with the first ever major transatlantic Meret Oppenheim retrospective, and the first in the United States in over 25 years, this publication surveys work from the radically open Swiss artist's precocious debut in 1930s Paris, the period during which her notorious fur-lined Object in MoMA's collection was made, through her post-World War II artistic development, which included engagements with international Pop, Nouveau Réalisme and Conceptual art, and up to her death in 1985. Essays by curators from the Kunstmuseum Bern, the Menil Collection and the Museum of Modern Art critically examine the artist's wide-ranging, wildly imaginative body of work, and her active role in shaping the narrative of her life and art, providing the context for her creative production pre- and post-World War II.
Surrealism --- Superrealism --- Surrealism in art --- Arts, Modern --- Oppenheim, Meret, --- Exhibitions --- Sculpture --- Painting --- collages [visual works] --- drawings [visual works] --- objects --- Oppenheim, Meret --- Art, Swiss --- Drawing, Swiss --- Painting, Swiss --- Sculpture, Swiss --- Surréalisme --- Catalogues d'exposition --- Beeldende kunst ; 1ste helft 20ste eeuw ; dadaïsme en surrealisme --- Beeldhouwkunst ; surreële objecten --- Kunst; Duitsland; Meret Elisabeth Oppenheim (1913-1985) --- Beeldhouwkunst ; Duitsland ; 20ste eeuw --- Surrealisme --- Dadaïsme --- Beeldende kunst ; Duitsland ; 20ste eeuw --- Oppenheim, Meret 1913-1985 (°Berlijn, Duitsland) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z
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