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This collective volume aims to highlight the philosophical and literary idea of apocalypse within key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth-century philosophy, not omitting theatre, cinema or music, the concepts of "end of history" and "end of present time" are specifically examined as conditions for a redemptive image of the world. To understand this idea is to understand an essential part of Slavic culture, which, however divergent and variegated it may be, converges on this specific myth in a surprising manner.

Philosophy --- Art, Slavic. --- Slavic art --- Mental philosophy --- Humanities --- Bible. --- Abūghālimsīs --- Apocalipse (Book of the New Testament) --- Apocalisse (Book of the New Testament) --- Apocalypse (Book of the New Testament) --- Apocalypse of John --- Apocalypse of St. John --- Apocalypsis Johannis --- Apocalypsis S. Johannis --- Apokalypse (Book of the New Testament) --- Apokalypsin --- Book of Revelation --- Johannes-Apokalypse --- Johannesapokalypse --- Johannesoffenbarung --- Offenbarung des Johannes --- Revelation (Book of the New Testament) --- Revelation of St. John --- Revelation of St. John the Divine --- Revelation to John --- Ruʼyā (Book of the New Testament) --- Sifr al-Ruʼyā --- Yohan kyesirok --- Apokalipsa św. Jana --- Apokalipsa świętego Jana --- Art, Slavic .

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Collective Actions is one of the most significant artistic practices to emerge from Moscow Conceptualism. The group's enigmatic idea of 'Empty action' is the focal point for Marina Gerber's exploration of this practice in relation to labour in the late Soviet Union. Based on interviews with members of the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the collective in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that Collective Actions' practice took place in free time from work for the Soviet State, Gerber identifies Empty action as a form of 'art after work'.

Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Moscow Conceptualism; Performance Art; Russia; Labour and Work; Free Time; Art; Cultural History; Music; Art History of the 20th Century; Media Aesthetics; Political Art; Slavic Studies; Fine Arts --- Art History of the 20th Century. --- Art. --- Cultural History. --- Fine Arts. --- Free Time. --- Labour and Work. --- Media Aesthetics. --- Music. --- Performance Art. --- Political Art. --- Russia. --- Slavic Studies. --- Art, Russian --- Art, Russian. --- Conceptual art --- Conceptual art. --- Labor in art. --- Leisure in art. --- History --- Kollektivnye deĭstvii͡a (Group of artists). --- 1900-1999. --- Russia (Federation)