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Book
The theater of Fernando Arrabal : a garden of earthly delights
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ISBN: 0814717713 0814717721 Year: 1980 Publisher: New York : New York University Press,

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Digital
El teatro pánico de Fernando Arrabal
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ISBN: 9781782042075 Year: 2014 Publisher: Suffolk Boydell & Brewer

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Book
Fernando Arrabal: the performance of festive play
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Year: 1978 Publisher: Ithaca, N.Y.

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Book
The grotesque in the theatre of Fernando Arrabal
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Year: 1975 Publisher: Place of publication unknown University of Kansas

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Fernando Arrabal.
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ISBN: 0805763406 Year: 1978 Publisher: Boston Twayne

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Book
The festive play of Fernando Arrabal
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ISBN: 0813161924 9780813161921 1322601488 9781322601489 0813150957 9780813150956 0813194334 Year: 2015 Publisher: Lexington The University Press of Kentucky

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Along with Samuel Beckett and Eugene Ionesco, Fernando Arrabal is a major exponent of the Theater of the Absurd. In this study Arrabal's plays are seen as a contemporary expression of a festive form of theater that flourished during the Middle Ages and that had its roots in the drama of Aeschylus and Aristophanes.

With this view of Arrabal's work, Luis Arata explores the nature of play in art in the light of Jean Piaget's psychology. He thus offers a new way to approach festive and playful art.


Book
The theater of cruelty in Spain: Valle-Inclán, García Lorca, and Arrabal
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Year: 1975 Publisher: Lexington, Ky

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The festive play of Fernando Arrabal
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ISBN: 0813114519 9780813114514 Year: 1982 Volume: 25 Publisher: Lexington University press of Kentucky


Book
El teatro pánico de Fernando Arrabal
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ISBN: 1782042075 1855662418 Year: 2014 Volume: 329 Publisher: Suffolk : Boydell & Brewer,

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The Panic Theatre is a set of plays conceived by Fernando Arrabal between 1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, in an attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is a full-time researcher at the Universitat Autònoma de Barcelona.


Book
New dramatists.
Year: 1962 Publisher: New Haven (Conn.) : Yale University Press,

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Keywords

Theatre (genre litteraire) francais --- Ionesco (eugene), auteur dramatique francais, 1912-1994 --- Genet (jean), ecrivain francais, 1910-1986 --- Beckett (samuel), 1906-1989 --- Montherlant (henry millon de), ecrivain francais, 1895-1972 --- Ghelderode (ademar martens, dit michel de), auteur dramatique belge, 1898-1962 --- Supervielle (jules) --- Schehade (georges) --- Arrabal (fernando) --- Vauthier (jean) --- Frisch (max), 1911-1991 --- 20e siecle --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Critique et interpretation --- Theatre (genre litteraire) francais --- Ionesco (eugene), auteur dramatique francais, 1912-1994 --- Genet (jean), ecrivain francais, 1910-1986 --- Beckett (samuel), 1906-1989 --- Montherlant (henry millon de), ecrivain francais, 1895-1972 --- Ghelderode (ademar martens, dit michel de), auteur dramatique belge, 1898-1962 --- Supervielle (jules) --- Schehade (georges) --- Arrabal (fernando) --- Vauthier (jean) --- Frisch (max), 1911-1991 --- 20e siecle --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Critique et interpretation

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