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Thomas Bernhard vertelt in dit boek een verhaal van mislukking, wanhoop, ...

Music critics --- Vienna (Austria)

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Written in taut, mesmerizing, often hilarious scenes, Night Moves captures the fierce friendships and small moments that form us all. Drawing on her personal journals from the aughts, Jessica Hopper chronicles her time as a DJ, living in decrepit punk houses, biking to bad loft parties with her friends, exploring Chicago deep into the night. And, along the way, she creates an homage to vibrant corners of the city that have been muted by sleek development. A book birthed in the amber glow of Chicago streetlamps, Night Moves is about a transformative moment of cultural history—and how a raw, rebellious writer found her voice.

Music critics --- Music journalists --- Hopper, Jessica.

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Musical criticism --- Music --- Music critics --- History --- History and criticism.

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A picture of a highly creative music critic, notable for his humane commentary, as well as his promotion of contemporary French and British music.The music critic Felix Aprahamian (1914-2005) was a remarkable self-made man whose enormous influence in musical circles was deeply founded in his practical experience of promoting music in London, notably British and French composers. Early on he became interested in the organ and was soon corresponding with the leading French names of the day - André Marchal, Charles Tournemire, Maurice Duruflé and the young Olivier Messiaen. In 1933, the nineteen-year-old Aprahamian visited Frederick Delius in France, and while in Paris, met the aged Charles-Marie Widor. The surviving diaries, published here complete for the first time, document these events in detail. During the Second World War he acted as concert director of the London Philharmonic Orchestra, was the guiding spirit behind the influential Concerts de Musique Française and became assistant to Sir Thomas Beecham. After the liberation of Paris, a wide circle of outstanding French musicians and composers including Francis Poulenc, Messiaen, Pierre Bernac and Pierre Fournier became personal friends. Aprahamian made his name as music critic on The Sunday Times, where from 1948to 1989 he was required reading. He helped numerous young musicians to develop their careers and was associated with many musical organizations, notably the Delius Trust and Society. Prefaced by an illuminating biography, this collection sheds new light on Aprahamian's life and work. His diaries and BBC broadcasts uniquely illuminate London concert life from the 1930s to the 1960s, while his articles on many composers and musicians - nearly all friends and colleagues - testify to his promotion of French and British music. Examples of his record and concert reviews are included, and the book evokes the almost vanished world of a music criticism both humane and strict, paying tribute to music's spontaneous and absolute qualities. It will be of interest to anyone following London concert life in the twentieth century; British and French music; writing about Debussy, Poulenc, Messaien and, in particular,Delius; as well as organ music. LEWIS FOREMAN is a writer on British music and the editor of The John Ireland Companion (The Boydell Press, 2011) and author of Bax: A Composer and His Times.SUSAN FOREMAN is author of various books on Whitehall and, together with Lewis Foreman, London. A Musical Gazetteer (2005).

Music critics --- Musicians --- Organists --- MUSIC / Genres & Styles / Classical.

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Star Turns and Cameo Appearances is the entertaining and insightful memoir by veteran music critic Bernard Jacobson. Its pages are populated by eminent composers ranging from Hans Werner Henze to Andrzej Panufnik and by renowned performers, including Georg Solti, Daniel Barenboim, Sviatoslav Richter, and Jessye Norman.

As a music critic and orchestra administrator, Jacobson has had the opportunity to observe these outstanding musicians and many of their colleagues at close quarters. Assisting Riccardo Muti at the Philadelphia Orchestra for eight years, he saw sides of that maestro not visible to the music-loving public. Throughout Star Turns and Cameo Performances, Jacobson adds his own sensitive and sympathetic view to public perceptions of musical luminaries of yesterday and today, helping to explain and illuminate their artistry.

Bernard Jacobson has worked in the music field for over fifty years, including stints as recording executive, music critic of the Chicago Daily News, artistic director and adviser for international orchestras in Holland, and visiting professor at Roosevelt University's Chicago Musical College. He has also performed and recorded as narrator of concert works and opera.

Music critics. --- Critics --- Musicians --- Music journalists --- Jacobson, Bernard. --- Artists --- Journalists --- Music critics --- Cameo Appearances. --- Entertainment. --- Insights. --- Memoirs. --- Music critic. --- Music. --- Musicians. --- Orchestra. --- Performers. --- Star Turns.