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Opera --- Encyclopedists
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Opera --- Encyclopedists. --- Encyclopédie, ou Dictionnaire raisonné des sciences.
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In May 2009 the Leuven Institute of Early Christian and Byzantine Studies organized an international congress, with the title: "Encyclopedic trends in Byzantium?" Some 40 scholars discussed the concept of Byzantine "encyclopedism", a notion coined definitively in 1971 by the French scholar Paul Lemerle as a characterization of Byzantine culture for the period 800-1000: the emphasis was not on creativity, but on collecting and copying; until very recent times the term "encyclopedism" has been repeated rather rashly in all kind of publications. Many problems have been dealt with during our congress: e.g. what are the definition and characteristics of Byzantine "encyclopedism"? Does the Byzantine understanding of this notion differ from ours? Has this really been the main feature of the period studied by Lemerle? Do these compilations mirror the broader cultural atmosphere in Byzantium? Which are the strategies (theological, literary, political) playing a part in the Byzantine art of compiling?
Encyclopedists --- Byzantine Empire --- Intellectual life --- Academic collection --- Conferences - Meetings --- Congresses --- Encyclopédistes --- Empire byzantin --- Vie intellectuelle
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Philosophy, French --- Enlightenment --- Encyclopedists --- Philosophie française --- Siècle des lumières --- Encyclopédistes --- Enlightenment.
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Encyclopedists --- Enlightenment --- Morellet, André, --- Friends and associates. --- France --- Paris (France) --- History --- Intellectual life
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"Shedding new light on the rich body of encyclopaedic writing surviving from the two millennia before the Enlightenment, this book traces the development of traditions of knowledge ordering which stretched back to Pliny and Varro and others in the classical world. It works with a broad concept of encyclopaedism, resisting the idea that there was any clear pre-modern genre of the 'encyclopaedia', and showing instead how the rhetoric and techniques of comprehensive compilation left their mark on a surprising range of texts. In the process it draws attention to both remarkable similarities and striking differences between conventions of encyclopaedic compilation in different periods, with a focus primarily on European/Mediterranean culture. The book covers classical, medieval (including Byzantine and Arabic) and Renaissance culture in turn, and combines chapters which survey whole periods with others focused closely on individual texts as case studies"--
Civilisation --- Science --- Ancient history --- anno 500-1499 --- anno 1500-1799 --- Encyclopedias and dictionaries --- Encyclopedists. --- Learning and scholarship --- Civilization, Ancient. --- Civilization, Medieval. --- Renaissance. --- History and criticism. --- History --- Civilization, Ancient --- Civilization, Medieval --- Encyclopedists --- Renaissance --- Revival of letters --- Civilization --- History, Modern --- Civilization, Modern --- Humanism --- Middle Ages --- Erudition --- Scholarship --- Intellectual life --- Education --- Learned institutions and societies --- Research --- Scholars --- Lexicography --- Medieval civilization --- Chivalry --- Ancient civilization --- History and criticism --- Arts and Humanities
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Encyclopedias and dictionaries --- Learning and scholarship --- Humanism --- Encyclopedists --- Renaissance --- Philosophy --- Classical education --- Classical philology --- Philosophical anthropology --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Middle Ages --- Scholars --- Lexicography --- Erudition --- Scholarship --- Intellectual life --- Education --- Research --- History and criticism --- History --- Book history --- History of Europe --- anno 1400-1499 --- anno 1500-1599
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