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kunst --- twintigste eeuw --- installaties --- schilderkunst --- Groot-Brittannië --- Hirst Damien --- 7.071 HIRST --- Surrealism --- Arts, Modern --- Hirst, Damien. --- Hirst, Damien.,
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Art styles --- Art --- happenings --- art [discipline] --- performance art --- Gilbert and George --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1900-1999 --- Great Britain
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Cet ouvrage présente le travail de collaboration réalisé entre le photographe Fergus Greer et l'artiste Leigh Bowery, créateur de performances.
Performance --- Photographie de mode --- Portrait --- Bowery, Leigh --- Greer, Fergus
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Viola, Bill, --- Viola, Bill, --- Philosophy. --- Themes, motives.
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Edition abrégée de l'ouvrage publié en 1977 par les éditions Booth-Clibborn. L'ouvrage largement illustré a été soigneusement mis en page par Jonathan Barnbrook. Sa mise en œuvre rend la manipulation fragile.
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Notorious for his continually subversive takes on classical dance, Michael Clark is without doubt one of the most important dancers and choreographers of our time. He has created some of contemporary dance's finest productions, often using leftfield rock music (most famously in his fantastic collaboration with The Fall, I Am Curious, Orange). Situated at the heart of the British postpunk art scene, Clark is much admired for his judicious choice of collaborators, such as designers Bodymap, artists Cerith Wyn Evans, Leigh Bowery, Charles Atlas, Peter Doig and Sarah Lucas, film director Peter Greenaway (Clark played Caliban in Prospero's Books) and bands The Fall, Laibach and Wire. This monograph, the first on this major artist, celebrates the whole of Michael Clark's career to date, from the late 70s to the present. Rich in visual and archival material, it contains new essays on Clark's work, photography by Hugo Glendinning, Richard Haughton, Nick Knight, David LaChapelle, Chris Nash and others, plus interviews with many of Clark's collaborators from the worlds of dance, art, fashion and music.
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Everyone knows what the distinctive curves and lines of Frank Gehry's buildings look like. But where do they come from? Gehry has described drawing as his way of thinking aloud; Gehry Draws traces that thinking through 29 major projects, providing a privileged view of the creative practice of a master architect. More than 360 drawings (most of which are previously unpublished) and more than 400 additional illustrations chart the evolution of Gehry's images from marks on the page to three-dimensional models to completed buildings. Horst Bredekamp's introduction relates Gehry's drawing methods to the concept of disegno, as practised by Leonardo and Durer - not only the act of drawing and modelling, but also the dynamics of creative thinking. Gehry himself describes his method for Bredekamp in several explanatory sketches, and Bredekamp applies this to a study of drawings made for specific Gehry commissions. Virtual-reality filmmaker Rene Daadler and writer Mark Rappolt return this discussion to the twenty-first century, looking at, among other things, analog methods in the digital world of contemporary architecture. Gehry Draws is produced in collaboration with Frank Gehry and his team at Gehry Partners. Project synopses and commentary by Gehry and two of his Partners and Project Designers, Edwin Chan and Craig Webb, guide us through the full range of Gehry production, from the small details of window design to such large-scale undertakings as the Walt Disney Concert Hall and the Guggenheim Museum in Bilbao. The drawings, illustrations and text in Gehry Draws definitively place drawing at the heart of Frank Gehry's creative processes.
Architectural drawing. --- Dessin d'architecture --- Gehry, Frank O., --- Frank O. Gehry (° 1929, Toronto, Ontario, Canada) --- Architectuurtekeningen ; 20ste eeuw ; Frank Owen Gehry --- 72.07 --- 741.07 --- Architecten. Stedenbouwkundigen A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Architecture --- Technique de représentation --- Gehry, Frank O., - 1929 --- -Architectural drawing. --- -Frank O. Gehry (° 1929, Toronto, Ontario, Canada)
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