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Antonello da Messina was the first truly European painter and his works raise crucial questions in our understanding of Western art. No other fifteenth-century Italian artist responded in such a direct manner to the unchallenged Flemish masters of Bruges and Brussels, the legends of French painting, and greats in Italy like Piero della Francesca and Mantegna. Antonello da Messina's genius lies in his ability to join this vision with Italian forms and a new notion of space: perspective. This style can be found in his early works, like the Crucifixion (Bucharest), the Salvator Mundi (London, 1465), the Madonna with Child (London) and Saint Jerome in His Study (London). In so doing, he created unique images with a harmonious and geometrical clarity, yet included exquisite descriptive passages. Antonello da Messina is also universally recognised as a formidable portraitist.
Antonello da Messina --- 75.07 --- Schilderkunst ; Italië ; 15de eeuw --- Quattrocento --- Schilderkunst ; schilders --- Antonello, --- Antonello da Messina, --- Antoni, Antonello degli, --- Antonio, Antonello d', --- Antonio, --- Da Messina, Antonello, --- Messina, Antonello da, --- Exhibitions --- Renaissance ; Italië --- Da Messina, Antonello 1430-1479 (°Messina, Sicilië, Italië) --- Antonello --- Antoni, Antonello degl, --- Antonio, Antonello d' --- da Messina, Antonello --- Da Messina, Antonello --- Messina, Antonello da --- Painting --- easel paintings [paintings by form] --- figures [representations] --- interpretation --- Antoni, Antonello degl --- Antonello di Giovanni di Antonio --- Antonello degli Antoni --- Anhony of Messina --- Antonello de Messine --- Antonello da Messina.
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"Zorzi da Castelfranco, known as Giorgione: an artist whose documented works are only four -- and only one has come down to us -- mentioned in archival documents that can be counted on the fingers of one hand and of which each reconstruction is entirely hypothetical. Yet, after a career span of just over ten years, Giorgione has achieved a fame remaining unchanged over the centuries. Starting from Giovanni Bellini's lessons in spirituality and harmony between man and nature, and from the use of colour by Giovan Battista Cima da Conegliano, the master of Castelfranco offers a highly peculiar synthesis of harmonious lyricism, immersing bodies and landscape into a soft and dense light. It is the tonal painting that, set by Cima and Bellini, with Giorgione turns into the language of initiation of the formidable brood becoming the protagonist of the great Venetian Cinquecento, the season of Palma il Vecchio, Sebastiano del Piombo and Titian."--Back cover of dust jacket.
Painting --- Giorgione --- Giorgione, --- Criticicism and interpretation. --- Painting, Italian --- Venetiaanse school
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Iconography --- Painting --- Mantegna, Andrea --- Bellini, Giovanni --- Jesus Christ
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Hans Memling was one of the most important, prolific and versatile painters active in 15th-century Bruges, and one of the leading artists of the Early Netherlandish School. Commissioned by Abbot Jan Crabbe, one of Memling's most signifcant and erudite patrons, the triptych of the Crucifixion - in particular its wings, with their complex and meticulously conceived background landscapes and the convincing realism of the portraits - ostentatiously demonstrate Memling's skills and ambitions. Completed around 1470, the triptych was dismembered in the 18th century. Two panels from the altarpiece are among the finest paintings owned by the Morgan Library & Museum, where they are on permanent view in Pierpont Morgan's Study. "Hans Memling. Portraiture, piety, and a reunited altarpiece" accompanies the first museum exhibition to explore the reconstructed masterpiece in context. Underscoring this great artist's impact, the book also examines Early Netherlandish drawings from the Morgan's collection, works ranging from the early compositional studies and figure drawings to a group of portrait drawings made in the generation after Memling and under his influence. Exhibition: Morgan Library and Museum, New York, USA (2.9.2016-8.1.2017).
altarpieces --- triptychs --- Memling, Hans --- Exhibitions --- Altarpieces, Flemish --- Painting, Flemish --- Drawing, Netherlandish --- Retables flamands --- Peinture flamande --- Dessin néerlandais --- Altarpieces, Flemish. --- Crucifixion of Jesus Christ. --- Drawing, Netherlandish. --- Painting, Flemish. --- Memling, Hans, --- Jesus Christ --- Jesus Christ Crucifiement --- Jesus Christ. --- Crucifixion --- Art --- Pierpont Morgan Library --- Vicenza (Italy). --- Groeningemuseum --- Groeningemuseum. --- Pierpont Morgan Library. --- 1400-1599 --- Belgium --- Dessin néerlandais --- Exhibitions. --- Expositions.
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