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Book
Via Lewandowsky: Biologie der Ermüdung (Materialgutachten)
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ISBN: 3925381295 Year: 1991 Publisher: Saarbrücken Landeshauptstadt Saarbrücken

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Identification of trees and shrubs in winter using buds and twigs
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ISBN: 9781842466506 Year: 2018 Publisher: Kew : Royal Botanic Gardens,

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To many plant lovers winter seems like lost time, but a glance at the twigs of trees and shrubs shows that this does need not be the case. In contrast to other life forms, trees and shrubs do not die aboveground, but enclose their shoots for the next year in buds, presenting many characters which hardly change over time. Using these bud and twig characters, deciduous trees and shrubs can be classified reliably in winter, which is particularly important during planting time.Author Bernd Schulz's unrivalled masterpiece is a practical guide to identifying trees and shrubs in winter. Comprehensive and easy to use, it contains over 700 species identifiable via their winter buds and twigs. The illustrated identification keys are easy to use, and a summary set of keys are provided as an appendix. Detailed descriptions are accompanied with over 1,400 colour illustrations.


Book
Hetum Gruber: "On est dans la merde"
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ISBN: 3925381376 Year: 1994 Publisher: Heidelberg Heidelberger Kunstverein

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Art Works by Alison Knowles: Indigo Island
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ISBN: 3925303928 Year: 1995 Publisher: Saarbrücken Stadtgalerie Saarbrücken

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Sound art : sound as a medium of art

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Overview. This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established Sound Art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive 2012-2013 exhibition at ZKM/Center for Art and Media, Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art. The book begins with an extensive overview by volume editor and ZKM CEO Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and Internet-based sound art. Experts then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, and Scandinavia. The texts are accompanied by hundreds of color images drawn from the ZKM exhibition.

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