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In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the 'Mona Lisa'. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Muse;e du Quai Branly. 'Paris Primitive' recounts the massive reconfiguration of Paris's museum world that resulted from Chirac's dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB's creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price's account fascinating.
Ethnological museums and collections --- Ethnology --- Anthropologie sociale et culturelle --- History. --- Musées et collections --- Histoire --- Musée du quai Branly --- France --- Social life and customs. --- Moeurs et coutumes --- #SBIB:39A5 --- Kunst, habitat, materiële cultuur en ontspanning --- Musées et collections --- Musée du quai Branly --- Frankrijk --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Ethnological collections --- Anthropological museums and collections --- History --- Museums --- Musée des arts premiers --- Musée du quai Branly (Paris, France) --- Quai Branly Museum --- Musée des arts et civilisations d'Afrique, d'Asie, d'Océanie et des Amériques --- Musée national des arts d'Afrique et d'Océanie --- Musée de l'homme (Muséum national d'histoire naturelle). --- Musée du quai Branly--Jacques Chirac --- Ethnologie --- Art primitif --- Musées ethnographiques --- Collections publiques. --- Chirac, Jacques --- Et l'art. --- Musée du quai Branly-Jacques Chirac --- Histoire. --- Musée du Quai Branly Jacques Chirac --- Musée du quai Branly-Jacques Chirac (Paris)
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Ethnocentrism. --- Aesthetics --- Art and anthropology. --- Art, Primitive. --- Moral and ethical aspects. --- Art, Primitive --- Esthétique --- Art primitif --- Art.
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Psychiatry --- Gynaecology. Obstetrics --- zwangerschap --- lichaamsbeeld --- bevalling --- zwangerschapspsychologie --- zwangerschapspsychose
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Ethnological museums and collections --- Maroons --- #SBIB:39A5 --- #SBIB:39A74 --- Ethnological collections --- Ethnology --- Anthropological museums and collections --- Cimarrones --- Blacks --- Fugitive slaves --- History --- Antiquities --- Collectors and collecting --- Museums --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Amerika --- French Guiana --- Description and travel. --- Description and travel --- Museology --- Sociology of minorities --- Art: persons --- Equatorial Guinea --- Anthropologie sociale et culturelle --- Marrons (Esclaves et descendants d'esclaves) --- History. --- Musées et collections --- Histoire --- Musées --- Suriname --- Descriptions et voyages --- Cimarrónes
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Art --- Saramacca (Surinamese people) --- Women, Saramacca. --- Social life and customs.
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"For more than four centuries, the communities of maroons (men and women who escaped from slavery) dotted the fringes of plantation America, from Brazil through the Caribbean to the United States. Today their descendants still form semi-independent enclaves-in Jamaica, Brazil, Colombia, Belize, Suriname, Guyane, and elsewhere-remaining proud of their maroon origins and, in some cases, faithful to unique cultural traditions forged during the earliest days of Afro-American history. In 1986, expelled by the military regime of Suriname, the Prices turned to neighboring Guyane (French Guiana), where thousands of Maroons were taking refuge from the Suriname civil war. Over the next fifteen years, their conversations with local people convinced them of the need to replace the pervasive stereotypes about Maroons in Guyane with accurate information. In 2003, Les Marrons became a local best-seller. In 2020, after many further visits, the Prices wrote a new edition taking into account the many rapid changes. Maroons in Guyane reviews the history of the four Maroon peoples in Guyane, explains how these groups differ from one another, and analyzes their current situations in the bustling, multicultural world of this far-flung outpost of the French Republic. A gallery of the magnificent arts of the Maroons completes the volume"--
Maroons --- History. --- Social conditions.
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