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Invective. --- Rome --- History --- Invective --- Abuse, Verbal --- Insults --- Insults, Verbal --- Verbal abuse --- Vituperation --- Satire --- Sallust, --- Cicero, Marcus Tullius. --- Cicero --- Cicero, Marcus Tullius --- Cicerone, M. T. --- Cicéron, Marcus --- Crisp, G. Sal·lusti, --- Crispus, C. Sallustius, --- Crispus Sallustius, C., --- Gaio Crispo Sallustio, --- Gayo Salustio Crispo, --- Krisp, Gaĭ Salli︠u︡stiĭ, --- Krispus, Gajus Salustiusz, --- Salli︠u︡stiĭ Krisp, Gaĭ, --- Salluste, --- Sal·lusti, --- Sal·lusti Crisp, G., --- Sallustio Crispo, Caio, --- Sallustio, Gaio Crispo, --- Sallustius, C. Crispus, --- Sallustius Crispus, C. --- Sallustius Crispus, C., --- Sallustius Crispus, Gaius, --- Salustio, --- Salustiusz Krispus, Gajus, --- סאלוסט, --- גאיוס סאלוסטיוס קריספוס --- Authorship. --- M. Tulli Ciceronis --- T︠S︡it︠s︡eron, Mark Tulliĭ --- Cyceron --- Cicéron --- Kikerōn --- Cicerón, M. Tulio --- Ḳiḳero --- Cicerone --- Cicerón, Marco Tulio --- Ḳiḳero, Marḳus Ṭulyus --- Tullius Cicero, Marcus --- Kikerōn, M. T. --- Cicerone, M. Tullio --- Cicero, M. T. --- Cyceron, Marek Tulliusz --- ציצרון, מארקוס טולליוס --- קיקרו, מארקוס טוליוס --- קיקרו, מרקוס טוליוס --- キケロ --- 西塞罗 --- Sallust --- Sallustius, C. Crispus --- Sallustius Crispus, Gaius --- Sallustius Crispus, Caius --- Salluste --- Salustio Crispo, Cayo --- Language and languages
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This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.
Manuscript fragments. --- Greek drama --- Theater --- Manuscripts. --- History
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Ancient Greek comedy relied primarily on its text and words for the fulfilment of its humorous effects and aesthetic goals. In the wake of a rich tradition of previous scholarship, this volume explores a variety of linguistic materials and stylistic artifices exploited by the Greek comic poets, from vocabulary and figures of speech (metaphors, similes, rhyme) to types of joke, obscenity, and the mechanisms of parody. Most of the chapters focus on Aristophanes and Old Comedy, which offers the richest arsenal of such techniques, but the less ploughed fields of Middle and New Comedy are also explored. Emphasis is placed on practical criticism and textual readings, on the examination of particular artifices of speech and the analysis of individual passages. The main purpose is to highlight the use of language for the achievement of the aesthetic, artistic, and intellectual purposes of ancient comedy, in particular for the generation of humour and comic effect, the delineation of characters, the transmission of ideological messages, and the construction of poetic meaning. The volume will be useful to scholars of ancient drama, linguists, students of humour, and scholars of Classical literature in general.
Ancient Greek Humour. --- Ancient Greek Language. --- Aristophanes. --- Middle and New Comedy.
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The use of suspense in ancient literature attracts increasing attention in modern scholarship, but hitherto there has been no comprehensive work analysing the techniques of suspense through the various genres of the Classical literary canon. This volume aspires to fill such a gap, exploring the phenomenon of suspense in the earliest narrative writings of the western world, the literature of the ancient Greeks. The individual chapters focus on a wide range of poetic and prose genres (epic, drama, historiography, oratory, novel, and works of literary criticism) and examine the means by which ancient authors elicited emotions of tense expectation and fearful anticipation for the outcome of the story, the development of the plot, or the characters' fate. A variety of theoretical tools, from narratology and performance studies to psychological and cognitive approaches, are exploited to study the operation of suspense in the works under discussion. Suspenseful effects are analysed in a double perspective, both in terms of the artifices employed by authors and with regard to the responses and experiences of the audience. The volume will be useful to classical scholars, narratologists, and literary historians and theorists.
Classical literature --- Greek literature, Hellenistic --- History and criticism. --- Suspense in literature --- History and criticism
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