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1340 to 1363 were years remarkable for dramatic developments in fashion and for extravagant spending on costume, foreshadowing the later luxury of Richard II's court. Stella Mary Newton broke new ground with this detailed study, which discusses fourteenth-century costume in detail. She draws on surviving accounts from the Royal courts, the evidence of chronicles and poetry (often from unpublished manuscripts), and representations in painting, sculpture and manuscript illumination. Her exploration of aspects of chivalry, particularly the choice of mottoes and devices worn at tournaments, and of the exchange of gifts of clothing between reigning monarchs, offers new insights into the social history of the times, and she has much to say that is relevant to the study of illuminated manuscripts of the fourteenth century.
391 "04/14" --- 091.31:7.04 --- 091.31 "13" --- 394.7 --- 394.7 Ridderfeesten. Steekspelen. Toernooien --- Ridderfeesten. Steekspelen. Toernooien --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 091.31 "13" Verluchte handschriften--14e eeuw. Periode 1300-1399 --- Verluchte handschriften--14e eeuw. Periode 1300-1399 --- 391 "04/14" Kleding. Mode. Sieraden. Volksdracht--Middeleeuwen --- Kleding. Mode. Sieraden. Volksdracht--Middeleeuwen --- Clothing and dress in art --- Clothing and dress --- History. --- History --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Costume in art --- Edward, --- Woodstock, Edward of, --- Black Prince, --- History of civilization --- anno 1300-1399
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Stella Newton's study draws on the journals (1495 to 1533) of Marin Sanudo, faithful recorder of Venetian political and social encounters in the period. Tracing the development of Venetian fashion and their appearance in contemporary works of art, this book discusses the unique attitude of the Venetian Republic to the dress of its patricians, its citizens and its women, as well as to the dress of foreigners. It relies extensively on the views of the Senate on dress, and considers Venice's contempt for the current fashions in the rest of Italy. There is also a discussion of the position of the tailors of Venice and their methods of work as well as an appendix on Venice and the textile industry;
Clothing and dress --- Costume --- History --- Histoire --- Venice (Italy) --- Venise (Italie) --- Civilization --- Civilisation --- 391 "15" --- 391 <45> --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- 391 "15" Kleding. Mode. Sieraden. Volksdracht--16e eeuw. Periode 1500-1599 --- Kleding. Mode. Sieraden. Volksdracht--16e eeuw. Periode 1500-1599 --- 391 <45> Kleding. Mode. Sieraden. Volksdracht--Italië --- Kleding. Mode. Sieraden. Volksdracht--Italië
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Applied arts. Arts and crafts --- History --- costume [mode of fashion] --- costumes [character dress] --- Renaissance --- anno 1500-1599
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In this book, Ms. Newton examines the fashions of the mid to late 1800's and how they were influenced by artistic and sociological movements of the time, such as the Pre-Raphaelites and the movement for women's rights.
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