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book (8)


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English (8)


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2017 (2)

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Book
Otto Vaenius and his emblem books.
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ISBN: 9780852619322 0852619324 Year: 2012 Volume: 15 Publisher: Glasgow University of Glasgow. Centre for emblem studies

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Emblematic paintings from Sweden's Age of greatness : Nils Bielke and the Neo-Stoic gallery at Skokloster.
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ISBN: 2503523641 9782503523644 Year: 2006 Volume: 6 Publisher: Turnhout Brepols


Book
Reading and writing the Swedish Renaissance
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Year: 2009 Publisher: Oxford: Blackwell,

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Book
An unknown English translation of Otto Vaenius's Historia Septem Infantivm de Lara (British library, 551.e.9) : a transcription and introductory note
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Year: 2012

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Book
The emblem in Scandinavia and the Baltic
Authors: ---
ISBN: 0852618220 9780852618226 Year: 2006 Volume: 11 Publisher: Glasgow University of Glasgow


Book
The international emblem : from incunabula to the internet : selected proceedings of the Eighth International conference of the Society for emblem studies, 28th July - 1st August, 2008, Winchester College.
Authors: ---
ISBN: 1443820067 9781443820066 9781443819305 1443819301 Year: 2010 Publisher: Newcastle upon Tyne Cambridge Scholars

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The emblem, a Renaissance literary genre which combined text and image, was used to convey erudition, admonishment, propaganda, and piety with unparalleled concision and economy. It arose out of humanist circles in the early sixteenth century, and became


Book
Emblems and impact : von Zentrum und Peripherie der Emblematik: selected proceedings of the 10th International Conference of the Society for Emblem Studies, 27 July - 1 August 2014, Christian-Albrechts-Universität zu Kiel
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Year: 2017 Publisher: Newcastle upon Tyne Cambridge Scholars Publishing

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Book
Emblems and impact : Von Zentrum und Peripherie der Emblematik
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ISBN: 9781443851848 1443851841 9781443851862 1443851868 Year: 2017 Publisher: Newcastle upon Tyne Cambridge Scholars Publishing

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"The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems entered personal life; they infiltrated festive culture, too. In such environments beyond the book, emblems were transported, adapted, and embedded in new functional contexts shaped by social, political, or religious conditions, but also by architectonical and regional art historical parameters. The results of these transformations are often of an intricate and complex meaning. The combination of word and image that constitutes the emblem still has resonance in contemporary art and architecture. The study of emblems allows us to look back at the collaborative endeavours of creative minds of earlier times from across Europe and beyond. At a time when that continent is under strain, and the world in general seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections."

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