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The studies collected in this volume address some of the most fascinating aspects of the ancient Indo-European-speaking world: the artistic use of ancient Indo-European languages, Indo-European religion and mythology.
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"Since the beginning of Indo-European Studies linguists have attempted to reconstruct aspects of the Indo-European traditions which go beyond the 'atomic' dimensions of related languages, such as inherited aspects of Indo-European texts and traits shared by cognate pantheons and narratives. The chapters in this volume address these very aspects of cultural reconstruction. Interdisciplinary case-studies on poetic features, religion and mythology of several ancient Indo-European languages (Ancient Greek, Latin and Italic, Hittite, Phrygian, Sanskrit, Avestan, Old Norse, Old Irish and Old Russian) work at the interface between linguistic reconstruction and philology. The results of these investigations shed new light on a variety of aspects, ranging from obscure etymologies to the reconstruction of the genetic link among entire Indo-European myths"--
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Pindar’s Pythian Twelve is the only choral lyric epinicion in our possession composed for the winner of a non-athletic competition. Often regarded as an ode of straightforward interpretation, close analysis of the text reveals that it presents several challenges to modern readers. This book offers an updated translation of the text and an investigation of the main interpretative issues of the epinicion with the aid of historical linguistics. By identifying devices which Pindar might have inherited from earlier periods of poetic language, the study provides insights into the thematic aspects of the ode as well as on Pindar’s compositional technique.
Pindar --- Pindar. --- Criticism and interpretation. --- Criticism and interpretation.
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In 1991, Laura Slatkin published The Power of Thetis: Allusion and Interpretation in the Iliad, in which she argued that Homer knowingly situated the storyworld of the Iliad against the backdrop of an older world of mythos by which the events in the Iliad are explained and given traction. Slatkin’s focus was on Achilles’ mother, Thetis: an ostensibly marginal and powerless goddess, Thetis nevertheless drives the plot of the Iliad, being allusively credited with the power to uphold or challenge the rule of Zeus. Now, almost thirty years after Slatkin’s publication, this timely volume re-examines depictions and receptions of this ambiguous goddess, in works ranging from archaic Greek poetry to twenty-first century cinema. Twenty authors build upon Slatkin’s readings to explore Thetis and multiple roles she played in Western literature, art, material culture, religion, and myth. Ever the shapeshifter, Thetis has been and continues to be reconceptualised: supporter or opponent of Zeus’ regime, model bride or unwilling victim of Peleus’ rape, good mother or child-murderess, figure of comedy or monstrous witch. Hers is an enduring power of transformation, resonating within art and literature.
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