Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative act through which the artist makes manifest what is within him. Spirit suggests the unity of feeling and thought. Avoiding broad generalities, our participants address specific areas in orchestration with music, architecture, literature and phenomenology. Profs. Souiller, Scholz, Etlin, Sweetser, Josephs show us at what point art is an intimate, profound expression and the magic of a civilization as a whole, springing from its evolving thoughts and embodying ideals, such as the Renaissance, the Baroque, Modernism and at what point it reflects the trans­ formation of a particular society and its mode of life.

Arts --- Aesthetics --- Esthétique --- Congresses. --- Congrès --- Ut pictura poesis (Aesthetics) --- Art and literature --- Humanism in art --- Esthétique --- Congrès --- Art --- Philosophy --- Congresses --- Phenomenology . --- Aesthetics. --- Comparative literature. --- Philosophy. --- Philosophy of mind. --- Phenomenology. --- Comparative Literature. --- Philosophy, general. --- Philosophy of Mind. --- Mind, Philosophy of --- Mind, Theory of --- Theory of mind --- Cognitive science --- Metaphysics --- Philosophical anthropology --- Mental philosophy --- Humanities --- Comparative literature --- Literature, Comparative --- Philology --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Philosophy, Modern --- History and criticism --- Psychology --- Arts - Congresses. --- Ut pictura poesis (Aesthetics) - Congresses.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Phenomenology and literature --- Phenomenology --- Aesthetics

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In her Introduction, Tymieniecka states the core theme of the present book sharply: Is culture an excess of nature's prodigious expansiveness - an excess which might turn out to be dangerous for nature itself if it goes too far - or is culture a 'natural', congenial prolongation of nature-life? If the latter, then culture is assimilated into nature and thus would lose its claim to autonomy: its criteria would be superseded by those of nature alone. Of course, nature and culture may both still be seen as being absorbed by the inner powers of specifically human inwardness, on which view, human being, caught in its own transcendence, becomes separated radically in kind from the rest of existence and may not touch even the shadow of reality except through its own prism. Excess, therefore, or prolongation? And on what terms? The relationship between culture and nature in its technical phase demands a new elucidation. Here this is pursued by excavating the root significance of the 'multiple rationalities' of life. In contrast to Husserl, who differentiated living types according to their degree of participation in the world, the phenomenology of life disentangles living types from within the ontopoietic web of life itself. The human creative act reveals itself as the Great Divide of the Logos of Life - a divide that does not separate but harmonizes, thus dispelling both naturalistic and spiritualistic reductionism.

Life --- Phenomenology --- Phenomenology and literature --- Le Clézio, J.-M. G. --- Rio, Michel --- Criticism and interpretation --- Congresses. --- -Phenomenology --- -Phenomenology and literature --- -Literature --- Philosophy, Modern --- Congresses --- Philosophy --- Le Clezio, J.-M. G. --- -Rio, Michel --- -Criticism and interpretation --- -Congresses --- Literature --- Le Clézio, J.-M. G. --- Le Clézio, Jean Marie Gustave, --- Clézio, J.-M. G. Le --- Le Clézio, Jean-Marie Gustave --- Phenomenology . --- Philosophy and science. --- Philosophy of nature. --- Philosophy. --- Phenomenology. --- Philosophy of Science. --- Philosophy of Nature. --- Philosophy of Man. --- Mental philosophy --- Humanities --- Nature --- Nature, Philosophy of --- Natural theology --- Science and philosophy --- Science --- Life - Congresses. --- Phenomenology - Congresses. --- Phenomenology and literature - Congresses. --- Le Clézio, J.-M. G. - (Jean-Marie Gustave), - 1940- - Criticism and interpretation - Congresses. --- Rio, Michel - Criticism and interpretation - Congresses. --- Le Clézio, J.-M. G. - (Jean-Marie Gustave), - 1940

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Allegory --- Literature --- Arts --- Philosophy --- Congresses. --- -Literature --- -Arts --- -Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Personification in literature --- Symbolism in literature --- Congresses --- -Congresses --- Allegory - Congresses. --- Arts - Congresses. --- Philosophy&delete& --- Allegory - Congresses --- Literature - Philosophy - Congresses.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Semiotics --- 316.773.2 --- -#SBIB:309H503 --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Communicatiemiddel. Communicatiemedium. Mediatechnologie--(communicatiesociologie); massamedia zie {316.774} --- Congresses --- Semiotiek, semiologie --- Congresses. --- 316.773.2 Communicatiemiddel. Communicatiemedium. Mediatechnologie--(communicatiesociologie); massamedia zie {316.774} --- -Semeiotics