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cultuursociologie --- Sociology of culture --- Arts [American ] --- Arts americains --- Kunsten [Amerikaanse ] --- 792.097 --- American arts --- Televisiespelen. Televisiedrama's --- 792.097 Televisiespelen. Televisiedrama's --- Arts, American --- #SBIB:309H1520 --- Arts, Modern --- Algonquin Round Table --- Catharctic Circle (Group of artists) --- Radio en/of televisieprogramma’s: algemene werken (functies, genres, taalgebruik, historiek) --- Arts [Modern ] --- 20th century --- United States
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History of civilization --- History --- history [discipline] --- historiografie van de kunstgeschiedenis --- art historians
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Art [Conceptual] --- Art conceptuel --- Art povera --- Art video --- Arte povera --- Concept art --- Conceptual art --- Conceptuele kunst --- Installaties (Kunst) --- Installations (Art) --- Language art (Fine arts) --- Possible art --- Post-object art --- Video art --- Videokunst --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Kruger Barbara --- conceptuele kunst --- concept art --- woord en beeld --- fotografie --- kunst en politiek --- feminisme --- gender studies --- 7.071 KRUGER --- Art vidéo --- Art électronique --- Electronic art --- Experimental television --- Vidéo expérimentale --- Vidéo formelle --- Vidéo-art --- Kruger, Barbara --- Catalogs --- Criticism and interpretation
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Art --- video recordings [physical artifacts] --- installations [visual works] --- advertising --- political art --- public spaces --- texts [documents] --- sculpting --- Kruger, Barbara
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motion pictures [visual works] --- Graphic arts --- Iconography --- art [fine art] --- multimedia works --- posters --- scripts [writing] --- Photography --- Art --- Kruger, Barbara --- United States --- Graphiste --- Graphisme --- Kruger, Barbara, --- 20e siècle --- Barbara Kruger (° 1945, Newark, New Jersey, VS) --- Kunst ; van vrouwen --- Kunst en reclame ; grafische vormgeving --- Kunst en woord ; 1978-1999 ; Barbara Kruger --- Kunst en maatschappij --- Simulation Art --- Kunst ; in en op openbare plaatsen --- 7.07 --- 7.038 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Ḳruger, Barbarah, --- Exhibitions --- Kruger, Barbara, - 1945- - Exhibitions --- art [discipline] --- mass media --- United States of America --- Kruger, Barbara, - 1945 --- -Kruger, Barbara --- Artists --- Book --- -Graphiste --- -Art
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Iconography --- Art --- Sculpture --- art [discipline] --- monuments --- public spaces --- philosophy of art --- kunstsociologie --- kunst en politiek --- kunst in de openbare ruimte --- Hirschhorn, Thomas --- anno 2000-2099
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Five decades of iconic and incisive art from Barbara Kruger. Since the mid-1970s, Barbara Kruger (born 1945) has been interrogating the hierarchies of power and control in works that often combine visual and written language. In her singular graphic style, Kruger probes aspects of identity, desire and consumerism that are embedded in our everyday lives. This volume traces her continuously evolving practice to reveal how she adapts her work in accordance with the moment, site and context. The book features a range of striking images―from her analogue paste-ups of the 1980s to digital productions of the last two decades, including new works produced on the occasion of the exhibition. Also featured are singular works in vinyl, her large-scale room wraps, multichannel videos, site-specific installations and commissioned works. The book also showcases how Kruger’s site-specific works have been reconceived for each venue, and includes a section of reprinted texts selected by the artist. Renowned for her use of direct address and her engagement with contemporary culture, Kruger is one of the most incisive and courageous artists working today. This volume explores how her pictures and words remain urgently resonant in a rapidly changing world.
Art --- sculpture [visual works] --- environments [sculpture] --- site-specific works --- identity --- texts [documents] --- consumers --- Kruger, Barbara --- Grafische vormgeving en politiek verzet --- Forensic Architecture project ; Goldsmiths ; University of London --- Kunst en maatschappijkritiek ; activisme --- Bourdieu, Pierre 1930-2002 (°Denguin, Frankrijk) --- Steyerl, Hito °1966 (°München, Duitsland) --- Kunst en woord ; Barbara Kruger --- Fotografie; Verenigde Staten; Barbara Kruger --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kruger, Barbara, 1945-.... --- Catalogues d'exposition --- social criticism --- Words in art --- Political art --- Kruger, Barbara, --- Art vidéo --- Installation-art --- Consommation --- Identité culturelle --- Politique et pouvoirs publics --- Collage --- Politique culturelle
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A unique 360-degree view of an incomparable 20th-century American artist One of the most emulated and significant figures in modern art, Andy Warhol (1928–1987) rose to fame in the 1960s with his iconic Pop pieces. Warhol expanded the boundaries by which art is defined and created groundbreaking work in a diverse array of media that includes paintings, sculptures, prints, photographs, films, and installations. This ambitious book is the first to examine Warhols work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhols production from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhols work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhols response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today. With essays by Jessica Beck, Okwui Enwezor, Trevor Fairbrother, Hendrik Folkerts, Branden Joseph, Barbara Kruger, Glenn Ligon, Michael Sanchez, and Lynne Tillman, and a conversation between Bill Horrigan, Bruce Jenkins, and Donna De Salvo
Art --- Pop [fine arts styles] --- Warhol, Andy
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