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Theses

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Alexandria was one of the main hubs of the Hellenistic world and a cultural and religious "kaleidoscope." Merchants and migrants, scientists and scholars, philosophers, and religious innovators from all over the world and from all social backgrounds came to this ancient metropolis and exchanged their goods, views, and dreams. Accordingly, Alexandria became a place where Hellenistic, Egyptian, Jewish, and early Christian identities all emerged, coexisted, influenced, and rivaled each other. Inorder to meet the diversity of Alexandria's urban life and to do justice to the variety of literary and non-literary documents that bear witness to this, the volume examines the processes of identity formation from a range of different academic perspectives. Thus, the present volume gathers together twenty-six contributions from the realm of archaeology, ancient history, classical philology, religious studies, philosophy, the Old Testament, narratology, Jewish studies, papyrology, and the New Testament. --

27 <32 ALEXANDRIA> --- 27 <32 ALEXANDRIA> Histoire de l'Eglise--Oud-Egypte--ALEXANDRIA --- 27 <32 ALEXANDRIA> Kerkgeschiedenis--Oud-Egypte--ALEXANDRIA --- Histoire de l'Eglise--Oud-Egypte--ALEXANDRIA --- Kerkgeschiedenis--Oud-Egypte--ALEXANDRIA --- Alexandria (Egypt) --- Iskandarīyah (Egypt) --- Alexandrie (Egypt) --- Aleksandriyah (Egypt) --- Alessandria (Egypt) --- Alexandreia (Egypt) --- Aleksandria (Egypt) --- Alexantreia (Egypt) --- Alesandriʼa (Egypt) --- الإسكندرية (Egypt) --- الإسكندرية (مصر) --- اسكندرية (Egypt) --- Antiquities. --- Civilization. --- Religion. --- Egypt --- Antiquities --- Civilization --- Religion --- History --- Greek influences

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Stezaker, John, --- kunst --- collages --- Groot-Brittannië --- twintigste eeuw --- eenentwintigste eeuw --- Stezaker John --- 7.071 STEZAKER --- Exhibitions --- Sṭezaḳer, G'on, --- סטזאקר, ג'ון

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Celebrated Dada artist Hannah Höch (1889-1978) used collage as her artistic medium of choice for both satire and poetic beauty. World-renowned for her work during the Weimar period, she was a pioneer in many aspects, both artistic and cultural, and a pivotal force in the development of collage. A determined believer in artistic freedom, Höch questioned conventional concepts of partnerships, beauty and the making of art, her work often presenting acute critiques of racial and social stereotypes, particularly those of her native Germany at a time of tremendous social change.

collages [visual works] --- Dada --- Höch, Hannah