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Developmental psychology --- Sociology of culture --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- Film --- Fiction --- Thematology --- Sociology of literature --- Race --- Feminism --- Movies --- Gender --- Identity --- Literature --- Popular culture --- Literary criticism --- Film directors --- Writers --- Women --- Blackness --- Book --- Morrison, Toni --- Jones, Gayl --- Brodber, Erna --- Beyoncé --- Senna, Danzy --- Lemmons, Kasi --- Shakira --- United States of America
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Simone C. Drake spent the first several decades of her life learning how to love and protect herself, a black woman, from the systems designed to facilitate her harm and marginalization. But when she gave birth to the first of her three sons, she quickly learned that black boys would need protection from these very same systems-systems dead set on the static, homogenous representations of black masculinity perpetuated in the media and our cultural discourse. In When We Imagine Grace, Drake borrows from Toni Morrison's Beloved to bring imagination to the center of black masculinity studies-allowing individual black men to exempt themselves and their fates from a hateful, ignorant society and open themselves up as active agents at the center of their own stories. Against a backdrop of crisis, Drake brings forth the narratives of black men who have imagined grace for themselves. We meet African American cowboy, Nat Love, and Drake's own grandfather, who served in the first black military unit to fight in World War II. Synthesizing black feminist and black masculinity studies, Drake analyzes black fathers and daughters, the valorization of black criminals, the black entrepreneurial pursuits of Marcus Garvey, Berry Gordy, and Jay-Z, and the denigration and celebration of gay black men: Cornelius Eady, Antoine Dodson, and Kehinde Wiley. With a powerful command of its subjects and a passionate dedication to hope, When We Imagine Grace gives us a new way of seeing and knowing black masculinity-sophisticated in concept and bracingly vivid in telling.
Sociology of minorities --- Masculinity --- Racism --- Black feminism --- Book --- Intersectionality --- African American men --- African Americans --- Social conditions. --- agency. --- black culture. --- black feminism. --- black male crisis. --- black masculinity. --- imagination. --- intersectionality. --- law. --- subjectivity.
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Simone C. Drake spent the first several decades of her life learning how to love and protect herself, a black woman, from the systems designed to facilitate her harm and marginalization. But when she gave birth to the first of her three sons, she quickly learned that black boys would need protection from these very same systems-systems dead set on the static, homogenous representations of black masculinity perpetuated in the media and our cultural discourse. In When We Imagine Grace, Drake borrows from Toni Morrison's Beloved to bring imagination to the center of black masculinity studies-allowing individual black men to exempt themselves and their fates from a hateful, ignorant society and open themselves up as active agents at the center of their own stories. Against a backdrop of crisis, Drake brings forth the narratives of black men who have imagined grace for themselves. We meet African American cowboy, Nat Love, and Drake's own grandfather, who served in the first black military unit to fight in World War II. Synthesizing black feminist and black masculinity studies, Drake analyzes black fathers and daughters, the valorization of black criminals, the black entrepreneurial pursuits of Marcus Garvey, Berry Gordy, and Jay-Z, and the denigration and celebration of gay black men: Cornelius Eady, Antoine Dodson, and Kehinde Wiley. With a powerful command of its subjects and a passionate dedication to hope, When We Imagine Grace gives us a new way of seeing and knowing black masculinity-sophisticated in concept and bracingly vivid in telling.
African American men --- African Americans --- Social conditions. --- Social conditions. --- agency. --- black culture. --- black feminism. --- black male crisis. --- black masculinity. --- imagination. --- intersectionality. --- law. --- subjectivity.
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"ARE YOU ENTERTAINED? re-examines Blackness in popular culture in the digital age. Inspired by Stuart Hall's essay "What is this 'Black' in Black popular culture?" this book contains essays and interviews which explore the complexities of Black popular culture with a focus on the history that has led to this point. Highlighting the challenge Black popular culture must negotiate as it contends with white consumerism and the white gaze, this book emphasizes the cultural changes of the last quarter century and their impacts. ARE YOU ENTERTAINED? covers both new and little known material, bridging the gap between early scholarship on Black popular culture and new scholarship. The collection offers a wide range of perspectives on aspects of popular culture across time period, medium and genre." --
African Americans in popular culture --- Racism in popular culture --- African American arts --- Popular culture --- Politics and culture --- United States
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Black Women's Stories of Everyday Racism puts literary narrative theory to work on an urgent real-world problem.
Racism. --- African American women. --- Racism --- African American women
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