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Rewriting recent music history : the development of early serialism 1947-1955
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ISBN: 9789042925236 904292523X Year: 2011 Volume: 3 Publisher: Leuven: Peeters,


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Noise as a constructive element in music : theoretical and music-analytical perspectives
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ISBN: 1003307027 1000619818 1003307027 1032200391 1032308567 9781003307020 9781000619812 Year: 2022 Publisher: Abingdon, Oxon ; New York, New York : Routledge,

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"Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society, or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment. In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a 'defect', this volume aims at studying its aesthetic and cultural potential. Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume also offers contributions by music analysts"--


Book
Rewriting recent music history : the development of early serialism 1947-1957
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Year: 2011 Publisher: Leuven Peeters

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Noise as a constructive element in music : theoretical and music-analytical perspectives.
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ISBN: 9781032200392 Year: 2022 Publisher: London Routledge

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Flemish chamber music since 1950 : historical overview, discussion of selected works, and inventory
Authors: ---
ISBN: 9789077717066 9077717064 Year: 2011 Volume: 7 Publisher: [Leuven, Belgium]: Matrix,


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Flemish ensemble music since 1950 : historical overview, discussion of selected works and inventory
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ISBN: 9789077717042 9077717048 Year: 2007 Volume: 4 Publisher: Leuven: Matrix,

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Flemish Symphonic Music since 1950 : historical overview, discussion of selected works and inventory
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ISBN: 907771703X 9789077717035 Year: 2006 Volume: 3 Publisher: Leuven: Matrix,

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Flemish music theatre since 1950 : historical overview, discussion of selected works and inventory
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ISBN: 9789077717004 9077717005 Year: 2008 Volume: 5 Publisher: Leuven: Matrix,

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Unfolding time
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ISBN: 9461660960 9789461660961 9789058677358 9058677354 Year: 2009 Publisher: Leuven

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Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research.


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Flemish music theatre since 1950: historical overview, discussion of selected works and inventory
Authors: ---
Year: 2008 Publisher: Leuven Matrix

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