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Dodécaphonisme sériel --- Musical serialism --- Musique sérielle --- Muzikale serialisme --- Serial composition (Music) --- Serialism (Music) --- Sérialisme --- Sérialisme musical --- Sérielle, Musique --- Séries (Musique) --- Technique sérielle --- Total serialism (Music) --- Music --- Musique --- History and criticism. --- Histoire et critique --- Geschichte 1947-1957. --- History and criticism --- Academic collection --- Musique sérielle --- Composition (Music) --- 20th century --- Music - 20th century - History and criticism --- Essays --- Hedendaagse muziek --- Serialisme --- 20e eeuw
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"Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society, or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment. In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a 'defect', this volume aims at studying its aesthetic and cultural potential. Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume also offers contributions by music analysts"--
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Music --- muziekgeschiedenis --- anno 1900-1999
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Music --- muziekgeschiedenis --- kamermuziek --- anno 1900-1999 --- anno 2000-2099 --- Flanders --- Flandres. Musique --- Vlaanderen. Muziek --- Chamber music --- History and criticism --- History and criticism. --- Academic collection --- 525 --- Muziekgeschiedenis (20e - 21e eeuw) --- Contains audio-visual material --- 20th century --- Belgium --- Chamber music - Belgium - Flanders - 20th century - History and criticism --- Chamber music - Belgium - Flanders - 21st century - History and criticism --- Chamber music - Belgium - Flanders - Catalogs --- Chamber music - Belgium - Flanders - Discography --- Repertoire --- Vlaanderen --- 21e eeuw --- 20e eeuw --- Kamermuziek
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Academic collection --- Flemish music --- 78.28.1 --- 78.28.2 --- Music --- Flanders (Belgium)
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Music --- symfonische muziek --- anno 1900-1999 --- anno 2000-2099 --- Flanders --- Academic collection --- 525 --- Muziekgeschiedenis (20e - 21e eeuw) --- Flemish music --- 78.28.1 --- 78.28.2 --- Belgium --- Flanders (County) --- 20th century --- Orkest --- Vlaanderen --- 20e eeuw
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Vlaanderen. Muziek --- 78.28.1 --- 78.28.2 --- 525 --- Muziekgeschiedenis (20e - 21e eeuw) --- Opera's --- Muziektheater --- Vlaanderen --- 20e eeuw
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Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research.
Music theory --- Time in music. --- Composition (Music) --- Music --- Musical theory --- Theory of music --- Theory --- Time in music
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Music --- muziekgeschiedenis --- anno 1900-1999 --- anno 2000-2099 --- Flanders
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