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Arts, American --- Phrenology --- History --- History --- United States --- Intellectual life
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Spiritualism emerged in western New York in 1848 and soon achieved a wide following due to its claim that the living could commune with the dead. In Haunted Visions: Spiritualism and American Art, Charles Colbert focuses on the ways Spiritualism imbued the making and viewing of art with religious meaning and, in doing so, draws fascinating connections between art and faith in the Victorian age.Examining the work of such well-known American artists as James Abbott McNeill Whistler, William Sydney Mount, and Robert Henri, Colbert demonstrates that Spiritualism played a critical role in the evolution of modern attitudes toward creativity. He argues that Spiritualism made a singular contribution to the sanctification of art that occurred in the latter half of the nineteenth century. The faith maintained that spiritual energies could reside in objects, and thus works of art could be appreciated not only for what they illustrated but also as vessels of the psychic vibrations their creators impressed into them. Such beliefs sanctified both the making and collecting of art in an era when Darwinism and Positivism were increasingly disenchanting the world and the efforts to represent it. In this context, Spiritualism endowed the artist's profession with the prestige of a religious calling; in doing so, it sought not to replace religion with art, but to make art a site where religion happened.
Art, American --- Spiritualism --- Spiritualism in art. --- History. --- American History. --- American Studies. --- Architecture. --- Fine Art. --- Garden History.
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Architecture, Modern --- Congresses --- Gropius, Walter, --- Le Corbusier, --- Mies van der Rohe, Ludwig, --- Wright, Frank Lloyd, --- % 9611AR --- -Modern architecture --- Gropius, Walter --- Le Corbusier --- Mies van der Rohe, Ludwig --- Wright, Frank Lloyd --- Congresses. --- -Congresses --- Jeanneret, Charles-Edouard --- Le Corbusier-Saugnier --- Mies, Ludwig, --- Mis van der Roė, Li︠u︡dvig, --- Rohe, Ludwig Mies van der, --- Rohe, Mies van der, --- Van der Rohe, Ludwig Mies, --- Misi Fan De Luo, --- Jeanneret-Gris, Charles Edouard, --- Gris, Charles Edouard Jeanneret-, --- Jeanneret, Charles Edouard, --- Corbusier, Edouard le, --- Le Corbusier, Eduard, --- Le Corbusier-Saugnier, --- Corbusier, --- Kebiyi, --- Korubyujie, --- Le Korbi︠u︡zʹe, --- Le Kebuxiye, --- Lu Kūrbūziyah, --- Ru Korubyujie, --- Rangnalei, Chaersi Aidehua, --- 勒・柯布西耶, --- 让纳雷, 查尔斯・爱德华, --- Ле Корбюзьє, --- Gropius, Walter, - 1883-1969 --- Le Corbusier, - 1887-1965 --- Mies van der Rohe, Ludwig, - 1886-1969 --- Wright, Frank Lloyd, - 1867-1959
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"The immense problems confronting American design derive not only from 'the mediocrity of taste or corruptions of practice, in the public at large and within the design professions, but [also from] the immense scale and challenging complexity of the opportunities now open to the designer, the difficulty of defining the standards that should govern creative design in an expanding and changing society, and the difficulty of establishing the authority - institutionalizing the observance - of such standards in an industrial and democratic community'."--Back cover.
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Social sciences (general) --- Environmental planning --- human geography --- urban planning --- United States of America
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