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Verheyen Jef --- Vermeersch Pieter --- Cortier Amédée --- Van Snick Philippe --- Bertrand Gaston --- Stappaerts Boy & Erik --- Lohaus Bernd --- Segers Timothy --- De Keyser Raoul --- Robijns Gert --- Leblanc Walter --- Schraenen Stéphane --- Arocha Carla --- abstracte schilderkunst --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.038/039 --- abstractie --- installaties --- schilderkunst --- beeldhouwkunst --- Mees Guy --- Alÿs Francis --- België --- Exhibitions --- Abstract [fine arts style] --- Contemporary [style of art] --- Art --- anno 1980-1989 --- anno 2000-2009 --- anno 1960-1969 --- anno 2010-2019 --- anno 1970-1979 --- anno 1990-1999 --- Belgium --- Abstract [modern European style]

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To mark the occasion of the exhibition, Magical Surfaces: The Uncanny in Contemporary Photography, Parasol unit has published a comprehensive, limited edition publication. 
The works of the seven artists selected for this exhibition, Sonja Braas, David Claerbout, Elger Esser, Julie Monaco, Jörg Sasse, Stephen Shore and Joel Sternfeld, all reveal in varying forms the idea of the uncanny – from the magical to the strange and fearful. Each of the exhibiting artists has chosen their own process, either manipulating photographic imagery or creating such settings, which prompts us to marvel at the many ways the uncanny can occur in surfaces and realise once more that any photograph is indeed authored.

Photography --- artistieke fotografie --- artistieke fotografie --- Shore, Stephen --- Braas, Sonja --- Esser, Elger --- Sasse, Jörg --- Sternfeld, Joel --- Monaco, Julie --- Claerbout, David

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Art --- sculpture [visual works] --- installations [visual works] --- art [discipline] --- painting [image-making] --- video art --- mixed media works --- Nuur, Navid --- Armajani, Siah --- Ansarinia, Nazgol --- Hedayat, Ghazaleh --- Kami, Y.Z. --- Valamanesh, Hossein --- Lashai, Farideh --- Samiee, Sam --- Ahmadvand, Morteza --- Farahani, Mitra --- Hesamiyan, Sahand --- Navabi, Koushna --- Tabatabai, Hadi --- Iran

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Although trained as a painter and draughtsman, David Claerbout (1969) has been taking Belgium and the world by storm with his videos. He works, in his own words, hard but slowly, and he likes to test the endurance of his audience. His films may be as long as 13 hours, he undermines the classic cinema, and teaches us to look in a new way that he calls 'observing'. Claerbout composes his films in his own studio, where he turns thousands of stills and scans into slowly moving films. He expect his public not to be in a hurry and to be prepared to take the time to experience his images. In this first catalogue of his oeuvre, his film and video projects are subjected to serious analysis on the basis of production photos, design sketches and pictures of installations. This offers an exciting point of entry into the method, artistic programme and aesthetic development of the artist.

Claerbout, David --- Claerbout, David, --- Claerbout, David. --- Videokunst ; film ; 2000-2012 ; David Claerbout --- Claerbout, David °1969 (°Kortrijk, België) --- Tentoonstellingscatalogi ; Brussel ; Wiels --- Claerbout David --- 7.071 CLAERBOUT --- 778.5 --- 778.5.07 --- Belgische kunstenaars --- kunst --- fotografie --- videokunst --- België --- film --- tekenkunst --- eenentwintigste eeuw --- 778.5 Filmfotografie. Filmkunst --- Filmfotografie. Filmkunst --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Exhibitions --- Video art --- Video art. --- Belgium. --- 706.8 --- 706.9 --- 705.81 --- video --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw) --- kunstgeschiedenis, België, 20e eeuw --- kunstgeschiedenis, België, 21e eeuw --- kunstgeschiedenis, videokunst --- Claerbout, David, - 1969 --- -778.5 --- -Claerbout, David --- Art, Belgian