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Art --- Sculpture --- assemblages [sculpture] --- relief [sculpture techniques] --- art [discipline] --- sculpting --- Roulin, Felix --- Copers, Leo --- Deleu, Luc --- Driessche, van den, Lucien --- Tapta --- Hoe, Van, Marc --- Dubois, Jean --- Mariën, Marcel --- Dusépulchre, Francis --- Fréson, Florence --- Metallic Avau --- Nucha --- Breuil, Nadine --- Leblanc, Walter --- Buscarlet, Alain --- Cafmeyer, Jos --- Chotteau, Thérèse --- Claus, Christian --- Devriendt, Robert --- Hoenraet, Luc --- Lenoir, Lut --- Villiers, de, Jephan --- Dubuc, Evelyne --- Dutrieux, Daniel --- Fernandez, Javier --- Feulien, Marc --- Fiszman, Gilles --- Flament, Richard --- Geilfus, Fréderic --- Guyaux, Martin --- Hamelrijck, Ado --- Mulkers, Urbain --- Helleweegen, Willy --- Decock, Gilbert --- Wilmès, Christine --- Jem --- Linthout, Michel --- Lafontaine, Marie-Jo --- Smet, de, Yves --- Lybeer, Leen --- Mangelinckx, Francis --- Marchal, Charlotte --- Gangolf, Serge --- Massart, Jean-Georges --- Matsuo, Takakazu --- Pas, Roger --- Pinckers, Veerle --- Rijs, Xavier --- Ruelle, Philippe --- Thiran, Bernard --- Auwera, Van der, Bob --- Van Imschoot, Wannes --- Villers, Bernard --- Vernijns, Stefaan --- Weber, Anne --- Jacques, Philippe --- Strebelle, Vincent --- Szymkowicz, Charles --- Haccuria, Maurice --- Coeckelberghs, Luc --- Ubac, Raoul --- Mouton, Jef --- Lambrecht, Bernadette --- Peire, Luc --- Blok, De, Luc --- Baekelmans, Guy --- Bal, Eduard --- Bogaert, André --- Celie, Pieter --- Cromheecke, Denise --- Bury, Pol --- Kort, de, Jetje --- Rafelghem, van, Paul --- Wassenberg, Maio --- Horváth, Pal --- Bailleux, Cesar --- Smets, Michel --- Deluyck, Philippe --- Flausch, Fernand --- Gabriël, Henri --- Hubert, Pierre --- Maury, Jean-Pierre --- Toussaint, Philippe --- Vandeloise, Guy --- Desomberg, Philippe --- Bogart, Bram --- Martens, Michel --- Ramon, Renaat --- Duchateau, Hugo --- Stockmans, Piet --- Martini, Remo --- Swimberghe, Gilbert --- Tout [Brussels] --- anno 1900-1999 --- Belgium

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La régularité des phénomènes de la nature, l'existence d'une répétitivité périodique, cyclique, d'une rythmicité, tout cela est devenu la base de l'élaboration, par Waclaw Szpakowski, d'un système de consignations graphiques de l'infinitude de la ligne, d'un système doté de traits de variabilité et de stabilité pris à la nature. Qunad on parcourt les pages des carnets de l'artiste, on trouve une quantité de notes à côté de systèmes hétérogènes de lignes géométriques.

Drawing --- drawing [image-making] --- Art styles --- Constructivist --- Szpakowski, W. --- anno 1930-1939 --- anno 1900-1999 --- anno 1920-1929 --- Poland --- Szpakowski, Waclaw --- Géométrie --- Rythme --- Waclaw Karol Szpakowski 1883-1973 (°Warschau, Polen) --- Tekenkunst ; 20ste eeuw ; Waclaw Szpakowski --- 741.038 --- 741.07 --- (069) --- Tekenkunst ; 1950 - 2000 --- Tekenkunst ; tekenkunstenaars A - Z --- (Musea. Collecties) --- 20e eeuw --- 700.4 --- 705.8 --- Atelier 340 --- kunst --- schilderkunst --- tekenkunst --- beeldende kunst, musea - tentoonstellingen --- kunstgeschiedenis, 20e eeuw --- Drawing, Polish --- Szpakowski, Wacław, --- Art --- Geometrical drawing

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Breedam, Van, Camiel

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Plaatwerk Prentenboek Fotoboek. --- Breedam, Camiel van,

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Art --- Sculpture --- collages [visual works] --- assemblages [sculpture] --- sculpting --- Breedam, Van, Camiel --- anno 1900-1999 --- anno 2000-2099 --- Belgium