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Recent genre research is no longer based on a static idea of genre or a taxonomic approach, but considers genre hybridity as an essential characteristic of the way in which genres function. The articles in this issue are based on a notion of genericity that not only relates to text structures, but also to the interaction with other discourse types and other media besides the book.
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Recent genre research is no longer based on a static idea of genre or a taxonomic approach, but considers genre hybridity as an essential characteristic of the way in which genres function. The articles in this issue are based on a notion of genericity that not only relates to text structures, but also to the interaction with other discourse types and other media besides the book.
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